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The collection

67 works match your filters.

Medium:Painting72 Print67 Drawing44 Sculpture2

Image

With image67
All75
Metadata only8

Year range

to

Decade

1940s5
1920s5
1910s2
1890s21
1880s2
1870s16
1860s11
1850s4
1830s1

Medium

Painting72
Print67
Drawing44
Sculpture2

Institution

National Gallery of Art43
Art Institute of Chicago12
The Museum of Modern Art6
Harvard Art Museums5
The Metropolitan Museum of Art1

Nationality

- Europe
- Americas
French47
American12
Brazilian5
Swiss2
German1

Movement

German Renaissance290
Romanticism208
pop art163
English painting159
Baroque111
contemporary art105
Rococo101
Expressionism83
abstract art72
Impressionism67
Symbolism67
surrealism66
op art65
Post-impressionism59
Aestheticism42
abstract expressionism38
Fauvism35
modernism34
Mannerism30
Italian Renaissance14
Bauhaus11
Constructivism11
French Realism11
Color Field9
pointillism9
realism9
Zero9
Dada8
cubism7
Dutch Golden Age painting7

Related

Post-impressionism

Exhibition History

Has exhibition record12

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)12
ink7
wove paper5
laid paper2

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View:Works Exhibitions12 works

Couple in the Mangue (Casal no Mangue) from Mangue, Lasar Segall, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions

Couple in the Mangue (Casal no Mangue) from Mangue

Lasar Segall · 1941, published 1943

Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions

The Museum of Modern Art

Group from the Mangue (Grupo do Mangue) from Mangue, Lasar Segall, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions

Group from the Mangue (Grupo do Mangue) from Mangue

Lasar Segall · 1941, published 1943

Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions

The Museum of Modern Art

Women of the Mangue (Mulheres do Mangue) from Mangue, Lasar Segall, 1941, published 1943, Lithograph with hand additions from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions

Women of the Mangue (Mulheres do Mangue) from Mangue

Lasar Segall · 1941, published 1943

Lithograph with hand additions from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions

The Museum of Modern Art

Seated Woman of the Mangue (Mulher do Mangue sentada) from Mangue, Lasar Segall, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions

Seated Woman of the Mangue (Mulher do Mangue sentada) from Mangue

Lasar Segall · 1941, published 1943

Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions

The Museum of Modern Art

Mangue, Lasar Segall, 1941, published 1943, Portfolio with three woodcuts, one lithograph with hand additions, and forty-two line block reproductions

Mangue

Lasar Segall · 1941, published 1943

Portfolio with three woodcuts, one lithograph with hand additions, and forty-two line block reproductions

The Museum of Modern Art

The Chase House, Childe Hassam, 1929, etching in black

The Chase House

Childe Hassam · 1929

etching in black

National Gallery of Art

Public domain

Washington's Headquarters near Valley Forge, Childe Hassam, 1926, etching and drypoint in black

Washington's Headquarters near Valley Forge

Childe Hassam · 1926

etching and drypoint in black

National Gallery of Art

Public domain

Independence Hall, Childe Hassam, 1926, drypoint in black

Independence Hall

Childe Hassam · 1926

drypoint in black

National Gallery of Art

Public domain

The Church at Old Lyme, Childe Hassam, 1924, etching in black

The Church at Old Lyme

Childe Hassam · 1924

etching in black

National Gallery of Art

Public domain

A Vermont Village, Childe Hassam, 1923, etching and drypoint in black

A Vermont Village

Childe Hassam · 1923

etching and drypoint in black

National Gallery of Art

Public domain

The First Human Beings (Die ersten Menschen), Lovis Corinth, (c. 1919), Lithographic crayon and pencil on paper

The First Human Beings (Die ersten Menschen)

Lovis Corinth · (c. 1919)

Lithographic crayon and pencil on paper

The Museum of Modern Art

Portsmouth Doorway, Childe Hassam, 1916, etching and drypoint in black

Portsmouth Doorway

Childe Hassam · 1916

etching and drypoint in black

National Gallery of Art

Public domain

Title Page for "Le Sourire" (Titre du Sourire), Paul Gauguin, 1899, woodcut on Japan paper

Title Page for "Le Sourire" (Titre du Sourire)

Paul Gauguin · 1899

woodcut on Japan paper

National Gallery of Art

Public domain

Weeper: Study of a Nude Woman, Seated with Profile to Right

Henri Fantin-Latour · 1899

lithograph on Chinese paper

National Gallery of Art

Public domain

Title Page for "Le Sourire" (Titre du Sourire), Paul Gauguin, 1899, woodcut on Japan paper

Title Page for "Le Sourire" (Titre du Sourire)

Paul Gauguin · 1899

woodcut on Japan paper

National Gallery of Art

Public domain

Wayside Shrine in Brittany (Le calvaire Breton), Paul Gauguin, 1898–1899, woodcut on very thin Japan paper

Wayside Shrine in Brittany (Le calvaire Breton)

Paul Gauguin · 1898–1899

woodcut on very thin Japan paper

National Gallery of Art

Public domain

Human Misery (Misères humaines), Paul Gauguin, 1898–1899, woodcut on Japan paper, perimeter mounted

Human Misery (Misères humaines)

Paul Gauguin · 1898–1899

woodcut on Japan paper, perimeter mounted

National Gallery of Art

Public domain

Five O'Clock, plate seven from Intimacies, Félix Vallotton, 1898, Woodcut in black on cream wove paper

Five O'Clock, plate seven from Intimacies

Félix Vallotton · 1898

Woodcut in black on cream wove paper

Art Institute of Chicago

CC0

1 show

Te Atua (The Gods) Small Plate, Paul Gauguin, 1898–1899, two laminated woodcuts on Japanese paper, double-mounted on wove paper

Te Atua (The Gods) Small Plate

Paul Gauguin · 1898–1899

two laminated woodcuts on Japanese paper, double-mounted on wove paper

National Gallery of Art

Public domain

Pastoral, Henri Fantin-Latour, 1896, lithograph

Pastoral

Henri Fantin-Latour · 1896

lithograph

National Gallery of Art

Public domain

Te Atua (The Gods) Small Plate [verso], Paul Gauguin, in or after 1895, woodcut in black on wove paper

Te Atua (The Gods) Small Plate [verso]

Paul Gauguin · in or after 1895

woodcut in black on wove paper

National Gallery of Art

Public domain

Tahitian Carrying Bananas (Le porteur de fei), Paul Gauguin, in or after 1895, woodcut

Tahitian Carrying Bananas (Le porteur de fei)

Paul Gauguin · in or after 1895

woodcut

National Gallery of Art

Public domain

Te Atua (The Gods) Small Plate [recto], Paul Gauguin, in or after 1895, woodcut in black on very thin Japan paper, mounted face down

Te Atua (The Gods) Small Plate [recto]

Paul Gauguin · in or after 1895

woodcut in black on very thin Japan paper, mounted face down

National Gallery of Art

Public domain

The Bath, Félix Vallotton, 1894, printed after 1925, Woodcut in black on off-white wove paper

The Bath

Félix Vallotton · 1894, printed after 1925

Woodcut in black on off-white wove paper

Art Institute of Chicago

1 show

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