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The collection

1,824 works match your filters.

Medium:Print1,824 Photography1,803 Drawing630 Painting542 Sculpture115 Textile30 Ceramics18

Image

With image1,824
All1,898
Metadata only74

Year range

to

Decade

1950s10
1940s3
1920s50
1910s78
1900s98
1890s136
1880s48
1870s68
1860s63
1850s80
1840s196
1830s188
1820s9
1810s9
1800s11
1790s25
1780s97
1770s98
1760s40
1750s30
1740s56
1730s47
1720s4
1710s11
1700s3

Medium

Painting542
Print1,824
Drawing630
Photography1,803
Sculpture115
Ceramics18
Textile30

Institution

National Gallery of Art1,656
The Museum of Modern Art78
Art Institute of Chicago61
The Metropolitan Museum of Art24
Cooper Hewitt, Smithsonian Design Museum2
Cleveland Museum of Art1
Harvard Art Museums1
Smithsonian American Art Museum1

Nationality

French1,824
German1,195
Italian640
British548
Dutch525
American506
Bohemian217
Netherlandish144
Swiss116
Russian93
Spanish74
Flemish69
Austrian24
Brazilian16
Chilean7
Australian5
Danish5
Belgian4
Fransk, Flamsk4
Hollandsk, Fransk, Flamsk4
Norwegian4
English3
Greenlandic3
Nederlandsk, Flamsk3
French (?)2
Greek2
Hollandsk, Flamsk2
Czech1
French?1
Guatemalan1

Movement

Symbolism57
Post-impressionism56
Impressionism47
Expressionism37
Fauvism35
Rococo16
French Realism11
realism8
Romanticism6
Dada5
Orphism5
simultanism5
surrealism5
Classicism3
cubism3
Neo-impressionism3
Barbizon school2
Bauhaus2
De Stijl2
abstraction1
Catalan modernism1
Les Nabis1
modernism1
Salon Cubism1
Section d'Or1

Exhibition History

Has exhibition record62

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)61
ink7
wove paper5
crayons2
laid paper2

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View:Works Exhibitions62 works

Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Albert Gleizes, 1953 (original executed in 1945), One from a portfolio of sixteen screenprint reproductions

Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Albert Gleizes · 1953 (original executed in 1945)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

A Little Solitude in the Midst of Suns (Petite solitude au milieu des soleils) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Francis Picabia, 1953 (original executed in 1915), One from a portfolio of sixteen screenprint reproductions

A Little Solitude in the Midst of Suns (Petite solitude au milieu des soleils) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Francis Picabia · 1953 (original executed in 1915)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Mechanical Period (Époque mécanique) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Fernand Léger, 1953 (original executed in 1919), One from a portfolio of sixteen screenprint reproductions

Mechanical Period (Époque mécanique) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Fernand Léger · 1953 (original executed in 1919)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Madman (Fou) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Auguste Herbin, 1953, One from a portfolio of sixteen screenprint reproductions

Madman (Fou) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Auguste Herbin · 1953

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Constellation from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Jean (Hans) Arp, 1953 (original executed in 1928), One from a portfolio of sixteen screenprint reproductions

Constellation from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Jean (Hans) Arp · 1953 (original executed in 1928)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Gouache from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Sonia Delaunay, 1953 (original executed in 1950), One from a portfolio of sixteen screenprint reproductions

Gouache from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Sonia Delaunay · 1953 (original executed in 1950)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Gray (Gris) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Vasily Kandinsky, 1953 (original executed in 1931), One from a portfolio of sixteen screenprint reproductions

Gray (Gris) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Vasily Kandinsky · 1953 (original executed in 1931)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Small Cubist Painting (Petite peinture cubiste) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Jacques Villon, 1953 (original executed in 1921), One from a portfolio of sixteen screenprint reproductions

Small Cubist Painting (Petite peinture cubiste) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Jacques Villon · 1953 (original executed in 1921)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

The Bell Ringer and Map of the Ocean (Le Sonneur et Carte de l'océan), Max Ernst, 1950, Two etchings, one inkless

The Bell Ringer and Map of the Ocean (Le Sonneur et Carte de l'océan)

Max Ernst · 1950

Two etchings, one inkless

The Museum of Modern Art

The Bell Ringer or Map of the Ocean (Le Sonneur ou Carte de l'océan), Max Ernst, 1950, Etching

The Bell Ringer or Map of the Ocean (Le Sonneur ou Carte de l'océan)

Max Ernst · 1950

Etching

The Museum of Modern Art

Plate (folio 12) from 10 Origin, Vasily Kandinsky, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 12) from 10 Origin

Vasily Kandinsky · 1942

Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Plate (folio 4) from 10 Origin, Jean (Hans) Arp, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 4) from 10 Origin

Jean (Hans) Arp · 1942

Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Plate (folio 8) from 10 Origin, Sonia Delaunay, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 8) from 10 Origin

Sonia Delaunay · 1942

Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere, Georges Rouault, 1927, Aquatint and drypoint with roulette over photogravure

Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere

Georges Rouault · 1927

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere, Georges Rouault, 1927, Aquatint, etching, and drypoint with roulette over photogravure

Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere

Georges Rouault · 1927

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere, Georges Rouault, 1926, Aquatint and drypoint over photogravure, with pen and ink additions

Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere

Georges Rouault · 1926

Aquatint and drypoint over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for Face To Face, plate XL from Miserere, Georges Rouault, 1926, Aquatint, etching, and drypoint with roulette over photogravure

Trial proof for Face To Face, plate XL from Miserere

Georges Rouault · 1926

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere, Georges Rouault, 1926, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere

Georges Rouault · 1926

Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

The Museum of Modern Art

Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere, Georges Rouault, 1926, published 1948, Aquatint, drypoint and photogravure with ink additions

Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere

Georges Rouault · 1926, published 1948

Aquatint, drypoint and photogravure with ink additions

The Museum of Modern Art

Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere, Georges Rouault, 1926, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere

Georges Rouault · 1926

Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for "With Tooth and Nail," plate L from Miserere, Georges Rouault, 1926, Aquatint and drypoint over photogravure, with pen and ink additions

Trial proof for "With Tooth and Nail," plate L from Miserere

Georges Rouault · 1926

Aquatint and drypoint over photogravure, with pen and ink additions

The Museum of Modern Art

Harlequin and his Shadow (plate, folio 13) from Toupies, Jean Lurçat, 1925, Etching and pochoir from a portfolio with fourteen etching and pochoirs

Harlequin and his Shadow (plate, folio 13) from Toupies

Jean Lurçat · 1925

Etching and pochoir from a portfolio with fourteen etching and pochoirs

The Museum of Modern Art

Plate (folio 6) from the illustrated book Toupies, Jean Lurçat, 1925, Drypoint and pochoir from a portfolio with fourteen etching and pochoirs

Plate (folio 6) from the illustrated book Toupies

Jean Lurçat · 1925

Drypoint and pochoir from a portfolio with fourteen etching and pochoirs

The Museum of Modern Art

Harlequin General , plate from the illustrated book Toupies, Jean Lurçat, 1925, Etching, aquatint, and pochoir from a portfolio with fourteen etching and pochoirs

Harlequin General , plate from the illustrated book Toupies

Jean Lurçat · 1925

Etching, aquatint, and pochoir from a portfolio with fourteen etching and pochoirs

The Museum of Modern Art

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