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The collection

21 works match your filters.

Medium:Painting21 Drawing14 Print5

Image

With image21
All21
Metadata only0

Year range

to

Decade

1950s1
1940s5
1930s3
1920s10
1910s2

Medium

Painting21
Print5
Drawing14

Painting type

Oil6
Watercolor5
Gouache15

Institution

The Museum of Modern Art20
Art Institute of Chicago1

Nationality

- Europe
- Americas
French16
American11
German5

Movement

Impressionism67
German Renaissance55
Expressionism53
Symbolism46
Bauhaus39
French Realism39
Color Field28
pointillism28
cubism25
Post-impressionism22
Dada21
surrealism21
expressionism19
modernism19
Romanticism19
Orphism14
simultanism14
Barbizon school11
modern art11
pop art11
Classicism10
Fauvism9
Les Nabis9
Baroque7
Catalan modernism7
realism6
Rococo6
Japonisme5
New Objectivity5
degenerate art4

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Exhibition History

Has exhibition record1

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Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

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With Seaweed, Hannah Höch, 1950, Cut-and-pasted papers, torn papers, and gouache on paper

With Seaweed

Hannah Höch · 1950

Cut-and-pasted papers, torn papers, and gouache on paper

The Museum of Modern Art

Adam and Eve Expelled from the Garden of Eden (Adam et Eve chassés du Paradis), Max Ernst, 1946–47, Gouache on cardstock

Adam and Eve Expelled from the Garden of Eden (Adam et Eve chassés du Paradis)

Max Ernst · 1946–47

Gouache on cardstock

The Museum of Modern Art

Untitled, Hannah Höch, 1945, Cut-and-pasted printed paper and watercolor on paper

Untitled

Hannah Höch · 1945

Cut-and-pasted printed paper and watercolor on paper

The Museum of Modern Art

Untitled, Hannah Höch, 1943, Gouache on paper

Untitled

Hannah Höch · 1943

Gouache on paper

The Museum of Modern Art

Untitled (The Bird People) from VVV Portfolio, Max Ernst, 1942, published 1943, Crayon on paper from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print

Untitled (The Bird People) from VVV Portfolio

Max Ernst · 1942, published 1943

Crayon on paper from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print

The Museum of Modern Art

Alice in 1941, Max Ernst, 1941, Oil on paper on canvas

Alice in 1941

Max Ernst · 1941

Oil on paper on canvas

The Museum of Modern Art

Sun and Forest (Soleil et forêt), Max Ernst, 1931, Cut-and-pasted cardboard with oil, gouache, and pencil on paperboard

Sun and Forest (Soleil et forêt)

Max Ernst · 1931

Cut-and-pasted cardboard with oil, gouache, and pencil on paperboard

The Museum of Modern Art

Transparence - Tête et Cheval, Francis Picabia, (c. 1930), Ink, gouache, and watercolor on paper

Transparence - Tête et Cheval

Francis Picabia · (c. 1930)

Ink, gouache, and watercolor on paper

The Museum of Modern Art

Indian Dancer: From an Ethnographic Museum (Indische Tänzerin: Aus einem ethnographischen Museum), Hannah Höch, 1930, Cut-and-pasted printed paper and metallic foil on paper

Indian Dancer: From an Ethnographic Museum (Indische Tänzerin: Aus einem ethnographischen Museum)

Hannah Höch · 1930

Cut-and-pasted printed paper and metallic foil on paper

The Museum of Modern Art

Têtes-paysage, Francis Picabia, 1928, Oil on canvas

Têtes-paysage

Francis Picabia · 1928

Oil on canvas

Art Institute of Chicago

1 show

Mountain, Navel, Anchors, Table, Jean (Hans) Arp, 1925, Gouache on board with cutouts

Mountain, Navel, Anchors, Table

Jean (Hans) Arp · 1925

Gouache on board with cutouts

The Museum of Modern Art

Fuel Pump (Pompe à combustible), Francis Picabia, 1922, Pencil, ink, colored ink, and gouache on paper

Fuel Pump (Pompe à combustible)

Francis Picabia · 1922

Pencil, ink, colored ink, and gouache on paper

The Museum of Modern Art

The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses (La Biciclette graminée garnie de grelots les grisous grivelés et les échinodermes courbants l'échine pour quêter des caresses), Max Ernst, 1921, Gouache, ink, and pencil on printed paper on paperboard

The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses (La Biciclette graminée garnie de grelots les grisous grivelés et les échinodermes courbants l'échine pour quêter des caresses)

Max Ernst · 1921

Gouache, ink, and pencil on printed paper on paperboard

The Museum of Modern Art

Study for Man and Machine (Skizze zu Mensch und Maschine), Hannah Höch, 1921, Watercolor, gouache, and pencil on paper

Study for Man and Machine (Skizze zu Mensch und Maschine)

Hannah Höch · 1921

Watercolor, gouache, and pencil on paper

The Museum of Modern Art

Untitled, Max Ernst, 1920s, Cut-and-pasted printed paper on printed paper with gouache and pencil

Untitled

Max Ernst · 1920s

Cut-and-pasted printed paper on printed paper with gouache and pencil

The Museum of Modern Art

Stratified Rocks, Nature's Gift of Gneiss Lava Iceland Moss 2 kinds of lungwort 2 kinds of ruptures of the perinaeum growths of the heart b) the same thing in a well-polished little box somewhat more expensive (schichtgestein naturgabe aus gneis lava isländisch moos 2 sorten lungenkraut 2 sorten dammriss/herzgewächse b) dasselbe in fein poliertem kästchen etwas teurer), Max Ernst, 1920, Gouache and pencil on printed paper on cardstock

Stratified Rocks, Nature's Gift of Gneiss Lava Iceland Moss 2 kinds of lungwort 2 kinds of ruptures of the perinaeum growths of the heart b) the same thing in a well-polished little box somewhat more expensive (schichtgestein naturgabe aus gneis lava isländisch moos 2 sorten lungenkraut 2 sorten dammriss/herzgewächse b) dasselbe in fein poliertem kästchen etwas teurer)

Max Ernst · 1920

Gouache and pencil on printed paper on cardstock

The Museum of Modern Art

The Little Tear Gland That Says Tic Tac (La Petite fistule lacrimale qui dit tic tac), Max Ernst, 1920, Gouache, pencil, and ink on printed wallpaper on board

The Little Tear Gland That Says Tic Tac (La Petite fistule lacrimale qui dit tic tac)

Max Ernst · 1920

Gouache, pencil, and ink on printed wallpaper on board

The Museum of Modern Art

The Horse He's Sick (Un Peu malade le cheval), Max Ernst, 1920, Cut-and-pasted printed paper with pencil and gouache on printed paper on cardstock

The Horse He's Sick (Un Peu malade le cheval)

Max Ernst · 1920

Cut-and-pasted printed paper with pencil and gouache on printed paper on cardstock

The Museum of Modern Art

The Hat Makes the Man (C'est le chapeau qui fait l'homme), Max Ernst, 1920, Gouache, pencil, oil, and ink on cut-and-pasted printed paper on board

The Hat Makes the Man (C'est le chapeau qui fait l'homme)

Max Ernst · 1920

Gouache, pencil, oil, and ink on cut-and-pasted printed paper on board

The Museum of Modern Art

"M'Amenez-y", Francis Picabia, Paris, November 1919 - January 1920, Oil and enamel paint on cardboard

"M'Amenez-y"

Francis Picabia · Paris, November 1919 - January 1920

Oil and enamel paint on cardboard

The Museum of Modern Art

New York, Francis Picabia, 1913, Gouache, watercolor, and pencil on paper

New York

Francis Picabia · 1913

Gouache, watercolor, and pencil on paper

The Museum of Modern Art