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Study of Seated Figure for ‘The Garden Court’ in the ‘Briar Rose’ Series

Study of Seated Figure for ‘The Garden Court’ in the ‘Briar Rose’ Series

Sir Edward Coley, Bt Burne-Jones · c.1873

Graphite on paper

Study of Seated Figure for ‘The Garden Court’ in the ‘Briar Rose’ Series

Study of Seated Figure for ‘The Garden Court’ in the ‘Briar Rose’ Series

Sir Edward Coley, Bt Burne-Jones · c.1873

Graphite on paper

Three Studies for ‘The Beguiling of Merlin’

Three Studies for ‘The Beguiling of Merlin’

Sir Edward Coley, Bt Burne-Jones · c.1872–7

Graphite on paper

Study of a Female Head for ‘The Hours’

Study of a Female Head for ‘The Hours’

Sir Edward Coley, Bt Burne-Jones · c.1872

Graphite on paper

Figure Study for ‘The Rose Bower’ (Briar Rose Series). Verso: Study of the Head of Merlin for ‘The Beguiling of Merlin’

Figure Study for ‘The Rose Bower’ (Briar Rose Series). Verso: Study of the Head of Merlin for ‘The Beguiling of Merlin’

Sir Edward Coley, Bt Burne-Jones · c.1872–7

Charcoal and graphite on paper. Verso: graphite on paper

Giessen

Giessen

William Callow · 1871

Graphite on paper

Study of a Sleeping Woman’s Head, possibly for ‘The Rose Bower’ in the ‘Briar Rose’ Series

Study of a Sleeping Woman’s Head, possibly for ‘The Rose Bower’ in the ‘Briar Rose’ Series

Sir Edward Coley, Bt Burne-Jones · c.1871–3

Graphite on paper

Roundel with the Head of a Warrior

Roundel with the Head of a Warrior

Sir Edward Coley, Bt Burne-Jones · c.1870–5

Graphite on paper

The Wicked Fairy for ‘At the Back of the North Wind’

The Wicked Fairy for ‘At the Back of the North Wind’

Arthur Hughes · c.1870

Ink and graphite on paper

Study of a Woman’s Head

Study of a Woman’s Head

Sir Edward Coley, Bt Burne-Jones · 1870

Graphite on paper

Roundel with the Head of a Woman

Roundel with the Head of a Woman

Sir Edward Coley, Bt Burne-Jones · c.1870–5

Graphite on paper

The Drunken Cabman for ‘At the Back of the North Wind’

The Drunken Cabman for ‘At the Back of the North Wind’

Arthur Hughes · c.1870

Ink and graphite on paper

Roundel with the Head of a Woman

Roundel with the Head of a Woman

Sir Edward Coley, Bt Burne-Jones · c.1870–5

Graphite on paper

Old Sal for ‘At the Back of the North Wind’

Old Sal for ‘At the Back of the North Wind’

Arthur Hughes · c.1869

Ink on paper

Study of a Girl’s Head

Study of a Girl’s Head

Sir Edward Coley, Bt Burne-Jones · 1866

Graphite on paper

Study of a Man’s Head

Study of a Man’s Head

Sir Edward Coley, Bt Burne-Jones · 1866

Graphite on paper

Study of a Seated Woman for ‘The Hours’

Study of a Seated Woman for ‘The Hours’

Sir Edward Coley, Bt Burne-Jones · c.1866

Graphite on paper

Markt, Coburg

Markt, Coburg

William Callow · 1863

Graphite on paper

Composition Study for ‘The Merciful Knight’. Verso: Study for a Nativity

Composition Study for ‘The Merciful Knight’. Verso: Study for a Nativity

Sir Edward Coley, Bt Burne-Jones · c.1863

Graphite on paper. Verso: graphite on paper

Nude Study of Knight for ‘The Merciful Knight’

Nude Study of Knight for ‘The Merciful Knight’

Sir Edward Coley, Bt Burne-Jones · c.1863

Graphite on paper

Study of Knight for ‘The Merciful Knight’

Study of Knight for ‘The Merciful Knight’

Sir Edward Coley, Bt Burne-Jones · c.1863

Graphite on paper

Composition Study for ‘The Merciful Knight’

Composition Study for ‘The Merciful Knight’

Sir Edward Coley, Bt Burne-Jones · c.1863

Graphite on paper

Nude Study of the Knight for ‘The Merciful Knight’

Nude Study of the Knight for ‘The Merciful Knight’

Sir Edward Coley, Bt Burne-Jones · c.1863

Graphite on paper

Two Studies of a Seated Male Nude for ‘The Liberation of St Peter’ in the Church of St Michael and All Angels, Lyndhurst, Hampshire

Two Studies of a Seated Male Nude for ‘The Liberation of St Peter’ in the Church of St Michael and All Angels, Lyndhurst, Hampshire

Sir Edward Coley, Bt Burne-Jones · c.1863

Graphite and chalk on paper