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The collection

82 works match your filters.

Medium:Drawing1,078 Painting1,059 Print511 Photography82 Ceramics32 Sculpture27 Textile12

Image

With image82
All192
Metadata only110

Year range

to

Decade

1980s1
1970s1
1960s1
1950s6
1940s4
1930s6
1920s13
1910s4
1900s5
1890s19
1880s15
1860s3

Medium

Painting1,059
Print511
Drawing1,078
Photography82
Sculpture27
Ceramics32
Textile12

Institution

Art Institute of Chicago32
National Museum of African American History and Culture23
Hirshhorn Museum and Sculpture Garden13
Harvard Art Museums12
The Museum of Modern Art2

Nationality

- Europe
- Americas
French1,803
American82
British21
German20
Russian2
Canadian1
Dutch1
Italian1

Movement

Constructivism12
Photo-Secession2
straight photography2
contemporary art1

Exhibition History

Has exhibition record31

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

photographic paper26
gelatin silver print12
photograph12
photographic materials12
photography12
photomontage1

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View:Works Exhibitions31 works

Model for Animal Pyramid II, Bruce Nauman, 1989, Cut-and-taped gelatin silver prints

Model for Animal Pyramid II

Bruce Nauman · 1989

Cut-and-taped gelatin silver prints

The Museum of Modern Art

Notes on Movement II (Body as Place), Vito Acconci, March 1972, Felt-tip pen and cut-and-pasted gelatin silver prints on two pieces of graph paper on board

Notes on Movement II (Body as Place)

Vito Acconci · March 1972

Felt-tip pen and cut-and-pasted gelatin silver prints on two pieces of graph paper on board

The Museum of Modern Art

Sixteen Isomorphs (Negative), Mel Bochner, 1967, Gelatin silver prints mounted on board

Sixteen Isomorphs (Negative)

Mel Bochner · 1967

Gelatin silver prints mounted on board

Art Institute of Chicago

1 show

The Invisible Man (Harlem, New York), from the series "A Man Becomes Invisible" (1952), Gordon Parks, 1952, Gelatin silver print

The Invisible Man (Harlem, New York), from the series "A Man Becomes Invisible" (1952)

Gordon Parks · 1952

Gelatin silver print

Art Institute of Chicago

1 show

Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952), Gordon Parks, 1952, Gelatin silver print

Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952)

Gordon Parks · 1952

Gelatin silver print

Art Institute of Chicago

1 show

Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952), Gordon Parks, 1952, Gelatin silver print

Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952)

Gordon Parks · 1952

Gelatin silver print

Art Institute of Chicago

1 show

Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952), Gordon Parks, 1952, Gelatin silver print

Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952)

Gordon Parks · 1952

Gelatin silver print

Art Institute of Chicago

1 show

Untitled (New York, Harlem), from the series "A Man Becomes Invisible" (1952), Gordon Parks, 1952, Gelatin silver print

Untitled (New York, Harlem), from the series "A Man Becomes Invisible" (1952)

Gordon Parks · 1952

Gelatin silver print

Art Institute of Chicago

1 show

Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952), Gordon Parks, 1952, Gelatin silver print

Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952)

Gordon Parks · 1952

Gelatin silver print

Art Institute of Chicago

1 show

Battered Man, Gordon Parks, 1948, Gelatin silver print

Battered Man

Gordon Parks · 1948

Gelatin silver print

Art Institute of Chicago

1 show

Off on My Own (Harlem, New York), from the series "Harlem is Nowhere", Gordon Parks, 1948, Gelatin silver print

Off on My Own (Harlem, New York), from the series "Harlem is Nowhere"

Gordon Parks · 1948

Gelatin silver print

Art Institute of Chicago

1 show

<I>Washington, D.C. Government Charwoman (American Gothic)</I>, Gordon Parks, 1942; printed 1990s, silver and photographic gelatin on photographic paper; H x W: 14 × 11 in. (35.6 × 27.9 cm)

<I>Washington, D.C. Government Charwoman (American Gothic)</I>

Gordon Parks · 1942; printed 1990s

silver and photographic gelatin on photographic paper; H x W: 14 × 11 in. (35.6 × 27.9 cm)

National Museum of African American History and Culture

Public domain

Untitled, László Moholy-Nagy, 1941, Gelatin silver photogram

Untitled

László Moholy-Nagy · 1941

Gelatin silver photogram

Art Institute of Chicago

1 show

Untitled, László Moholy-Nagy, c. 1940, Gelatin silver photogram

Untitled

László Moholy-Nagy · c. 1940

Gelatin silver photogram

Art Institute of Chicago

1 show

<I>Untitled</I>, Lewis Wickes Hine, c. 1935, silver and photographic gelatin on photographic paper; H x W: 5 x 7 in. (12.7 x 17.8 cm)

<I>Untitled</I>

Lewis Wickes Hine · c. 1935

silver and photographic gelatin on photographic paper; H x W: 5 x 7 in. (12.7 x 17.8 cm)

National Museum of African American History and Culture

Public domain

<I>Untitled</I>, Lewis Wickes Hine, c. 1935, silver and photographic gelatin on photographic paper; H x W: 7 x 5 in. (17.8 x 12.7 cm)

<I>Untitled</I>

Lewis Wickes Hine · c. 1935

silver and photographic gelatin on photographic paper; H x W: 7 x 5 in. (17.8 x 12.7 cm)

National Museum of African American History and Culture

Public domain

Jigsaw House at Ocean City, New Jersey, Walker Evans, 1931, printed c. 1962, Gelatin silver print

Jigsaw House at Ocean City, New Jersey

Walker Evans · 1931, printed c. 1962

Gelatin silver print

Art Institute of Chicago

1 show

Torn Movie Poster; Truro, Massachusetts, Walker Evans, 1930, printed c. 1962, Gelatin silver print

Torn Movie Poster; Truro, Massachusetts

Walker Evans · 1930, printed c. 1962

Gelatin silver print

Art Institute of Chicago

1 show

Photograph of Mary Lou Williams playing piano with Andy Kirk and his orchestra, Gordon Conner Studio, 1930s; autographed 1980, silver and photographic gelatin on photographic paper; H x W: 8 1/8 × 10 in. (20.6 × 25.4 cm)

Photograph of Mary Lou Williams playing piano with Andy Kirk and his orchestra

Gordon Conner Studio · 1930s; autographed 1980

silver and photographic gelatin on photographic paper; H x W: 8 1/8 × 10 in. (20.6 × 25.4 cm)

National Museum of African American History and Culture

Public domain

View from Pont Transbordeur, Marseille, László Moholy-Nagy, 1929, Gelatin silver print

View from Pont Transbordeur, Marseille

László Moholy-Nagy · 1929

Gelatin silver print

Art Institute of Chicago

1 show

Girl in Fulton Street, New York, Walker Evans, 1929, printed c. 1962, Gelatin silver print

Girl in Fulton Street, New York

Walker Evans · 1929, printed c. 1962

Gelatin silver print

Art Institute of Chicago

1 show

42nd Street, Walker Evans, 1929, printed c. 1962, Gelatin silver print

42nd Street

Walker Evans · 1929, printed c. 1962

Gelatin silver print

Art Institute of Chicago

1 show

Untitled, László Moholy-Nagy, 1928, Gelatin silver print

Untitled

László Moholy-Nagy · 1928

Gelatin silver print

Art Institute of Chicago

1 show

Berlin Radio Tower, László Moholy-Nagy, 1928, Gelatin silver print

Berlin Radio Tower

László Moholy-Nagy · 1928

Gelatin silver print

Art Institute of Chicago

1 show

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