Skip to main content

dartabase Play Browse Movements

dartabase Play Browse Movements

Aboriginal and Torres Strait Islander peoples are advised that Dartabase may contain images, names, and works of people who have died.

Dartabase, a reference for art and its makers

ExploreBrowse Artists Movements Exhibitions Institutions & sources

Cite & dataCite Dartabase Data terms API & widget

ProjectAbout Gallery partners Contact

Browse

The collection

60 works match your filters.

Medium:Print69 Painting60 Textile12 Drawing5 Sculpture4

Image

With image60
All61
Metadata only1

Year range

to

Decade

1970s2
1830s1
1780s1
1750s2
1680s1
1660s1
1640s3
1630s8
1620s23
1610s11
1600s3
1590s2
1490s1

Medium

Painting60
Print69
Drawing5
Sculpture4
Textile12

Painting type

Oil46
Watercolor2
Gouache3
Tempera1

Institution

The Metropolitan Museum of Art19
National Gallery of Art15
Cleveland Museum of Art9
Städel Museum7
Minneapolis Institute of Art4
Walters Art Museum4
The Museum of Modern Art2

Nationality

American1,054
British805
French540
German467
Italian347
Dutch202
Flemish56
Netherlandish54
Spanish54
Swiss54
Russian52
Austrian33
Argentine31
Prussian27
Habsburg Netherlands25
Brazilian20
Belgian17
Cuban17
Unknown16
Southern Netherlands12
Mexican10
Greek9
Bavarian8
Colombian8
Czech8
Grand Duchy of Baden8
Chilean7
Polish7
Australian6
Austrian Empire6

Movement

Baroque painting28
Baroque13
Flemish Baroque painting13
German Romanticism1

Exhibition History

Has exhibition record8

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Painting×Remove filter Swedish×Remove filter Flemish×Remove filter Clear all

Sort:

Export:Download

View:Works Exhibitions8 works

Notes 4 (C. I. A. Brand Bananas)

Öyvind Fahlström · 1970

Synthetic polymer paint and ink on paper

The Museum of Modern Art

Plan for World Trade Monopoly, Öyvind Fahlström, 1970, Cut-and-pasted paper with synthetic polymer paint, ink, and colored pencil on paper

Plan for World Trade Monopoly

Öyvind Fahlström · 1970

Cut-and-pasted paper with synthetic polymer paint, ink, and colored pencil on paper

The Museum of Modern Art

Gebirge bei aufsteigendem Nebel, Caspar David Friedrich, c. 1835, Öl auf Leinwand

Gebirge bei aufsteigendem Nebel

Caspar David Friedrich · c. 1835

Öl auf Leinwand

Public domain

Mrs. William Hartigan, Carl Fredrik von Breda, 1787/1796, oil on canvas

Mrs. William Hartigan

Carl Fredrik von Breda · 1787/1796

oil on canvas

National Gallery of Art

Public domain

The Forge, Léonard Defrance, 1755, Oil on wood

The Forge

Léonard Defrance · 1755

Oil on wood

The Metropolitan Museum of Art

CC0

The Rope Dance, Léonard Defrance, 1755, Oil on wood

The Rope Dance

Léonard Defrance · 1755

Oil on wood

The Metropolitan Museum of Art

CC0

Landscape of the Roman ""Compagna"", Jan Frans van Bloemen, c. 1700–1740 (Baroque), oil on panel

Landscape of the Roman ""Compagna""

Jan Frans van Bloemen · c. 1700–1740 (Baroque)

oil on panel

Walters Art Museum

Hermes Ordering Calypso to Release Odysseus, Gerard de Lairesse, c. 1670, oil on canvas

Hermes Ordering Calypso to Release Odysseus

Gerard de Lairesse · c. 1670

oil on canvas

Cleveland Museum of Art

CC0

1 show

The Conversion of Saul with Christ and the Cross, Jacob Jordaens, c. 1645–47, brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite

The Conversion of Saul with Christ and the Cross

Jacob Jordaens · c. 1645–47

brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite

Cleveland Museum of Art

CC0

16 shows

Susannah Crouching, Jacob Jordaens, c. 1640/1645, black and red chalk with watercolor, heightened with white

Susannah Crouching

Jacob Jordaens · c. 1640/1645

black and red chalk with watercolor, heightened with white

National Gallery of Art

Public domain

The Prodigal Son, David Teniers, the Younger, c. 1640, Oil on copper

The Prodigal Son

David Teniers, the Younger · c. 1640

Oil on copper

Minneapolis Institute of Art

CC0

Catherine Howard, Lady d'Aubigny, Sir Anthony van Dyck, c. 1638, oil on canvas

Catherine Howard, Lady d'Aubigny

Sir Anthony van Dyck · c. 1638

oil on canvas

National Gallery of Art

Public domain

The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso), Peter Paul Rubens, c. 1637–38, pen and brown ink, with black and red chalk, touched with white gouache

The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso)

Peter Paul Rubens · c. 1637–38

pen and brown ink, with black and red chalk, touched with white gouache

Cleveland Museum of Art

CC0

21 shows

Study for "The Bear Hunt" (for the Alcázar, Madrid), Peter Paul Rubens, c. 1639, oil on wood

Study for "The Bear Hunt" (for the Alcázar, Madrid)

Peter Paul Rubens · c. 1639

oil on wood

Cleveland Museum of Art

CC0

3 shows

The Garden of Love (right portion), Peter Paul Rubens, c. 1633–35, Pen and brown ink, brush and brown and green wash, heightened with light blue gouache, over black chalk

The Garden of Love (right portion)

Peter Paul Rubens · c. 1633–35

Pen and brown ink, brush and brown and green wash, heightened with light blue gouache, over black chalk

The Metropolitan Museum of Art

CC0

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34, Oil on gessoed wood (oak) panel

The Union of England and Scotland (Charles I as the Prince of Wales)

Peter Paul Rubens · 1633–34

Oil on gessoed wood (oak) panel

Minneapolis Institute of Art

CC0

James Stuart (1612–1655), Duke of Richmond and Lennox, Sir Anthony van Dyck, c. 1633–35, Oil on canvas

James Stuart (1612–1655), Duke of Richmond and Lennox

Sir Anthony van Dyck · c. 1633–35

Oil on canvas

The Metropolitan Museum of Art

CC0

Philip, Lord Wharton, Sir Anthony van Dyck, 1632, oil on canvas

Philip, Lord Wharton

Sir Anthony van Dyck · 1632

oil on canvas

National Gallery of Art

Public domain

Robert Rich (1587–1658), Second Earl of Warwick, Sir Anthony van Dyck, c. 1632–35, Oil on canvas

Robert Rich (1587–1658), Second Earl of Warwick

Sir Anthony van Dyck · c. 1632–35

Oil on canvas

The Metropolitan Museum of Art

CC0

The Virgin as Intercessor, Sir Anthony van Dyck, 1628/1629, oil on canvas

The Virgin as Intercessor

Sir Anthony van Dyck · 1628/1629

oil on canvas

National Gallery of Art

Public domain

Die mystische Vermählung der heiligen Katharina (Entwurf für das Hochaltarbild der Augustinerkirche in Antwerpen), Rückseite: zwei Reiterkämpfe, Peter Paul Rubens, 1628, Öl auf Eichenholz

Die mystische Vermählung der heiligen Katharina (Entwurf für das Hochaltarbild der Augustinerkirche in Antwerpen), Rückseite: zwei Reiterkämpfe

Peter Paul Rubens · 1628

Öl auf Eichenholz

Public domain

Zwei Reiterkämpfe, Peter Paul Rubens, 1627–1628, Öl auf Eichenholz

Zwei Reiterkämpfe

Peter Paul Rubens · 1627–1628

Öl auf Eichenholz

Public domain

Giovanni Vincenzo Imperiale, Sir Anthony van Dyck, 1626, oil on canvas

Giovanni Vincenzo Imperiale

Sir Anthony van Dyck · 1626

oil on canvas

National Gallery of Art

Public domain

A Genoese Noblewoman and Her Son, Sir Anthony van Dyck, c. 1626, oil on canvas

A Genoese Noblewoman and Her Son

Sir Anthony van Dyck · c. 1626

oil on canvas

National Gallery of Art

Public domain

← Prev

1
2
3