The Complex of the Sphinx
Pierre Alechinsky · 1967
Synthetic polymer paint, oil, and ink on Japanese paper on canvas
Vanished in Smoke
Pierre Alechinsky · 1962
Distemper, ink, gouache and watercolor on paper on canvas
One Day, the Night
Pierre Alechinsky · 1960
Ink on transparentized paper on canvas
![Study for The Snowman ([Étude] L'Homme des neiges), Pierre Alechinsky, 1956, Ink and watercolor on paper](https://www.moma.org/media/W1siZiIsIjI3NTQ0NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=4706b90e91236efb)
Study for The Snowman ([Étude] L'Homme des neiges)
Pierre Alechinsky · 1956
Ink and watercolor on paper
Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I
Theo van Doesburg · 1953 (original executed in 1924)
One from a portfolio of sixteen screenprint reproductions
Study for a Composition
Theo van Doesburg · 1923
Gouache and ink on tissue paper and pen and ink on paper
Contra-construction in a Circle
Theo van Doesburg · c. 1923
Gouache, ink, and pencil on paper
Design for a stained-glass window for Christian ULO School, Rehobôth te Drachten
Theo van Doesburg · 1922–23
Gouache and pencil on paper
Study for Composition VIII (The Cow) (recto); Untitled (verso)
Theo van Doesburg · c. 1917
Gouache, oil, and charcoal on paper (recto and verso)
Demons Teasing Me
James Ensor · 1895
Etching on copper in black and hand-coloring on buff laid paper
1 show
The Large Plane Trees (Road Menders at Saint-Rémy)
Vincent van Gogh · 1889
oil on fabric
CC0
15 shows
Two Poplars in the Alpilles near Saint-Rémy
Vincent van Gogh · 1889
oil on fabric
CC0
17 shows
