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The collection

39 works match your filters.

Medium:Painting16 Drawing13 Print7

Image

With image39
All41
Metadata only2

Year range

to

Decade

1950s5
1940s6
1930s5
1920s15
1910s8

Medium

Painting16
Print7
Drawing13

Institution

The Museum of Modern Art38
Art Institute of Chicago1

Nationality

- Europe
- Americas
French37
American28
German8
Swiss2

Movement

Impressionism153
Symbolism138
Post-impressionism89
Expressionism63
surrealism61
French Realism56
cubism45
Fauvism45
Rococo40
Dada39
modernism35
Romanticism35
modern art25
Orphism23
simultanism23
German Renaissance20
Bauhaus15
realism15
Les Nabis14
Barbizon school13
Catalan modernism13
Classicism13
Neo-impressionism10
New Objectivity8
Art Nouveau6
De Stijl6
Japonisme6
abstraction5
Neoclassicism5
Salon Cubism5

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Exhibition History

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Coverage currently skews to AIC and Cleveland works.

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View:Works Exhibitions1 works

A Little Solitude in the Midst of Suns (Petite solitude au milieu des soleils) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Francis Picabia, 1953 (original executed in 1915), One from a portfolio of sixteen screenprint reproductions

A Little Solitude in the Midst of Suns (Petite solitude au milieu des soleils) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Francis Picabia · 1953 (original executed in 1915)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Four Spaces with a Broken Cross (Quatre espaces à croix brisée) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Sophie Taeuber-Arp, 1953 (original executed in 1932), One from a portfolio of sixteen screenprint reproductions

Four Spaces with a Broken Cross (Quatre espaces à croix brisée) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Sophie Taeuber-Arp · 1953 (original executed in 1932)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Constellation from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Jean (Hans) Arp, 1953 (original executed in 1928), One from a portfolio of sixteen screenprint reproductions

Constellation from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Jean (Hans) Arp · 1953 (original executed in 1928)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

The Bell Ringer and Map of the Ocean (Le Sonneur et Carte de l'océan), Max Ernst, 1950, Two etchings, one inkless

The Bell Ringer and Map of the Ocean (Le Sonneur et Carte de l'océan)

Max Ernst · 1950

Two etchings, one inkless

The Museum of Modern Art

The Bell Ringer or Map of the Ocean (Le Sonneur ou Carte de l'océan), Max Ernst, 1950, Etching

The Bell Ringer or Map of the Ocean (Le Sonneur ou Carte de l'océan)

Max Ernst · 1950

Etching

The Museum of Modern Art

Adam and Eve Expelled from the Garden of Eden (Adam et Eve chassés du Paradis), Max Ernst, 1946–47, Gouache on cardstock

Adam and Eve Expelled from the Garden of Eden (Adam et Eve chassés du Paradis)

Max Ernst · 1946–47

Gouache on cardstock

The Museum of Modern Art

Maternity (Study for Surrealism and Painting), Max Ernst, 1942, Pencil and chalk on colored paper

Maternity (Study for Surrealism and Painting)

Max Ernst · 1942

Pencil and chalk on colored paper

The Museum of Modern Art

Plate (folio 4) from 10 Origin, Jean (Hans) Arp, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 4) from 10 Origin

Jean (Hans) Arp · 1942

Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Plate from 10 Origin, Sophie Taeuber-Arp, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate from 10 Origin

Sophie Taeuber-Arp · 1942

Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Untitled (The Bird People) from VVV Portfolio, Max Ernst, 1942, published 1943, Crayon on paper from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print

Untitled (The Bird People) from VVV Portfolio

Max Ernst · 1942, published 1943

Crayon on paper from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print

The Museum of Modern Art

Alice in 1941, Max Ernst, 1941, Oil on paper on canvas

Alice in 1941

Max Ernst · 1941

Oil on paper on canvas

The Museum of Modern Art

Sun and Forest (Soleil et forêt), Max Ernst, 1931, Cut-and-pasted cardboard with oil, gouache, and pencil on paperboard

Sun and Forest (Soleil et forêt)

Max Ernst · 1931

Cut-and-pasted cardboard with oil, gouache, and pencil on paperboard

The Museum of Modern Art

Forest and Sun, Max Ernst, 1931, Graphite frottage on paper

Forest and Sun

Max Ernst · 1931

Graphite frottage on paper

The Museum of Modern Art

Loplop Introduces Members of the Surrealist Group (Loplop présente les membres du groupe surréaliste), Max Ernst, 1931, Cut-and-pasted gelatin silver prints, cut-and-pasted printed paper, pencil, and pencil frottage on paper

Loplop Introduces Members of the Surrealist Group (Loplop présente les membres du groupe surréaliste)

Max Ernst · 1931

Cut-and-pasted gelatin silver prints, cut-and-pasted printed paper, pencil, and pencil frottage on paper

The Museum of Modern Art

Butterflies (Papillons), Max Ernst, 1931, Cut-and-pasted printed and painted paper, cellophane, and pencil on paper

Butterflies (Papillons)

Max Ernst · 1931

Cut-and-pasted printed and painted paper, cellophane, and pencil on paper

The Museum of Modern Art

Transparence - Tête et Cheval, Francis Picabia, (c. 1930), Ink, gouache, and watercolor on paper

Transparence - Tête et Cheval

Francis Picabia · (c. 1930)

Ink, gouache, and watercolor on paper

The Museum of Modern Art

Têtes-paysage, Francis Picabia, 1928, Oil on canvas

Têtes-paysage

Francis Picabia · 1928

Oil on canvas

Art Institute of Chicago

1 show

Natural History (Histoire naturelle), Max Ernst, c. 1925, published 1926, Portfolio of thirty-four collotypes after frottage

Natural History (Histoire naturelle)

Max Ernst · c. 1925, published 1926

Portfolio of thirty-four collotypes after frottage

The Museum of Modern Art

Mountain, Navel, Anchors, Table, Jean (Hans) Arp, 1925, Gouache on board with cutouts

Mountain, Navel, Anchors, Table

Jean (Hans) Arp · 1925

Gouache on board with cutouts

The Museum of Modern Art

Self-Portrait, Francis Picabia, (1923), Ink and pencil on paper

Self-Portrait

Francis Picabia · (1923)

Ink and pencil on paper

The Museum of Modern Art

Fuel Pump (Pompe à combustible), Francis Picabia, 1922, Pencil, ink, colored ink, and gouache on paper

Fuel Pump (Pompe à combustible)

Francis Picabia · 1922

Pencil, ink, colored ink, and gouache on paper

The Museum of Modern Art

The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses (La Biciclette graminée garnie de grelots les grisous grivelés et les échinodermes courbants l'échine pour quêter des caresses), Max Ernst, 1921, Gouache, ink, and pencil on printed paper on paperboard

The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses (La Biciclette graminée garnie de grelots les grisous grivelés et les échinodermes courbants l'échine pour quêter des caresses)

Max Ernst · 1921

Gouache, ink, and pencil on printed paper on paperboard

The Museum of Modern Art

Portrait (Possibly Raymond Radiquet), Francis Picabia, 1921, Ink on paper

Portrait (Possibly Raymond Radiquet)

Francis Picabia · 1921

Ink on paper

The Museum of Modern Art

Untitled, Max Ernst, 1920s, Cut-and-pasted printed paper on printed paper with gouache and pencil

Untitled

Max Ernst · 1920s

Cut-and-pasted printed paper on printed paper with gouache and pencil

The Museum of Modern Art

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