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37 works match your filters.

Medium:Print37 Painting22 Drawing3

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1950s1
1940s1
1920s35

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Painting22
Print37
Drawing3

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The Museum of Modern Art37

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- Europe
French37
Austrian20
German20
Norwegian4
Belgian1
Dutch1

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Symbolism57
Post-impressionism56
Impressionism47
Expressionism37
Fauvism35
Rococo16
French Realism11
realism8
Romanticism6
Dada5
Orphism5
simultanism5
surrealism5
Classicism3
cubism3
Neo-impressionism3
Barbizon school2
Bauhaus2
De Stijl2
abstraction1
Catalan modernism1
Les Nabis1
modernism1
Salon Cubism1
Section d'Or1

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abstract expressionism

Catalan modernism

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Gray (Gris) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Vasily Kandinsky, 1953 (original executed in 1931), One from a portfolio of sixteen screenprint reproductions

Gray (Gris) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Vasily Kandinsky · 1953 (original executed in 1931)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Plate (folio 12) from 10 Origin, Vasily Kandinsky, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 12) from 10 Origin

Vasily Kandinsky · 1942

Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere, Georges Rouault, 1927, Aquatint and drypoint with roulette over photogravure

Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere

Georges Rouault · 1927

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere, Georges Rouault, 1927, Aquatint, etching, and drypoint with roulette over photogravure

Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere

Georges Rouault · 1927

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere, Georges Rouault, 1926, Aquatint and drypoint over photogravure, with pen and ink additions

Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere

Georges Rouault · 1926

Aquatint and drypoint over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for Face To Face, plate XL from Miserere, Georges Rouault, 1926, Aquatint, etching, and drypoint with roulette over photogravure

Trial proof for Face To Face, plate XL from Miserere

Georges Rouault · 1926

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere, Georges Rouault, 1926, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere

Georges Rouault · 1926

Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

The Museum of Modern Art

Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere, Georges Rouault, 1926, published 1948, Aquatint, drypoint and photogravure with ink additions

Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere

Georges Rouault · 1926, published 1948

Aquatint, drypoint and photogravure with ink additions

The Museum of Modern Art

Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere, Georges Rouault, 1926, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere

Georges Rouault · 1926

Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for "With Tooth and Nail," plate L from Miserere, Georges Rouault, 1926, Aquatint and drypoint over photogravure, with pen and ink additions

Trial proof for "With Tooth and Nail," plate L from Miserere

Georges Rouault · 1926

Aquatint and drypoint over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for We Think Ourselves Kings, plate VII from Miserere, Georges Rouault, 1923, Aquatint with roulette over photogravure

Trial proof for We Think Ourselves Kings, plate VII from Miserere

Georges Rouault · 1923

Aquatint with roulette over photogravure

The Museum of Modern Art

Trial proof for In the Land of Thirst and Terror, plate XXVI from Miserere, Georges Rouault, 1923, Aquatint and lift ground aquatint with roulette over photogravure

Trial proof for In the Land of Thirst and Terror, plate XXVI from Miserere

Georges Rouault · 1923

Aquatint and lift ground aquatint with roulette over photogravure

The Museum of Modern Art

Trial proof for We Think Ourselves Kings, plate VII from Miserere, Georges Rouault, 1923, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

Trial proof for We Think Ourselves Kings, plate VII from Miserere

Georges Rouault · 1923

Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for It Would be So Sweet to Love!, plate XIII from Miserere, Georges Rouault, 1923, Lift ground aquatint, etching, and drypoint over photogravure

Trial proof for It Would be So Sweet to Love!, plate XIII from Miserere

Georges Rouault · 1923

Lift ground aquatint, etching, and drypoint over photogravure

The Museum of Modern Art

Trial proof for Who Does Not Paint Himself a Face?, plate VIII from Miserere, Georges Rouault, 1923, Aquatint and drypoint with roulette over photogravure

Trial proof for Who Does Not Paint Himself a Face?, plate VIII from Miserere

Georges Rouault · 1923

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for Death Took Him As He Rose From His Bed of Nettles, plate XLV from Miserere, Georges Rouault, 1922, Aquatint, etching, and drypoint with roulette over photogravure

Trial proof for Death Took Him As He Rose From His Bed of Nettles, plate XLV from Miserere

Georges Rouault · 1922

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for And Veronica With Her Delicate Linen Still Goes Her Way..., plate XXXIII from Miserere, Georges Rouault, 1922, Aquatint and drypoint with roulette over photogravure

Trial proof for And Veronica With Her Delicate Linen Still Goes Her Way..., plate XXXIII from Miserere

Georges Rouault · 1922

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for It is Hard to Live..., plate XII from Miserere, Georges Rouault, 1922, Aquatint, etching, and drypoint with roulette over photogravure

Trial proof for It is Hard to Live..., plate XII from Miserere

Georges Rouault · 1922

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for Christ Laying On His Hands, rejected plate from Miserere, Georges Rouault, c. 1922–1927, Aquatint and drypoint with roulette over photogravure

Trial proof for Christ Laying On His Hands, rejected plate from Miserere

Georges Rouault · c. 1922–1927

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for Eternally Scourged..., plate III from Miserere, Georges Rouault, 1922, Aquatint, etching, and drypoint with roulette over photogravure

Trial proof for Eternally Scourged..., plate III from Miserere

Georges Rouault · 1922

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for Take Refuge in Your Heart, Miserable Vagabond, plate IV from Miserere, Georges Rouault, 1922, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

Trial proof for Take Refuge in Your Heart, Miserable Vagabond, plate IV from Miserere

Georges Rouault · 1922

Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for Daughter of Joy, So-Called, plate XIV from Miserere, Georges Rouault, 1922, Aquatint and drypoint with roulette over photogravure, with pen and ink additions

Trial proof for Daughter of Joy, So-Called, plate XIV from Miserere

Georges Rouault · 1922

Aquatint and drypoint with roulette over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for Christ Laying On His Hands, rejected plate from Miserere, Georges Rouault, c. 1922–1927, Aquatint with roulette over photogravure

Trial proof for Christ Laying On His Hands, rejected plate from Miserere

Georges Rouault · c. 1922–1927

Aquatint with roulette over photogravure

The Museum of Modern Art

Trial proof for Abandoned, rejected plate from Miserere, Georges Rouault, c. 1922–1927, Aquatint with roulette over photogravure

Trial proof for Abandoned, rejected plate from Miserere

Georges Rouault · c. 1922–1927

Aquatint with roulette over photogravure

The Museum of Modern Art

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