Gray (Gris) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I
Vasily Kandinsky · 1953 (original executed in 1931)
One from a portfolio of sixteen screenprint reproductions
Plate (folio 12) from 10 Origin
Vasily Kandinsky · 1942
Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph
Eiffel Tower from VVV Portfolio
Marc Chagall · 1942, published 1943
Etching from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print
Round Poetry (Runde Dichtung)
Vasily Kandinsky · 1933
Watercolor, opaque watercolor and pencil on paper
Tänzerin
Ernst Ludwig Kirchner · c. 1933
Bleistift auf kalandriertem Velinkarton
Public domain
This is Ursus Dix (Das ist Ursus Dix)
Otto Dix · 1933
Silverpoint on prepared paper
Old Woman ( Alte Dame )
Otto Dix · 1932
Silverpoint and pencil on prepared paper
![Lightly Touching [also known as "Lightly Touched"] (Leicht berührt), Vasily Kandinsky, 1931, Oil on board](https://www.moma.org/media/W1siZiIsIjEyMjc2OSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=bcb1d59a3adf466e)
Lightly Touching [also known as "Lightly Touched"] (Leicht berührt)
Vasily Kandinsky · 1931
Oil on board
Drehende Tänzerin
Ernst Ludwig Kirchner · c. 1931–1932
Aquarell und Pinsel in Schwarz über Bleistift auf glattem Velinkarton
Public domain
Amaryllis and Anemone (Amaryllis und Anemone)
Emil Nolde · (c. 1930)
Watercolor on paper
Schlafende mit Kind
Käthe Kollwitz · 1929
Holzschnitt in Schwarz auf Japanpapier
Public domain
Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere
Georges Rouault · 1927
Aquatint and drypoint with roulette over photogravure
Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere
Georges Rouault · 1927
Aquatint, etching, and drypoint with roulette over photogravure
Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere
Georges Rouault · 1926
Aquatint and drypoint over photogravure, with pen and ink additions
