Plate (folio 12) from One Day
Eduard Flor · 1971
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts
Plate (folio 6) from One Day
Eduard Flor · 1971
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts
Plate (folio 14) from One Day
Eduard Flor · 1971
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts
Plate (folio 8) from One Day
Eduard Flor · 1971
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts
Plate (folio 4) from One Day
Eduard Flor · 1971
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts
Plate (folio 10) from One Day
Eduard Flor · 1971
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts
Plate (folio 2) from One Day
Eduard Flor · 1971
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts
One Day
Eduard Flor · 1971
Portfolio of seven soft ground etchings and screenprinted reproductions with texts
The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Plate VII from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Table of plates from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Etching from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Plate XIX from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Plate XVIII from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Plate VI from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Plate II from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Plate XIV from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Plate VIII from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Plate IX from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Plate XIII from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Wrapper front from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Etching, drypoint, and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Plate IV from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Plate XV from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Plate XXII from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Drypoint and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Plate XVII from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching