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The collection

22 works match your filters.

Medium:Drawing12 Painting10

Image

With image22
All26
Metadata only4

Year range

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Decade

1930s4
1920s12
1910s6

Medium

Painting10
Drawing12

Institution

The Museum of Modern Art22

Nationality

- Europe
- Americas
American22
German10
French8

Movement

abstract expressionism134
surrealism133
abstract art99
modern art77
social realism69
pop art68
op art66
modernism51
Aestheticism47
contemporary art43
Expressionism40
Postmodernism38
Neoclassicism36
Constructivism28
Dada28
New Objectivity22
hard-edge painting20
Impressionism20
Minimalism20
Northwest School18
kinetic art13
Neo-Dada10
20th-century classical music7
American modernism7
Fluxus7
realism7
Romanticism7
conceptual art6
cubism6
Chicago Imagists5

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The Last Soldier, George Grosz, 1937, Watercolor, opaque watercolor and ink on paper

The Last Soldier

George Grosz · 1937

Watercolor, opaque watercolor and ink on paper

The Museum of Modern Art

Punishment (Strafe), George Grosz, 1934, Watercolor and opaque watercolor on paper

Punishment (Strafe)

George Grosz · 1934

Watercolor and opaque watercolor on paper

The Museum of Modern Art

An Orderly. Costume design for the play The Case of Sergeant Grischa (Der Streit um den Sergeanten Grischa), George Grosz, c. 1930, Watercolor, ink and pencil on paper

An Orderly. Costume design for the play The Case of Sergeant Grischa (Der Streit um den Sergeanten Grischa)

George Grosz · c. 1930

Watercolor, ink and pencil on paper

The Museum of Modern Art

Fritzke and Birkholz. Costume designs for the play The Case of Sergeant Grischa (Der Streit um den Sergeanten Grischa), George Grosz, c. 1930, Watercolor and ink on paper

Fritzke and Birkholz. Costume designs for the play The Case of Sergeant Grischa (Der Streit um den Sergeanten Grischa)

George Grosz · c. 1930

Watercolor and ink on paper

The Museum of Modern Art

Seated Girl (Sitzendes Mädchen), George Grosz, 1927, Pencil on paper

Seated Girl (Sitzendes Mädchen)

George Grosz · 1927

Pencil on paper

The Museum of Modern Art

Circe (recto); Untitled (verso), George Grosz, 1927, Watercolor and ink on paper (recto); Ink on paper (verso)

Circe (recto); Untitled (verso)

George Grosz · 1927

Watercolor and ink on paper (recto); Ink on paper (verso)

The Museum of Modern Art

Anna Peter, George Grosz, 1926–27, Pencil on paper

Anna Peter

George Grosz · 1926–27

Pencil on paper

The Museum of Modern Art

Café, George Grosz, c. 1926, Ink and pencil on paper

Café

George Grosz · c. 1926

Ink and pencil on paper

The Museum of Modern Art

Max Herrmann-Neisse, George Grosz, 1925, Ink on paper

Max Herrmann-Neisse

George Grosz · 1925

Ink on paper

The Museum of Modern Art

At the Circus Medrano (Im Zirkus Medrano), George Grosz, 1924, Ink on paper

At the Circus Medrano (Im Zirkus Medrano)

George Grosz · 1924

Ink on paper

The Museum of Modern Art

Cirque Medrano, Clowns Poitu and Chocolat (Circus Medrano, Clowns Poitu et Chocolat), George Grosz, 1924, Ink and pencil on paper

Cirque Medrano, Clowns Poitu and Chocolat (Circus Medrano, Clowns Poitu et Chocolat)

George Grosz · 1924

Ink and pencil on paper

The Museum of Modern Art

At the Cirque Medrano (Im Zirkus Medrano), George Grosz, 1924, Ink on paper

At the Cirque Medrano (Im Zirkus Medrano)

George Grosz · 1924

Ink on paper

The Museum of Modern Art

Methusalem. Costume design for the play Methusalem, George Grosz, 1922, Watercolor, ink, metallic paint, and pencil on paper

Methusalem. Costume design for the play Methusalem

George Grosz · 1922

Watercolor, ink, metallic paint, and pencil on paper

The Museum of Modern Art

"The Convict" Monteur John Heartfield After Franz Jung's Attempt to Get Him Up on His Feet ("Der Sträfling" Monteur John Heartfield nach Franz Jungs Versuch ihn auf die Beine zu stellen), George Grosz, 1920, Watercolor, ink, pencil, and cut-and-pasted printed paper on paper

"The Convict" Monteur John Heartfield After Franz Jung's Attempt to Get Him Up on His Feet ("Der Sträfling" Monteur John Heartfield nach Franz Jungs Versuch ihn auf die Beine zu stellen)

George Grosz · 1920

Watercolor, ink, pencil, and cut-and-pasted printed paper on paper

The Museum of Modern Art

Dispute by Moonlight (Disput bei Mondschein) (recto); Two Men (verso), George Grosz, c. 1920, Ink on paper (recto and verso)

Dispute by Moonlight (Disput bei Mondschein) (recto); Two Men (verso)

George Grosz · c. 1920

Ink on paper (recto and verso)

The Museum of Modern Art

Republican Automatons (Republikanische Automaten), George Grosz, 1920, Watercolor and pencil on paper

Republican Automatons (Republikanische Automaten)

George Grosz · 1920

Watercolor and pencil on paper

The Museum of Modern Art

The End of the Day, George Grosz, c. 1919, Ink on paper

The End of the Day

George Grosz · c. 1919

Ink on paper

The Museum of Modern Art

Fit for Active Service (Kriegsverwendungsfähig), George Grosz, 1918, Ink and pencil on paper

Fit for Active Service (Kriegsverwendungsfähig)

George Grosz · 1918

Ink and pencil on paper

The Museum of Modern Art

The Christmas Brothers, George Grosz, 1917, Ink on paper

The Christmas Brothers

George Grosz · 1917

Ink on paper

The Museum of Modern Art

Metropolis (Grossstadt), George Grosz, 1917, Oil on board

Metropolis (Grossstadt)

George Grosz · 1917

Oil on board

The Museum of Modern Art

Air Attack (Fliegerbombe), George Grosz, 1915, Ink on paper

Air Attack (Fliegerbombe)

George Grosz · 1915

Ink on paper

The Museum of Modern Art

The End of the Road (Out of Fear of Starvation) [Das Ende des Weges (Aus Nahrungssorgen)], George Grosz, 1913, Watercolor and charcoal on paper

The End of the Road (Out of Fear of Starvation) [Das Ende des Weges (Aus Nahrungssorgen)]

George Grosz · 1913

Watercolor and charcoal on paper

The Museum of Modern Art