Plate (folio 12) from One Day
Eduard Flor · 1971
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts
Plate (folio 6) from One Day
Eduard Flor · 1971
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts
Plate (folio 14) from One Day
Eduard Flor · 1971
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts
Plate (folio 8) from One Day
Eduard Flor · 1971
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts
Plate (folio 4) from One Day
Eduard Flor · 1971
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts
Plate (folio 10) from One Day
Eduard Flor · 1971
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts
Plate (folio 2) from One Day
Eduard Flor · 1971
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts
One Day
Eduard Flor · 1971
Portfolio of seven soft ground etchings and screenprinted reproductions with texts
Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I
Theo van Doesburg · 1953 (original executed in 1924)
One from a portfolio of sixteen screenprint reproductions
Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I
Piet Mondrian · 1953 (original executed in 1921)
One from a portfolio of sixteen screenprint reproductions
Four Spaces with a Broken Cross (Quatre espaces à croix brisée) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I
Sophie Taeuber-Arp · 1953 (original executed in 1932)
One from a portfolio of sixteen screenprint reproductions
Plate (folio 6) from 10 Origin
Max Bill · 1942
Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph
Plate (folio 14) from 10 Origin
Léo Leuppi · 1942
Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph
Plate (folio 10) from 10 Origin
César Domela-Nieuwenhuis · 1942
Lithograph from a portfolio of six linoleum cuts, three woodcuts, and one lithograph
Plate from 10 Origin
Sophie Taeuber-Arp · 1942
Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph
Plate (folio 16) from 10 Origin
Richard Paul Lohse · 1942
Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph
Five O'Clock, plate seven from Intimacies
Félix Vallotton · 1898
Woodcut in black on cream wove paper
CC0
1 show
The Bath
Félix Vallotton · 1894, printed after 1925
Woodcut in black on off-white wove paper
1 show
Marie-Thérèse-Charlotte, Duchess of Angoulême
Christian von Mechel · 1795
color aquatint
Public domain
