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The collection

67 works match your filters.

Medium:Painting83 Print67 Drawing37 Sculpture11

Image

With image67
All81
Metadata only14

Year range

to

Decade

1950s2
1940s1
1930s1
1920s34
1910s1
1900s1
1890s23
1880s2
1870s1
1840s1

Medium

Painting83
Print67
Drawing37
Sculpture11

Institution

The Museum of Modern Art39
National Gallery of Art19
Art Institute of Chicago9

Nationality

- Europe
French57
Norwegian4
Austrian2
Swiss2
Belgian1
Czech1

Movement

German Renaissance290
Romanticism208
pop art163
English painting159
Baroque111
contemporary art105
Rococo101
Expressionism83
abstract art72
Impressionism67
Symbolism67
surrealism66
op art65
Post-impressionism59
Aestheticism42
abstract expressionism38
Fauvism35
modernism34
Mannerism30
Italian Renaissance14
Bauhaus11
Constructivism11
French Realism11
Color Field9
pointillism9
realism9
Zero9
Dada8
cubism7
Dutch Golden Age painting7

Related

Post-impressionism

Exhibition History

Has exhibition record9

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)7

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View:Works Exhibitions9 works

Trial proof for Christ Laying On His Hands, rejected plate from Miserere, Georges Rouault, c. 1922–1927, Aquatint with roulette over photogravure

Trial proof for Christ Laying On His Hands, rejected plate from Miserere

Georges Rouault · c. 1922–1927

Aquatint with roulette over photogravure

The Museum of Modern Art

Trial proof for Abandoned, rejected plate from Miserere, Georges Rouault, c. 1922–1927, Aquatint with roulette over photogravure

Trial proof for Abandoned, rejected plate from Miserere

Georges Rouault · c. 1922–1927

Aquatint with roulette over photogravure

The Museum of Modern Art

Trial proof for The Bad Grain Will Be Removed Tomorrow I, rejected plate from Miserere, Georges Rouault, c. 1922–1927, Lift ground aquatint and aquatint over photogravure

Trial proof for The Bad Grain Will Be Removed Tomorrow I, rejected plate from Miserere

Georges Rouault · c. 1922–1927

Lift ground aquatint and aquatint over photogravure

The Museum of Modern Art

Trial proof for In The Press, The Grapes Were Trodden, plate XLVIII from Miserere, Georges Rouault, 1922, Aquatint and drypoint with roulette over photogravure

Trial proof for In The Press, The Grapes Were Trodden, plate XLVIII from Miserere

Georges Rouault · 1922

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for Street of the Lonely, plate XXIII from Miserere, Georges Rouault, 1922, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

Trial proof for Street of the Lonely, plate XXIII from Miserere

Georges Rouault · 1922

Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for The Condemned is Led Away..., plate XVIII from Miserere, Georges Rouault, 1922, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

Trial proof for The Condemned is Led Away..., plate XVIII from Miserere

Georges Rouault · 1922

Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for Mouth that was Fresh, Bitter as Gall, plate XV from Miserere, Georges Rouault, 1922, Aquatint and drypoint with roulette over photogravure

Trial proof for Mouth that was Fresh, Bitter as Gall, plate XV from Miserere

Georges Rouault · 1922

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for Sing Matins, A New Day Is Born, plate XXIX from Miserere, Georges Rouault, 1922, Aquatint and drypoint with roulette over photogravure

Trial proof for Sing Matins, A New Day Is Born, plate XXIX from Miserere

Georges Rouault · 1922

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for Old Mother, Now Cries Alone, Georges Rouault, c. 1922–1927., Lift ground aquatint, aquatint, and drypoint over photogravure

Trial proof for Old Mother, Now Cries Alone

Georges Rouault · c. 1922–1927.

Lift ground aquatint, aquatint, and drypoint over photogravure

The Museum of Modern Art

Trial proof for Jesus Mocked..., plate II from Miserere, Georges Rouault, 1922, Aquatint and drypoint with roulette over photogravure

Trial proof for Jesus Mocked..., plate II from Miserere

Georges Rouault · 1922

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for Tomorrow Will Be Beautiful, Said The Shipwrecked Man, plate XI from Miserere, Georges Rouault, 1922, Aquatintand drypoint with roulette over photogravure

Trial proof for Tomorrow Will Be Beautiful, Said The Shipwrecked Man, plate XI from Miserere

Georges Rouault · 1922

Aquatintand drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for ...The Accused Indicted Beneath A Forgotten Crucifix, rejected plate from Miserere, Georges Rouault, c. 1922–1927, Aquatint over photogravure

Trial proof for ...The Accused Indicted Beneath A Forgotten Crucifix, rejected plate from Miserere

Georges Rouault · c. 1922–1927

Aquatint over photogravure

The Museum of Modern Art

Trial proof for The Society Lady Fancies She Has a Rserved Seat in Heaven, plate XVI from Miserere, Georges Rouault, 1922, Aquatint and drypoint with roulette over photogravure

Trial proof for The Society Lady Fancies She Has a Rserved Seat in Heaven, plate XVI from Miserere

Georges Rouault · 1922

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for The Bay Of The Dead, rejected plate from Miserere, Georges Rouault, c. 1922–1927, Aquatint with roulette over photogravure

Trial proof for The Bay Of The Dead, rejected plate from Miserere

Georges Rouault · c. 1922–1927

Aquatint with roulette over photogravure

The Museum of Modern Art

Caliban from the portfolio Visions of Shakespeare (Shakespeare Visionen), Alfred Kubin, (1918), Lithograph

Caliban from the portfolio Visions of Shakespeare (Shakespeare Visionen)

Alfred Kubin · (1918)

Lithograph

The Museum of Modern Art

Rodin Sculpting, Eugène Carrière, 1900, Lithograph from two stones, with scraping on stone, on tan wove paper, lined with linen

Rodin Sculpting

Eugène Carrière · 1900

Lithograph from two stones, with scraping on stone, on tan wove paper, lined with linen

Art Institute of Chicago

CC0

1 show

Boys Bathing, Edvard Munch, 1899, Color woodcut from two blocks (one sawn into two sections) on cream card

Boys Bathing

Edvard Munch · 1899

Color woodcut from two blocks (one sawn into two sections) on cream card

Art Institute of Chicago

CC0

1 show

Title Page for "Le Sourire" (Titre du Sourire), Paul Gauguin, 1899, woodcut on Japan paper

Title Page for "Le Sourire" (Titre du Sourire)

Paul Gauguin · 1899

woodcut on Japan paper

National Gallery of Art

Public domain

Weeper: Study of a Nude Woman, Seated with Profile to Right

Henri Fantin-Latour · 1899

lithograph on Chinese paper

National Gallery of Art

Public domain

Man Bathing, Edvard Munch, 1899, Color woodcut from two blocks on grayish ivory card

Man Bathing

Edvard Munch · 1899

Color woodcut from two blocks on grayish ivory card

Art Institute of Chicago

CC0

1 show

Title Page for "Le Sourire" (Titre du Sourire), Paul Gauguin, 1899, woodcut on Japan paper

Title Page for "Le Sourire" (Titre du Sourire)

Paul Gauguin · 1899

woodcut on Japan paper

National Gallery of Art

Public domain

Wayside Shrine in Brittany (Le calvaire Breton), Paul Gauguin, 1898–1899, woodcut on very thin Japan paper

Wayside Shrine in Brittany (Le calvaire Breton)

Paul Gauguin · 1898–1899

woodcut on very thin Japan paper

National Gallery of Art

Public domain

Human Misery (Misères humaines), Paul Gauguin, 1898–1899, woodcut on Japan paper, perimeter mounted

Human Misery (Misères humaines)

Paul Gauguin · 1898–1899

woodcut on Japan paper, perimeter mounted

National Gallery of Art

Public domain

Five O'Clock, plate seven from Intimacies, Félix Vallotton, 1898, Woodcut in black on cream wove paper

Five O'Clock, plate seven from Intimacies

Félix Vallotton · 1898

Woodcut in black on cream wove paper

Art Institute of Chicago

CC0

1 show

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