Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I
Albert Gleizes · 1953 (original executed in 1945)
One from a portfolio of sixteen screenprint reproductions
A Little Solitude in the Midst of Suns (Petite solitude au milieu des soleils) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I
Francis Picabia · 1953 (original executed in 1915)
One from a portfolio of sixteen screenprint reproductions
Mechanical Period (Époque mécanique) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I
Fernand Léger · 1953 (original executed in 1919)
One from a portfolio of sixteen screenprint reproductions
Madman (Fou) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I
Auguste Herbin · 1953
One from a portfolio of sixteen screenprint reproductions
Constellation from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I
Jean (Hans) Arp · 1953 (original executed in 1928)
One from a portfolio of sixteen screenprint reproductions
Gouache from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I
Sonia Delaunay · 1953 (original executed in 1950)
One from a portfolio of sixteen screenprint reproductions
Gray (Gris) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I
Vasily Kandinsky · 1953 (original executed in 1931)
One from a portfolio of sixteen screenprint reproductions
Small Cubist Painting (Petite peinture cubiste) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I
Jacques Villon · 1953 (original executed in 1921)
One from a portfolio of sixteen screenprint reproductions
The Bell Ringer and Map of the Ocean (Le Sonneur et Carte de l'océan)
Max Ernst · 1950
Two etchings, one inkless
The Bell Ringer or Map of the Ocean (Le Sonneur ou Carte de l'océan)
Max Ernst · 1950
Etching
Plate (folio 12) from 10 Origin
Vasily Kandinsky · 1942
Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph
Plate (folio 4) from 10 Origin
Jean (Hans) Arp · 1942
Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph
Plate (folio 8) from 10 Origin
Sonia Delaunay · 1942
Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph
Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere
Georges Rouault · 1927
Aquatint and drypoint with roulette over photogravure
Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere
Georges Rouault · 1927
Aquatint, etching, and drypoint with roulette over photogravure
Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere
Georges Rouault · 1926
Aquatint and drypoint over photogravure, with pen and ink additions
Trial proof for Face To Face, plate XL from Miserere
Georges Rouault · 1926
Aquatint, etching, and drypoint with roulette over photogravure
Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere
Georges Rouault · 1926
Aquatint, lift ground aquatint, and drypoint with roulette over photogravure
Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere
Georges Rouault · 1926, published 1948
Aquatint, drypoint and photogravure with ink additions
Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere
Georges Rouault · 1926
Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions
Trial proof for "With Tooth and Nail," plate L from Miserere
Georges Rouault · 1926
Aquatint and drypoint over photogravure, with pen and ink additions
Harlequin and his Shadow (plate, folio 13) from Toupies
Jean Lurçat · 1925
Etching and pochoir from a portfolio with fourteen etching and pochoirs
