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The collection

123 works match your filters.

Medium:Print123 Painting61 Drawing40

Image

With image123
All125
Metadata only2

Year range

to

Decade

1970s7
1950s2
1940s4
1890s2
1790s1
1760s2
1750s1
1740s1
1570s92
1540s9
1530s2

Medium

Painting61
Print123
Drawing40

Institution

Statens Museum for Kunst (National Gallery of Denmark)102
The Museum of Modern Art13
National Gallery of Art5
Art Institute of Chicago2
Harvard Art Museums1

Nationality

French1,824
German1,195
Italian640
British548
Dutch525
American506
Bohemian217
Netherlandish144
Swiss116
Russian93
Spanish74
Flemish69
Austrian24
Brazilian16
Chilean7
Australian5
Danish5
Belgian4
Fransk, Flamsk4
Hollandsk, Fransk, Flamsk4
Norwegian4
English3
Greenlandic3
Nederlandsk, Flamsk3
French (?)2
Greek2
Hollandsk, Flamsk2
Czech1
French?1
Guatemalan1

Movement

Constructivism2
Dada2
Impressionism2
Post-impressionism2
Symbolism2
abstract art1
Art Concret1
geometric abstraction1

Exhibition History

Has exhibition record2

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)2

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View:Works Exhibitions2 works

Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Four Spaces with a Broken Cross (Quatre espaces à croix brisée) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Sophie Taeuber-Arp, 1953 (original executed in 1932), One from a portfolio of sixteen screenprint reproductions

Four Spaces with a Broken Cross (Quatre espaces à croix brisée) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Sophie Taeuber-Arp · 1953 (original executed in 1932)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Portrait, Alberto Giacometti, 1951, Lithographic crayon and pencil on paper

Portrait

Alberto Giacometti · 1951

Lithographic crayon and pencil on paper

The Museum of Modern Art

Plate (folio 6) from 10 Origin, Max Bill, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 6) from 10 Origin

Max Bill · 1942

Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Plate (folio 14) from 10 Origin, Léo Leuppi, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 14) from 10 Origin

Léo Leuppi · 1942

Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Plate from 10 Origin, Sophie Taeuber-Arp, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate from 10 Origin

Sophie Taeuber-Arp · 1942

Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Plate (folio 16) from 10 Origin, Richard Paul Lohse, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 16) from 10 Origin

Richard Paul Lohse · 1942

Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Five O'Clock, plate seven from Intimacies, Félix Vallotton, 1898, Woodcut in black on cream wove paper

Five O'Clock, plate seven from Intimacies

Félix Vallotton · 1898

Woodcut in black on cream wove paper

Art Institute of Chicago

CC0

1 show

The Bath, Félix Vallotton, 1894, printed after 1925, Woodcut in black on off-white wove paper

The Bath

Félix Vallotton · 1894, printed after 1925

Woodcut in black on off-white wove paper

Art Institute of Chicago

1 show

Marie-Thérèse-Charlotte, Duchess of Angoulême, Christian von Mechel, 1795, color aquatint

Marie-Thérèse-Charlotte, Duchess of Angoulême

Christian von Mechel · 1795

color aquatint

National Gallery of Art

Public domain

Les oublies, Nicolas Schencker, 1760, hand-colored engraving

Les oublies

Nicolas Schencker · 1760

hand-colored engraving

National Gallery of Art

Public domain

La cache-cache, Nicolas Schencker, 1760, hand-colored engraving

La cache-cache

Nicolas Schencker · 1760

hand-colored engraving

National Gallery of Art

Public domain

Ce qui est bon a prendre est bon a garder, Alexandre Chaponnier, 1753, stipple engraving

Ce qui est bon a prendre est bon a garder

Alexandre Chaponnier · 1753

stipple engraving

National Gallery of Art

Public domain

La toilette, Sigmund Freudenberger, 1745, etching

La toilette

Sigmund Freudenberger · 1745

etching

National Gallery of Art

Public domain

The Ptolemaic System, Jost Amman, 1579, Etching and engraving on off-white antique laid paper

The Ptolemaic System

Jost Amman · 1579

Etching and engraving on off-white antique laid paper

Harvard Art Museums

Slaget mellem romerne og tarentinerne, Tobias Stimmer, 1574, Træsnit

Slaget mellem romerne og tarentinerne

Tobias Stimmer · 1574

Træsnit

Statens Museum for Kunst (National Gallery of Denmark)

Public domain

De romerske ambassadører vender hjem fra Karthago, Tobias Stimmer, 1574, Træsnit

De romerske ambassadører vender hjem fra Karthago

Tobias Stimmer · 1574

Træsnit

Statens Museum for Kunst (National Gallery of Denmark)

Public domain

Appius Claudius føres til fængslet, Tobias Stimmer, 1574, Træsnit

Appius Claudius føres til fængslet

Tobias Stimmer · 1574

Træsnit

Statens Museum for Kunst (National Gallery of Denmark)

Public domain

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