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28 works match your filters.

Medium:Drawing14 Painting11 Print1

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1960s1
1930s4
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The Museum of Modern Art28

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French37
American28
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surrealism140
abstract expressionism134
abstract art99
modern art77
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L.H.O.O.Q. Shaved, Marcel Duchamp, 1965, Playing card with colored ink on printed invitation

L.H.O.O.Q. Shaved

Marcel Duchamp · 1965

Playing card with colored ink on printed invitation

The Museum of Modern Art

The Last Soldier, George Grosz, 1937, Watercolor, opaque watercolor and ink on paper

The Last Soldier

George Grosz · 1937

Watercolor, opaque watercolor and ink on paper

The Museum of Modern Art

Punishment (Strafe), George Grosz, 1934, Watercolor and opaque watercolor on paper

Punishment (Strafe)

George Grosz · 1934

Watercolor and opaque watercolor on paper

The Museum of Modern Art

An Orderly. Costume design for the play The Case of Sergeant Grischa (Der Streit um den Sergeanten Grischa), George Grosz, c. 1930, Watercolor, ink and pencil on paper

An Orderly. Costume design for the play The Case of Sergeant Grischa (Der Streit um den Sergeanten Grischa)

George Grosz · c. 1930

Watercolor, ink and pencil on paper

The Museum of Modern Art

Fritzke and Birkholz. Costume designs for the play The Case of Sergeant Grischa (Der Streit um den Sergeanten Grischa), George Grosz, c. 1930, Watercolor and ink on paper

Fritzke and Birkholz. Costume designs for the play The Case of Sergeant Grischa (Der Streit um den Sergeanten Grischa)

George Grosz · c. 1930

Watercolor and ink on paper

The Museum of Modern Art

Seated Girl (Sitzendes Mädchen), George Grosz, 1927, Pencil on paper

Seated Girl (Sitzendes Mädchen)

George Grosz · 1927

Pencil on paper

The Museum of Modern Art

Circe (recto); Untitled (verso), George Grosz, 1927, Watercolor and ink on paper (recto); Ink on paper (verso)

Circe (recto); Untitled (verso)

George Grosz · 1927

Watercolor and ink on paper (recto); Ink on paper (verso)

The Museum of Modern Art

Anna Peter, George Grosz, 1926–27, Pencil on paper

Anna Peter

George Grosz · 1926–27

Pencil on paper

The Museum of Modern Art

Café, George Grosz, c. 1926, Ink and pencil on paper

Café

George Grosz · c. 1926

Ink and pencil on paper

The Museum of Modern Art

Max Herrmann-Neisse, George Grosz, 1925, Ink on paper

Max Herrmann-Neisse

George Grosz · 1925

Ink on paper

The Museum of Modern Art

Monte Carlo Bond (No. 12), Marcel Duchamp, 1924, Cut-and-pasted gelatin silver prints on lithograph with letterpress

Monte Carlo Bond (No. 12)

Marcel Duchamp · 1924

Cut-and-pasted gelatin silver prints on lithograph with letterpress

The Museum of Modern Art

At the Circus Medrano (Im Zirkus Medrano), George Grosz, 1924, Ink on paper

At the Circus Medrano (Im Zirkus Medrano)

George Grosz · 1924

Ink on paper

The Museum of Modern Art

Cirque Medrano, Clowns Poitu and Chocolat (Circus Medrano, Clowns Poitu et Chocolat), George Grosz, 1924, Ink and pencil on paper

Cirque Medrano, Clowns Poitu and Chocolat (Circus Medrano, Clowns Poitu et Chocolat)

George Grosz · 1924

Ink and pencil on paper

The Museum of Modern Art

At the Cirque Medrano (Im Zirkus Medrano), George Grosz, 1924, Ink on paper

At the Cirque Medrano (Im Zirkus Medrano)

George Grosz · 1924

Ink on paper

The Museum of Modern Art

Methusalem. Costume design for the play Methusalem, George Grosz, 1922, Watercolor, ink, metallic paint, and pencil on paper

Methusalem. Costume design for the play Methusalem

George Grosz · 1922

Watercolor, ink, metallic paint, and pencil on paper

The Museum of Modern Art

Designs for Chessmen, Marcel Duchamp, c. 1920, Ink, pencil, and relief printing on paper

Designs for Chessmen

Marcel Duchamp · c. 1920

Ink, pencil, and relief printing on paper

The Museum of Modern Art

"The Convict" Monteur John Heartfield After Franz Jung's Attempt to Get Him Up on His Feet ("Der Sträfling" Monteur John Heartfield nach Franz Jungs Versuch ihn auf die Beine zu stellen), George Grosz, 1920, Watercolor, ink, pencil, and cut-and-pasted printed paper on paper

"The Convict" Monteur John Heartfield After Franz Jung's Attempt to Get Him Up on His Feet ("Der Sträfling" Monteur John Heartfield nach Franz Jungs Versuch ihn auf die Beine zu stellen)

George Grosz · 1920

Watercolor, ink, pencil, and cut-and-pasted printed paper on paper

The Museum of Modern Art

Dispute by Moonlight (Disput bei Mondschein) (recto); Two Men (verso), George Grosz, c. 1920, Ink on paper (recto and verso)

Dispute by Moonlight (Disput bei Mondschein) (recto); Two Men (verso)

George Grosz · c. 1920

Ink on paper (recto and verso)

The Museum of Modern Art

Republican Automatons (Republikanische Automaten), George Grosz, 1920, Watercolor and pencil on paper

Republican Automatons (Republikanische Automaten)

George Grosz · 1920

Watercolor and pencil on paper

The Museum of Modern Art

The End of the Day, George Grosz, c. 1919, Ink on paper

The End of the Day

George Grosz · c. 1919

Ink on paper

The Museum of Modern Art

Fit for Active Service (Kriegsverwendungsfähig), George Grosz, 1918, Ink and pencil on paper

Fit for Active Service (Kriegsverwendungsfähig)

George Grosz · 1918

Ink and pencil on paper

The Museum of Modern Art

Handmade Stereopticon Slide, Marcel Duchamp, c. 1918–19, Pencil on gelatin silver prints mounted on black-paper-surfaced board

Handmade Stereopticon Slide

Marcel Duchamp · c. 1918–19

Pencil on gelatin silver prints mounted on black-paper-surfaced board

The Museum of Modern Art

The Christmas Brothers, George Grosz, 1917, Ink on paper

The Christmas Brothers

George Grosz · 1917

Ink on paper

The Museum of Modern Art

Metropolis (Grossstadt), George Grosz, 1917, Oil on board

Metropolis (Grossstadt)

George Grosz · 1917

Oil on board

The Museum of Modern Art

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