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41 works match your filters.

Medium:Painting34 Print4 Drawing1

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Canto XXVI: Circle Eight, Bolgia 8, The Evil Counselors, from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, (1959–60), Solvent transfer drawing, watercolor, and pencil on paper

Canto XXVI: Circle Eight, Bolgia 8, The Evil Counselors, from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · (1959–60)

Solvent transfer drawing, watercolor, and pencil on paper

The Museum of Modern Art

Canto XXXIII: Circle Nine, Cocytus, Compound Fraud: Round 2, Antenora, Treacherous to Country; Round 3, Ptolomea, Treacherous to Guests and Hosts from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, watercolor, and pencil on paper

Canto XXXIII: Circle Nine, Cocytus, Compound Fraud: Round 2, Antenora, Treacherous to Country; Round 3, Ptolomea, Treacherous to Guests and Hosts from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, watercolor, and pencil on paper

The Museum of Modern Art

Canto XII: Circle Seven, Round 1, The Violent Against Neighbors from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, watercolor, colored pencil, pencil, gouache, and black chalk on paper

Canto XII: Circle Seven, Round 1, The Violent Against Neighbors from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, watercolor, colored pencil, pencil, gouache, and black chalk on paper

The Museum of Modern Art

Canto XIV: Circle Seven, Round 3, The Violent Against God, Nature, and Art, from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, watercolor, gouache, pencil, and red chalk on paper

Canto XIV: Circle Seven, Round 3, The Violent Against God, Nature, and Art, from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, watercolor, gouache, pencil, and red chalk on paper

The Museum of Modern Art

Canto XIX: Circle Eight, Bolgia 3, The Simoniacs from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, gouache, and pencil on paper

Canto XIX: Circle Eight, Bolgia 3, The Simoniacs from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, gouache, and pencil on paper

The Museum of Modern Art

Canto XXX: Circle Eight, Bolgia 10, The Falsifiers: The Evil Impersonators, Counterfeiters, and False Witnesses from the series Thirty- Four Illustrations for Dante's Inferno, Robert Rauschenberg, (1959–60), Solvent transfer drawing, watercolor, gouache, and pencil on paper

Canto XXX: Circle Eight, Bolgia 10, The Falsifiers: The Evil Impersonators, Counterfeiters, and False Witnesses from the series Thirty- Four Illustrations for Dante's Inferno

Robert Rauschenberg · (1959–60)

Solvent transfer drawing, watercolor, gouache, and pencil on paper

The Museum of Modern Art

Canto XXVII: Circle Eight, Bolgia 8, The Evil Counselors from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, watercolor, gouache, and pencil on paper

Canto XXVII: Circle Eight, Bolgia 8, The Evil Counselors from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, watercolor, gouache, and pencil on paper

The Museum of Modern Art

Canto XX: Circle Eight, Bolgia 4, The Fortune Tellers and Diviners from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing and pencil on paper

Canto XX: Circle Eight, Bolgia 4, The Fortune Tellers and Diviners from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing and pencil on paper

The Museum of Modern Art

Canto XV: Circle Seven, Round 3, The Violent Against Nature from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, gouache, watercolor, and pencil on paper

Canto XV: Circle Seven, Round 3, The Violent Against Nature from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, gouache, watercolor, and pencil on paper

The Museum of Modern Art

Canto XIII: Circle Seven, Round 2, The Violent Against Themselves from the series Thirty- Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, gouache, pencil, colored pencil, watercolor, and black chalk on paper

Canto XIII: Circle Seven, Round 2, The Violent Against Themselves from the series Thirty- Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, gouache, pencil, colored pencil, watercolor, and black chalk on paper

The Museum of Modern Art

Canto IV: Limbo, Circle One, The Virtuous Pagans from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1958, Solvent transfer drawing, cut-and-pasted paper, pencil, gouache, and watercolor on paper

Canto IV: Limbo, Circle One, The Virtuous Pagans from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1958

Solvent transfer drawing, cut-and-pasted paper, pencil, gouache, and watercolor on paper

The Museum of Modern Art

Canto III: The Vestibule of Hell, The Opportunists from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1958, Solvent transfer drawing, torn-and-pasted paper, watercolor, and pencil on paper

Canto III: The Vestibule of Hell, The Opportunists from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1958

Solvent transfer drawing, torn-and-pasted paper, watercolor, and pencil on paper

The Museum of Modern Art

Canto VI: Circle Three, The Gluttons from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1958, Solvent transfer drawing, gouache, pencil, and watercolor on paper

Canto VI: Circle Three, The Gluttons from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1958

Solvent transfer drawing, gouache, pencil, and watercolor on paper

The Museum of Modern Art

Quiz, Robert Rauschenberg, 1958, Transfer drawing, gouache, crayon, and pencil on paper

Quiz

Robert Rauschenberg · 1958

Transfer drawing, gouache, crayon, and pencil on paper

The Museum of Modern Art

Canto V: Circle Two, The Carnal from the series Thirty-Four lIlustrations for Dante's Inferno, Robert Rauschenberg, 1958, Solvent transfer drawing, watercolor, pencil, crayon, and gouache on paper

Canto V: Circle Two, The Carnal from the series Thirty-Four lIlustrations for Dante's Inferno

Robert Rauschenberg · 1958

Solvent transfer drawing, watercolor, pencil, crayon, and gouache on paper

The Museum of Modern Art

Canto I: The Dark Wood of Error from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1958, Solvent transfer drawing, pencil, gouache, and colored pencil on paper

Canto I: The Dark Wood of Error from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1958

Solvent transfer drawing, pencil, gouache, and colored pencil on paper

The Museum of Modern Art

Canto II: The Descent from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1958, Solvent transfer drawing, pencil, gouache, and colored pencil on cut-and-pasted paper on paper

Canto II: The Descent from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1958

Solvent transfer drawing, pencil, gouache, and colored pencil on cut-and-pasted paper on paper

The Museum of Modern Art

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