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dartabase Play Browse Movements

Aboriginal and Torres Strait Islander peoples are advised that Dartabase may contain images, names, and works of people who have died.

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The collection

8 works match your filters.

Medium:Painting18 Drawing13

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Decade

1970s1
1940s5
1930s1
1420s1

Medium

Painting18
Drawing13

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Oil1
Watercolor8
Gouache8
Tempera1

Institution

The Museum of Modern Art7
Minneapolis Institute of Art1

Nationality

American333
British323
German81
French79
Russian24
Spanish20
Italian16
Dutch12
Brazilian10
Belgian8
Argentine7
Cuban7
Czech7
Swiss7
Austrian6
Japanese5
Australian4
Chilean4
Flemish3
Hungarian3
Polish3
Georgian2
Mexican2
Colombian1
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Iranian1
Italian (Parma)1
Peruvian1
Prussian1
South African1

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La Juventuo et Ala, Raúl Martínez, 1978, Gouache and ink on paper

La Juventuo et Ala

Raúl Martínez · 1978

Gouache and ink on paper

The Museum of Modern Art

Composition in Red, Sandu Darie, 1946, Gouache, ink, and wax on paper

Composition in Red

Sandu Darie · 1946

Gouache, ink, and wax on paper

The Museum of Modern Art

At the Beach of Jibacoa, Luis Martínez Pedro, 1946, Watercolor and gouache on cardboard

At the Beach of Jibacoa

Luis Martínez Pedro · 1946

Watercolor and gouache on cardboard

The Museum of Modern Art

Mythological Personage, Rene Portocarrero, 1945, Gouache on board

Mythological Personage

Rene Portocarrero · 1945

Gouache on board

The Museum of Modern Art

Woman Washing, Felipe Orlando, 1943, Gouache on paper

Woman Washing

Felipe Orlando · 1943

Gouache on paper

The Museum of Modern Art

Satan, Wifredo Lam, 1942, Gouache on paper

Satan

Wifredo Lam · 1942

Gouache on paper

The Museum of Modern Art

Mother and Child, Wifredo Lam, 1939, Gouache on paper

Mother and Child

Wifredo Lam · 1939

Gouache on paper

The Museum of Modern Art

Crucifixion with a Crowd of Supplicants, Attributed to Bertolino de' Grossi, c. 1425–64, Brown and red ink, gouache, and gilding, and leadpoint ruling on vellum

Crucifixion with a Crowd of Supplicants

Attributed to Bertolino de' Grossi · c. 1425–64

Brown and red ink, gouache, and gilding, and leadpoint ruling on vellum

Minneapolis Institute of Art

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