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The collection

124 works match your filters.

Medium:Print57 Painting46 Sculpture11 Drawing6

Image

With image124
All138
Metadata only14

Year range

to

Decade

1950s1
1940s1
1930s2
1920s36
1910s10
1900s14
1890s32
1880s12
1870s4
1860s6
1840s1
1830s1

Medium

Painting46
Print57
Drawing6
Sculpture11

Institution

The Museum of Modern Art62
National Gallery of Art22
Städel Museum14
Art Institute of Chicago11
Cleveland Museum of Art9
Harvard Art Museums2
The Metropolitan Museum of Art2
Hirshhorn Museum and Sculpture Garden1
Minneapolis Institute of Art1

Nationality

- Europe
French124
Austrian31
Swiss14
Czech12
Grand Duchy of Baden6
Norwegian6
Belgian3
Dutch3
Prussian2
Austria–Hungary1

Movement

Impressionism149
Symbolism124
Post-impressionism85
Expressionism63
surrealism61
French Realism56
cubism45
Fauvism45
Rococo40
Dada37
modernism35
Romanticism35
Baroque painting31
modern art25
Orphism23
simultanism23
Baroque19
Flemish Baroque painting16
Bauhaus15
realism15
Les Nabis14
Barbizon school13
Catalan modernism13
Classicism13
Neo-impressionism10
New Objectivity8
De Stijl6
Japonisme6
abstraction5
Neoclassicism5

Related

Post-impressionism

Exhibition History

Has exhibition record20

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)7
graphite5
paint5
watercolor5
inorganic material4
water-base paint4
bronze3
copper alloy3
metal3
nonferrous metal3
ink1
marble1
metamorphic rock1
rock1
wove paper1

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View:Works Exhibitions20 works

Gray (Gris) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Vasily Kandinsky, 1953 (original executed in 1931), One from a portfolio of sixteen screenprint reproductions

Gray (Gris) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Vasily Kandinsky · 1953 (original executed in 1931)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Plate (folio 12) from 10 Origin, Vasily Kandinsky, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 12) from 10 Origin

Vasily Kandinsky · 1942

Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Round Poetry (Runde Dichtung), Vasily Kandinsky, 1933, Watercolor, opaque watercolor and pencil on paper

Round Poetry (Runde Dichtung)

Vasily Kandinsky · 1933

Watercolor, opaque watercolor and pencil on paper

The Museum of Modern Art

Lightly Touching [also known as "Lightly Touched"] (Leicht berührt), Vasily Kandinsky, 1931, Oil on board

Lightly Touching [also known as "Lightly Touched"] (Leicht berührt)

Vasily Kandinsky · 1931

Oil on board

The Museum of Modern Art

Blue (Blau), Vasily Kandinsky, 1927, Oil on board

Blue (Blau)

Vasily Kandinsky · 1927

Oil on board

The Museum of Modern Art

Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere, Georges Rouault, 1927, Aquatint and drypoint with roulette over photogravure

Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere

Georges Rouault · 1927

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere, Georges Rouault, 1927, Aquatint, etching, and drypoint with roulette over photogravure

Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere

Georges Rouault · 1927

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere, Georges Rouault, 1926, Aquatint and drypoint over photogravure, with pen and ink additions

Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere

Georges Rouault · 1926

Aquatint and drypoint over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for Face To Face, plate XL from Miserere, Georges Rouault, 1926, Aquatint, etching, and drypoint with roulette over photogravure

Trial proof for Face To Face, plate XL from Miserere

Georges Rouault · 1926

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere, Georges Rouault, 1926, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere

Georges Rouault · 1926

Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

The Museum of Modern Art

Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere, Georges Rouault, 1926, published 1948, Aquatint, drypoint and photogravure with ink additions

Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere

Georges Rouault · 1926, published 1948

Aquatint, drypoint and photogravure with ink additions

The Museum of Modern Art

Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere, Georges Rouault, 1926, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere

Georges Rouault · 1926

Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for "With Tooth and Nail," plate L from Miserere, Georges Rouault, 1926, Aquatint and drypoint over photogravure, with pen and ink additions

Trial proof for "With Tooth and Nail," plate L from Miserere

Georges Rouault · 1926

Aquatint and drypoint over photogravure, with pen and ink additions

The Museum of Modern Art

Black Relationship (Schwarze Beziehung), Vasily Kandinsky, 1924, Watercolor and ink on paper

Black Relationship (Schwarze Beziehung)

Vasily Kandinsky · 1924

Watercolor and ink on paper

The Museum of Modern Art

Trial proof for We Think Ourselves Kings, plate VII from Miserere, Georges Rouault, 1923, Aquatint with roulette over photogravure

Trial proof for We Think Ourselves Kings, plate VII from Miserere

Georges Rouault · 1923

Aquatint with roulette over photogravure

The Museum of Modern Art

Trial proof for In the Land of Thirst and Terror, plate XXVI from Miserere, Georges Rouault, 1923, Aquatint and lift ground aquatint with roulette over photogravure

Trial proof for In the Land of Thirst and Terror, plate XXVI from Miserere

Georges Rouault · 1923

Aquatint and lift ground aquatint with roulette over photogravure

The Museum of Modern Art

Trial proof for We Think Ourselves Kings, plate VII from Miserere, Georges Rouault, 1923, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

Trial proof for We Think Ourselves Kings, plate VII from Miserere

Georges Rouault · 1923

Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for It Would be So Sweet to Love!, plate XIII from Miserere, Georges Rouault, 1923, Lift ground aquatint, etching, and drypoint over photogravure

Trial proof for It Would be So Sweet to Love!, plate XIII from Miserere

Georges Rouault · 1923

Lift ground aquatint, etching, and drypoint over photogravure

The Museum of Modern Art

Trial proof for Who Does Not Paint Himself a Face?, plate VIII from Miserere, Georges Rouault, 1923, Aquatint and drypoint with roulette over photogravure

Trial proof for Who Does Not Paint Himself a Face?, plate VIII from Miserere

Georges Rouault · 1923

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for Death Took Him As He Rose From His Bed of Nettles, plate XLV from Miserere, Georges Rouault, 1922, Aquatint, etching, and drypoint with roulette over photogravure

Trial proof for Death Took Him As He Rose From His Bed of Nettles, plate XLV from Miserere

Georges Rouault · 1922

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for And Veronica With Her Delicate Linen Still Goes Her Way..., plate XXXIII from Miserere, Georges Rouault, 1922, Aquatint and drypoint with roulette over photogravure

Trial proof for And Veronica With Her Delicate Linen Still Goes Her Way..., plate XXXIII from Miserere

Georges Rouault · 1922

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for It is Hard to Live..., plate XII from Miserere, Georges Rouault, 1922, Aquatint, etching, and drypoint with roulette over photogravure

Trial proof for It is Hard to Live..., plate XII from Miserere

Georges Rouault · 1922

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for Christ Laying On His Hands, rejected plate from Miserere, Georges Rouault, c. 1922–1927, Aquatint and drypoint with roulette over photogravure

Trial proof for Christ Laying On His Hands, rejected plate from Miserere

Georges Rouault · c. 1922–1927

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for Eternally Scourged..., plate III from Miserere, Georges Rouault, 1922, Aquatint, etching, and drypoint with roulette over photogravure

Trial proof for Eternally Scourged..., plate III from Miserere

Georges Rouault · 1922

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

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