Skip to main content

dartabase Play Browse Movements

dartabase Play Browse Movements

Aboriginal and Torres Strait Islander peoples are advised that Dartabase may contain images, names, and works of people who have died.

Dartabase, a reference for art and its makers

ExploreBrowse Artists Movements Exhibitions Institutions & sources

Cite & dataCite Dartabase Data terms API & widget

ProjectAbout Gallery partners Contact

Browse

The collection

714 works match your filters.

Medium:Print714 Painting401 Drawing199 Sculpture192 Ceramics56 Textile14 Photography1

Image

With image714
All726
Metadata only12

Year range

to

Decade

1980s1
1950s28
1940s1
1900s1
1860s13
1820s4
1810s2
1800s1
1790s20
1780s13
1770s6
1750s30
1740s4
1730s29
1690s1
1630s1
1620s32
1610s1
1600s2
1590s7
1570s4
1560s3
1550s4
1530s2
1520s4

Medium

Painting401
Print714
Drawing199
Photography1
Sculpture192
Ceramics56
Textile14

Institution

National Gallery of Art660
The Museum of Modern Art30
Statens Museum for Kunst (National Gallery of Denmark)18
Art Institute of Chicago3
Cleveland Museum of Art2
The Metropolitan Museum of Art1

Nationality

French1,824
German1,195
Italian640
British548
Dutch525
American506
Bohemian217
Netherlandish144
Swiss116
Russian93
Spanish74
Flemish69
Austrian24
Brazilian16
Chilean7
Australian5
Danish5
Belgian4
Fransk, Flamsk4
Hollandsk, Fransk, Flamsk4
Norwegian4
English3
Greenlandic3
Nederlandsk, Flamsk3
French (?)2
Greek2
Hollandsk, Flamsk2
Czech1
French?1
Guatemalan1

Movement

Rococo85
Romanticism42
surrealism27
Italian Renaissance14
Baroque12
concrete art2
Movimento Arte Concreta2
contemporary art1
cubism1
Futurism1
Neoclassicism1
Post-impressionism1

Exhibition History

Has exhibition record3

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)3
ink1
laid paper1

Print×Remove filter Spanish×Remove filter Italian×Remove filter Clear all

Sort:

first 500Export:Download

View:Works Exhibitions3 works

Reconciliation (for Parkett no. 9), Francesco Clemente, 1986, Drypoint bound into journal

Reconciliation (for Parkett no. 9)

Francesco Clemente · 1986

Drypoint bound into journal

The Museum of Modern Art

The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate VII from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate VII from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Table of plates from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Etching from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Table of plates from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Etching from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate XIX from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate XIX from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate XVIII from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate XVIII from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate VI from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate II from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate II from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate XIV from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate XIV from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate VIII from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate VIII from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate IX from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate IX from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate XIII from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate XIII from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Wrapper front from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Etching, drypoint, and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Wrapper front from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Etching, drypoint, and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate IV from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate IV from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate XV from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate XV from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate XXII from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Drypoint and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate XXII from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Drypoint and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate XVII from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate XVII from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate V from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate V from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate I from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate I from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Variant of plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Aquatint with pastel additions from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Variant of plate VI from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint with pastel additions from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate XI from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate XI from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate XX from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate XX from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate XII from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate XII from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate X from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate X from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

← Prev

1
2
…
30