Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I
Theo van Doesburg · 1953 (original executed in 1924)
One from a portfolio of sixteen screenprint reproductions
Gray (Gris) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I
Vasily Kandinsky · 1953 (original executed in 1931)
One from a portfolio of sixteen screenprint reproductions
Plate (folio 12) from 10 Origin
Vasily Kandinsky · 1942
Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph
Eiffel Tower from VVV Portfolio
Marc Chagall · 1942, published 1943
Etching from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print
Round Poetry (Runde Dichtung)
Vasily Kandinsky · 1933
Watercolor, opaque watercolor and pencil on paper
![Lightly Touching [also known as "Lightly Touched"] (Leicht berührt), Vasily Kandinsky, 1931, Oil on board](https://www.moma.org/media/W1siZiIsIjEyMjc2OSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=bcb1d59a3adf466e)
Lightly Touching [also known as "Lightly Touched"] (Leicht berührt)
Vasily Kandinsky · 1931
Oil on board
Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere
Georges Rouault · 1927
Aquatint and drypoint with roulette over photogravure
Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere
Georges Rouault · 1927
Aquatint, etching, and drypoint with roulette over photogravure
Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere
Georges Rouault · 1926
Aquatint and drypoint over photogravure, with pen and ink additions
Trial proof for Face To Face, plate XL from Miserere
Georges Rouault · 1926
Aquatint, etching, and drypoint with roulette over photogravure
Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere
Georges Rouault · 1926
Aquatint, lift ground aquatint, and drypoint with roulette over photogravure
Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere
Georges Rouault · 1926, published 1948
Aquatint, drypoint and photogravure with ink additions
Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere
Georges Rouault · 1926
Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions
Trial proof for "With Tooth and Nail," plate L from Miserere
Georges Rouault · 1926
Aquatint and drypoint over photogravure, with pen and ink additions
Black Relationship (Schwarze Beziehung)
Vasily Kandinsky · 1924
Watercolor and ink on paper
Trial proof for We Think Ourselves Kings, plate VII from Miserere
Georges Rouault · 1923
Aquatint with roulette over photogravure
Study for a Composition
Theo van Doesburg · 1923
Gouache and ink on tissue paper and pen and ink on paper
Contra-construction in a Circle
Theo van Doesburg · c. 1923
Gouache, ink, and pencil on paper
Trial proof for In the Land of Thirst and Terror, plate XXVI from Miserere
Georges Rouault · 1923
Aquatint and lift ground aquatint with roulette over photogravure
Trial proof for We Think Ourselves Kings, plate VII from Miserere
Georges Rouault · 1923
Aquatint, lift ground aquatint, and drypoint with roulette over photogravure
Trial proof for It Would be So Sweet to Love!, plate XIII from Miserere
Georges Rouault · 1923
Lift ground aquatint, etching, and drypoint over photogravure
