Untitled
Martin Kippenberger · 1989
Cut-and-pasted-printed paper and cut-and-pasted synthetic sheeting on photo offset lithograph in artist's frame
Self Portrait (Selbstbildnis) from Graphics of Capitalist Realism (Grafik des Kapitalistischen Realismus)
Sigmar Polke · 1971
Offset lithograph from an illustrated book with suite of three screenprints, two offset lithographs, and one etching
Plate (folio 9) from the portfolio Rose or Star (Rose oder Stern)
Otto Piene · 1965
Screenprint on colored paper from a portfolio of texts and eight screenprints
Plate (folio 10) from the portfolio Rose or Star (Rose oder Stern)
Otto Piene · 1965
Screenprint from a portfolio of texts and eight screenprints
Plate (folio 6) from the portfolio Rose or Star (Rose oder Stern)
Otto Piene · 1965
Screenprint on colored paper from a portfolio of texts and eight screenprints
Plate (folio 7) from the portfolio Rose or Star (Rose oder Stern)
Otto Piene · 1965
Screenprint from a portfolio of texts and eight screenprints
Plate (folio 12) from the portfolio Rose or Star (Rose oder Stern)
Otto Piene · 1965
Screenprint from a portfolio of texts and eight screenprints
Plate (folio 11) from the portfolio Rose or Star (Rose oder Stern)
Otto Piene · 1964, published 1965
Screenprint on colored paper from a portfolio of texts and eight screenprints
Plate (folio 8) from the portfolio Rose or Star (Rose oder Stern)
Otto Piene · 1964, published 1965
Screenprint on colored paper from a portfolio of texts and eight screenprints
Plate (folio 5) from the portfolio Rose or Star (Rose oder Stern)
Otto Piene · 1964, published 1965
Screenprint from a portfolio of texts and eight screenprints
Rose or Star (Rose oder Stern)
Otto Piene · 1964–65, published 1965
Portfolio of eight screenprints on white and colored paper, four pages of poetry, two pages of text, and one title page
Day Music (Musique diurne) from Art d'Aujourd'hui, Maîtres de l'Art Abstrait (Art of Today, Masters of Abstract Art), Album I
Paul Klee · 1953 (original executed in 1940)
One from a portfolio of sixteen screenprint reproductions
Iacy from Maria 1946
Maria Martins · 1946
Etching and drypoint from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving
Without Echo (Sans-écho) from Maria 1946
Maria Martins · 1946
Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving
Explanation III (Explication III) from Maria 1946
Maria Martins · 1946
Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving
Implacable Place (Place à l'implacable) from Maria 1946
Maria Martins · 1946
Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving
Frontispiece from the illustrated book Naturelles by René de Solier
Wols (A. O. Wolfgang Schulze) · published c. 1946
Drypoint
Like a Vine (Comme une liane) from Maria 1946
Maria Martins · 1946
Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving
Explanation I (Explication I) from Maria 1946
Maria Martins · 1946
Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving
Plate 2 from the illustrated book Naturelles by René de Solier
Wols (A. O. Wolfgang Schulze) · published c. 1946
Drypoint
Explanation IV (Explication IV) from Maria 1946
Maria Martins · 1946
Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving
