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The collection

1,940 works match your filters.

Medium:Print1,940 Photography1,803 Drawing652 Painting594 Sculpture115 Textile30 Ceramics18

Image

With image1,940
All2,016
Metadata only76

Year range

to

Decade

1950s12
1940s7
1920s50
1910s78
1900s98
1890s138
1880s48
1870s68
1860s63
1850s80
1840s196
1830s188
1820s9
1810s9
1800s11
1790s26
1780s97
1770s98
1760s42
1750s31
1740s57
1730s47
1720s4
1710s11
1700s3

Medium

Painting594
Print1,940
Drawing652
Photography1,803
Sculpture115
Ceramics18
Textile30

Institution

National Gallery of Art1,661
Statens Museum for Kunst (National Gallery of Denmark)102
The Museum of Modern Art84
Art Institute of Chicago63
The Metropolitan Museum of Art24
Cooper Hewitt, Smithsonian Design Museum2
Harvard Art Museums2
Cleveland Museum of Art1
Smithsonian American Art Museum1

Nationality

French1,824
German1,195
Italian640
British548
Dutch525
American506
Bohemian217
Netherlandish144
Swiss116
Russian93
Spanish74
Flemish69
Austrian24
Brazilian16
Chilean7
Australian5
Danish5
Belgian4
Fransk, Flamsk4
Hollandsk, Fransk, Flamsk4
Norwegian4
English3
Greenlandic3
Nederlandsk, Flamsk3
French (?)2
Greek2
Hollandsk, Flamsk2
Czech1
French?1
Guatemalan1

Movement

Symbolism59
Post-impressionism58
Impressionism49
Expressionism37
Fauvism35
Rococo16
French Realism11
realism8
Dada7
Romanticism6
Orphism5
simultanism5
surrealism5
Classicism3
cubism3
Neo-impressionism3
Barbizon school2
Bauhaus2
Constructivism2
De Stijl2
abstract art1
abstraction1
Art Concret1
Catalan modernism1
geometric abstraction1
Les Nabis1
modernism1
Salon Cubism1
Section d'Or1

Exhibition History

Has exhibition record64

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)63
ink7
wove paper5
crayons2
laid paper2

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View:Works Exhibitions64 works

Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Albert Gleizes, 1953 (original executed in 1945), One from a portfolio of sixteen screenprint reproductions

Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Albert Gleizes · 1953 (original executed in 1945)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

A Little Solitude in the Midst of Suns (Petite solitude au milieu des soleils) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Francis Picabia, 1953 (original executed in 1915), One from a portfolio of sixteen screenprint reproductions

A Little Solitude in the Midst of Suns (Petite solitude au milieu des soleils) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Francis Picabia · 1953 (original executed in 1915)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Mechanical Period (Époque mécanique) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Fernand Léger, 1953 (original executed in 1919), One from a portfolio of sixteen screenprint reproductions

Mechanical Period (Époque mécanique) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Fernand Léger · 1953 (original executed in 1919)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Madman (Fou) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Auguste Herbin, 1953, One from a portfolio of sixteen screenprint reproductions

Madman (Fou) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Auguste Herbin · 1953

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Four Spaces with a Broken Cross (Quatre espaces à croix brisée) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Sophie Taeuber-Arp, 1953 (original executed in 1932), One from a portfolio of sixteen screenprint reproductions

Four Spaces with a Broken Cross (Quatre espaces à croix brisée) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Sophie Taeuber-Arp · 1953 (original executed in 1932)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Constellation from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Jean (Hans) Arp, 1953 (original executed in 1928), One from a portfolio of sixteen screenprint reproductions

Constellation from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Jean (Hans) Arp · 1953 (original executed in 1928)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Gouache from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Sonia Delaunay, 1953 (original executed in 1950), One from a portfolio of sixteen screenprint reproductions

Gouache from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Sonia Delaunay · 1953 (original executed in 1950)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Gray (Gris) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Vasily Kandinsky, 1953 (original executed in 1931), One from a portfolio of sixteen screenprint reproductions

Gray (Gris) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Vasily Kandinsky · 1953 (original executed in 1931)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Small Cubist Painting (Petite peinture cubiste) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Jacques Villon, 1953 (original executed in 1921), One from a portfolio of sixteen screenprint reproductions

Small Cubist Painting (Petite peinture cubiste) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Jacques Villon · 1953 (original executed in 1921)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Portrait, Alberto Giacometti, 1951, Lithographic crayon and pencil on paper

Portrait

Alberto Giacometti · 1951

Lithographic crayon and pencil on paper

The Museum of Modern Art

The Bell Ringer and Map of the Ocean (Le Sonneur et Carte de l'océan), Max Ernst, 1950, Two etchings, one inkless

The Bell Ringer and Map of the Ocean (Le Sonneur et Carte de l'océan)

Max Ernst · 1950

Two etchings, one inkless

The Museum of Modern Art

The Bell Ringer or Map of the Ocean (Le Sonneur ou Carte de l'océan), Max Ernst, 1950, Etching

The Bell Ringer or Map of the Ocean (Le Sonneur ou Carte de l'océan)

Max Ernst · 1950

Etching

The Museum of Modern Art

Plate (folio 12) from 10 Origin, Vasily Kandinsky, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 12) from 10 Origin

Vasily Kandinsky · 1942

Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Plate (folio 4) from 10 Origin, Jean (Hans) Arp, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 4) from 10 Origin

Jean (Hans) Arp · 1942

Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Plate (folio 6) from 10 Origin, Max Bill, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 6) from 10 Origin

Max Bill · 1942

Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Plate (folio 14) from 10 Origin, Léo Leuppi, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 14) from 10 Origin

Léo Leuppi · 1942

Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Plate (folio 8) from 10 Origin, Sonia Delaunay, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 8) from 10 Origin

Sonia Delaunay · 1942

Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Plate from 10 Origin, Sophie Taeuber-Arp, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate from 10 Origin

Sophie Taeuber-Arp · 1942

Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Plate (folio 16) from 10 Origin, Richard Paul Lohse, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 16) from 10 Origin

Richard Paul Lohse · 1942

Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere, Georges Rouault, 1927, Aquatint and drypoint with roulette over photogravure

Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere

Georges Rouault · 1927

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere, Georges Rouault, 1927, Aquatint, etching, and drypoint with roulette over photogravure

Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere

Georges Rouault · 1927

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere, Georges Rouault, 1926, Aquatint and drypoint over photogravure, with pen and ink additions

Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere

Georges Rouault · 1926

Aquatint and drypoint over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for Face To Face, plate XL from Miserere, Georges Rouault, 1926, Aquatint, etching, and drypoint with roulette over photogravure

Trial proof for Face To Face, plate XL from Miserere

Georges Rouault · 1926

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere, Georges Rouault, 1926, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere

Georges Rouault · 1926

Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

The Museum of Modern Art

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