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The collection

140 works match your filters.

Medium:Print140 Painting87 Drawing71 Sculpture1

Image

With image140
All146
Metadata only6

Year range

to

Decade

1970s7
1950s2
1940s4
1930s1
1910s14
1890s2
1790s1
1770s1
1760s2
1750s1
1740s1
1570s92
1540s9
1530s2
1440s1

Medium

Painting87
Print140
Drawing71
Sculpture1

Institution

Statens Museum for Kunst (National Gallery of Denmark)102
The Museum of Modern Art28
National Gallery of Art7
Art Institute of Chicago2
Harvard Art Museums1

Nationality

French1,824
German1,195
Italian640
British548
Dutch525
American506
Bohemian217
Netherlandish144
Swiss116
Russian93
Spanish74
Flemish69
Austrian24
Brazilian16
Chilean7
Australian5
Danish5
Belgian4
Fransk, Flamsk4
Hollandsk, Fransk, Flamsk4
Norwegian4
English3
Greenlandic3
Nederlandsk, Flamsk3
French (?)2
Greek2
Hollandsk, Flamsk2
Czech1
French?1
Guatemalan1

Movement

Expressionism20
Symbolism4
Constructivism2
Dada2
Impressionism2
Post-impressionism2
abstract art1
Art Concret1
geometric abstraction1

Exhibition History

Has exhibition record2

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)2

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View:Works Exhibitions2 works

Jerusalem Faces, Oskar Kokoschka, (1973–1974, prints executed 1973), Portfolio of six lithographs

Jerusalem Faces

Oskar Kokoschka · (1973–1974, prints executed 1973)

Portfolio of six lithographs

The Museum of Modern Art

Teddy Kolleck Mayor of Jerusalem (plate 6) from Jerusalem Faces, Oskar Kokoschka, (1973–1974, executed 1973), One from a portfolio of six lithographs

Teddy Kolleck Mayor of Jerusalem (plate 6) from Jerusalem Faces

Oskar Kokoschka · (1973–1974, executed 1973)

One from a portfolio of six lithographs

The Museum of Modern Art

Sheik Mustafa Khalil el-Ansari Chief Warden of the Mosque of Omar (plate 5) from Jerusalem Faces, Oskar Kokoschka, (1973–1974, executed 1973), One from a portfolio of six lithographs

Sheik Mustafa Khalil el-Ansari Chief Warden of the Mosque of Omar (plate 5) from Jerusalem Faces

Oskar Kokoschka · (1973–1974, executed 1973)

One from a portfolio of six lithographs

The Museum of Modern Art

Moshe Dyan Minister of Defense (plate 4) from Jerusalem Faces, Oskar Kokoschka, (1973–1974, executed 1973), One from a portfolio of six lithographs

Moshe Dyan Minister of Defense (plate 4) from Jerusalem Faces

Oskar Kokoschka · (1973–1974, executed 1973)

One from a portfolio of six lithographs

The Museum of Modern Art

His Beatitude Benedictos I Greek Orthodox Patriarch of Jerusalem (plate 3) from Jerusalem Faces, Oskar Kokoschka, (1973–1974, executed 1973), One from a portfolio of six lithographs

His Beatitude Benedictos I Greek Orthodox Patriarch of Jerusalem (plate 3) from Jerusalem Faces

Oskar Kokoschka · (1973–1974, executed 1973)

One from a portfolio of six lithographs

The Museum of Modern Art

Dr. Shimon Agranat (plate 2) from Jerusalem Faces, Oskar Kokoschka, (1973–1974, executed 1973), One from a portfolio of six lithographs

Dr. Shimon Agranat (plate 2) from Jerusalem Faces

Oskar Kokoschka · (1973–1974, executed 1973)

One from a portfolio of six lithographs

The Museum of Modern Art

Golda Meir (I) Prime Minister (plate 1) from Jerusalem Faces, Oskar Kokoschka, (1973–1974, executed 1973), One from a portfolio of six lithographs

Golda Meir (I) Prime Minister (plate 1) from Jerusalem Faces

Oskar Kokoschka · (1973–1974, executed 1973)

One from a portfolio of six lithographs

The Museum of Modern Art

Four Spaces with a Broken Cross (Quatre espaces à croix brisée) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Sophie Taeuber-Arp, 1953 (original executed in 1932), One from a portfolio of sixteen screenprint reproductions

Four Spaces with a Broken Cross (Quatre espaces à croix brisée) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Sophie Taeuber-Arp · 1953 (original executed in 1932)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Portrait, Alberto Giacometti, 1951, Lithographic crayon and pencil on paper

Portrait

Alberto Giacometti · 1951

Lithographic crayon and pencil on paper

The Museum of Modern Art

Plate (folio 6) from 10 Origin, Max Bill, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 6) from 10 Origin

Max Bill · 1942

Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Plate (folio 14) from 10 Origin, Léo Leuppi, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 14) from 10 Origin

Léo Leuppi · 1942

Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Plate from 10 Origin, Sophie Taeuber-Arp, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate from 10 Origin

Sophie Taeuber-Arp · 1942

Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Plate (folio 16) from 10 Origin, Richard Paul Lohse, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 16) from 10 Origin

Richard Paul Lohse · 1942

Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

The Bride of Corinth (Die Braut von Korinth), Alfred Kubin, 1932, Lithograph

The Bride of Corinth (Die Braut von Korinth)

Alfred Kubin · 1932

Lithograph

The Museum of Modern Art

Caliban from the portfolio Visions of Shakespeare (Shakespeare Visionen), Alfred Kubin, (1918), Lithograph

Caliban from the portfolio Visions of Shakespeare (Shakespeare Visionen)

Alfred Kubin · (1918)

Lithograph

The Museum of Modern Art

The Clear Face (Das reine Gesicht) (plate 12) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

The Clear Face (Das reine Gesicht) (plate 12) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

Woman Triumphs over Corpse (Das Weib triumphiert über den Toten) (plate 11) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

Woman Triumphs over Corpse (Das Weib triumphiert über den Toten) (plate 11) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

The Apple of Eve (Der Apfel der Eva) (plate 6) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

The Apple of Eve (Der Apfel der Eva) (plate 6) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

Couple in Candlelight (Das Paar im Kerzenlicht) (plate 5) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

Couple in Candlelight (Das Paar im Kerzenlicht) (plate 5) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

Encounter (Begegnung) (plate 9) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

Encounter (Begegnung) (plate 9) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

The Path to the Grave (Der Weg ins Grab) (plate 4) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

The Path to the Grave (Der Weg ins Grab) (plate 4) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

At the Crossroads (Am Scheidewege) (plate 7) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

At the Crossroads (Am Scheidewege) (plate 7) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

The New Columbus and Saint George (Der neue Columbus und der heilige Georg) from The Bound Columbus (Der gefesselte Kolumbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

The New Columbus and Saint George (Der neue Columbus und der heilige Georg) from The Bound Columbus (Der gefesselte Kolumbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

The Last Judgement (Das jüngste Gericht) (plate 3) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

The Last Judgement (Das jüngste Gericht) (plate 3) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

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