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Art Institute of Chicago Print Clear all

Sepia Odalisque III

Sepia Odalisque III

Eldzier Cortor · 1998

Etching and aquatint with flat bite on cut plate in brown-black on cream wove paper

Sepia Odalisque II

Sepia Odalisque II

Eldzier Cortor · 1998

Etching and aquatint on cut plate in brown on cream wove paper

Sepia Odalisque I

Sepia Odalisque I

Eldzier Cortor · 1998

Etching and aquatint with flat bite on cut plate in brown-black on cream wove paper

Jewels/Theme I

Jewels/Theme I

Eldzier Cortor · 1985

Mezzotint with etching in black and color aquatint with etching from multiple plates on ivory wove paper

Jewels/Theme IV

Jewels/Theme IV

Eldzier Cortor · 1985

Mezzotint with etching in black and color aquatint with etching from multiple plates on ivory wove paper

Jewels/Theme VI

Jewels/Theme VI

Eldzier Cortor · 1985

Mezzotint with etching in black and color aquatint with etching from multiple plates on ivory wove paper

Jewels/Theme V

Jewels/Theme V

Eldzier Cortor · 1985

Mezzotint with etching in black and color aquatint with etching from multiple plates on ivory wove paper

Jewels/Theme VII

Jewels/Theme VII

Eldzier Cortor · 1985

Mezzotint with etching in black and color aquatint with etching from multiple plates on ivory wove paper

Jewels/Theme III

Jewels/Theme III

Eldzier Cortor · 1985

Mezzotint with etching in black and color aquatint with etching from multiple plates on ivory wove paper

Study for Interior Decoration (Estudio de Decoración de interiores)

Study for Interior Decoration (Estudio de Decoración de interiores)

Beatriz González · 1981

Screenprint in orange on brown wove paper

L'Abbatoire III

L'Abbatoire III

Eldzier Cortor · 1980

Soft ground etching and aquatint, with flat bite, in black and red on white wove paper

The Razorback Bunch (Etching I)

The Razorback Bunch (Etching I)

Robert Rauschenberg · 1980

Color photoetching from three plates on white wove paper

Dance Composition No. 34

Dance Composition No. 34

Eldzier Cortor · 1980s

Etching, aquatint, and flat bite from two plates in brown and black on cream wove paper

Dance Composition No. 31

Dance Composition No. 31

Eldzier Cortor · 1978

Etching, aquatint, and flat bite with color additions on ivory wove paper

Dual Form No. III

Dual Form No. III

Eldzier Cortor · 1978

Color aquatint, etching, soft ground, and flat bite viscosity on cream wove paper

Self-Portrait in a Flat Cap (Winter), first state

Self-Portrait in a Flat Cap (Winter), first state

Jim Dine · 1974

Etching in black on ivory handmade paper

Eclat (Furnishing Fabric)

Eclat (Furnishing Fabric)

Anni Albers · 1974 (produced 1976)

Cotton, linen and rayon; plain weave with paired warps; screenprinted

Boreal, from 21 Printmakers of Colombia, Mexico and Venezuela (21 estampadores de Colombia, Mexico y Venezuela)

Boreal, from 21 Printmakers of Colombia, Mexico and Venezuela (21 estampadores de Colombia, Mexico y Venezuela)

Alejandro Otero · 1972

Color screenprint on white wove paper

Celestial Theme (Tema celeste), from 21 Printmakers of Colombia, Mexico and Venezuela (21 estampadores de Colombia, Mexico y Venezuela)

Celestial Theme (Tema celeste), from 21 Printmakers of Colombia, Mexico and Venezuela (21 estampadores de Colombia, Mexico y Venezuela)

Manuel Espinoza · 1972

Color screenprint on white wove paper

Environment No. V

Environment No. V

Eldzier Cortor · 1969, printed 2000

Color etching, aquatint, and collagraph on white wove paper

Untitled

Untitled

Mira Schendel · 1964

Monotype on Japanese paper

Plate one, from The Never Projected (Lo Nunca Proyectado)

Plate one, from The Never Projected (Lo Nunca Proyectado)

Gego (Gertrud Goldschmidt) · 1964

Inkless intaglio on cream wove paper, folded

Untitled

Untitled

Mira Schendel · 1964

Monotype on Japanese paper

Plate six, from The Never Projected (Lo Nunca Proyectado)

Plate six, from The Never Projected (Lo Nunca Proyectado)

Gego (Gertrud Goldschmidt) · 1964

Inkless intaglio on cream wove paper, folded