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50 works match your filters.

Medium:Print39 Painting10 Drawing1

Image

With image46
All50
Metadata only4

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Decade

1950s3
1940s1
1930s1
1920s38
1910s3
1900s2
1890s1

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Painting10
Print39
Drawing1

Institution

The Museum of Modern Art45
Queensland Art Gallery and Gallery of Modern Art4
Städel Museum1

Nationality

- Europe
French49
Belgian1

Movement

Romanticism5,372
English painting5,266
pop art1,215
German Renaissance412
surrealism321
Expressionism283
abstract art280
Symbolism220
contemporary art206
Impressionism205
Baroque201
op art188
abstract expressionism179
Rococo172
modernism120
Post-impressionism112
modern art105
social realism93
cubism86
Dada82
Bauhaus78
Constructivism74
Heidelberg School72
Dutch Golden Age painting71
Mannerism64
pointillism63
Color Field62
French Realism61
Neoclassicism56
Fauvism50

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Project for a Painting, Auguste Herbin, c. 1955, Pencil, crayon, and ink on transparentized paper (recto); Pencil on transparentized paper (verso)

Project for a Painting

Auguste Herbin · c. 1955

Pencil, crayon, and ink on transparentized paper (recto); Pencil on transparentized paper (verso)

The Museum of Modern Art

Jour (Day), Auguste Herbin, 1953, Gouache on paper

Jour (Day)

Auguste Herbin · 1953

Gouache on paper

The Museum of Modern Art

Madman (Fou) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Auguste Herbin, 1953, One from a portfolio of sixteen screenprint reproductions

Madman (Fou) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Auguste Herbin · 1953

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Composition, Auguste Herbin, (1941), Gouache on paper

Composition

Auguste Herbin · (1941)

Gouache on paper

The Museum of Modern Art

Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere, Georges Rouault, 1927, Aquatint and drypoint with roulette over photogravure

Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere

Georges Rouault · 1927

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere, Georges Rouault, 1927, Aquatint, etching, and drypoint with roulette over photogravure

Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere

Georges Rouault · 1927

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere, Georges Rouault, 1926, Aquatint and drypoint over photogravure, with pen and ink additions

Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere

Georges Rouault · 1926

Aquatint and drypoint over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for Face To Face, plate XL from Miserere, Georges Rouault, 1926, Aquatint, etching, and drypoint with roulette over photogravure

Trial proof for Face To Face, plate XL from Miserere

Georges Rouault · 1926

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere, Georges Rouault, 1926, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere

Georges Rouault · 1926

Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

The Museum of Modern Art

Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere, Georges Rouault, 1926, published 1948, Aquatint, drypoint and photogravure with ink additions

Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere

Georges Rouault · 1926, published 1948

Aquatint, drypoint and photogravure with ink additions

The Museum of Modern Art

Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere, Georges Rouault, 1926, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere

Georges Rouault · 1926

Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for "With Tooth and Nail," plate L from Miserere, Georges Rouault, 1926, Aquatint and drypoint over photogravure, with pen and ink additions

Trial proof for "With Tooth and Nail," plate L from Miserere

Georges Rouault · 1926

Aquatint and drypoint over photogravure, with pen and ink additions

The Museum of Modern Art

Composition, Auguste Herbin, c. 1925, Gouache on paper

Composition

Auguste Herbin · c. 1925

Gouache on paper

The Museum of Modern Art

Trial proof for We Think Ourselves Kings, plate VII from Miserere, Georges Rouault, 1923, Aquatint with roulette over photogravure

Trial proof for We Think Ourselves Kings, plate VII from Miserere

Georges Rouault · 1923

Aquatint with roulette over photogravure

The Museum of Modern Art

Trial proof for In the Land of Thirst and Terror, plate XXVI from Miserere, Georges Rouault, 1923, Aquatint and lift ground aquatint with roulette over photogravure

Trial proof for In the Land of Thirst and Terror, plate XXVI from Miserere

Georges Rouault · 1923

Aquatint and lift ground aquatint with roulette over photogravure

The Museum of Modern Art

Trial proof for We Think Ourselves Kings, plate VII from Miserere, Georges Rouault, 1923, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

Trial proof for We Think Ourselves Kings, plate VII from Miserere

Georges Rouault · 1923

Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for It Would be So Sweet to Love!, plate XIII from Miserere, Georges Rouault, 1923, Lift ground aquatint, etching, and drypoint over photogravure

Trial proof for It Would be So Sweet to Love!, plate XIII from Miserere

Georges Rouault · 1923

Lift ground aquatint, etching, and drypoint over photogravure

The Museum of Modern Art

Trial proof for Who Does Not Paint Himself a Face?, plate VIII from Miserere, Georges Rouault, 1923, Aquatint and drypoint with roulette over photogravure

Trial proof for Who Does Not Paint Himself a Face?, plate VIII from Miserere

Georges Rouault · 1923

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for Death Took Him As He Rose From His Bed of Nettles, plate XLV from Miserere, Georges Rouault, 1922, Aquatint, etching, and drypoint with roulette over photogravure

Trial proof for Death Took Him As He Rose From His Bed of Nettles, plate XLV from Miserere

Georges Rouault · 1922

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for And Veronica With Her Delicate Linen Still Goes Her Way..., plate XXXIII from Miserere, Georges Rouault, 1922, Aquatint and drypoint with roulette over photogravure

Trial proof for And Veronica With Her Delicate Linen Still Goes Her Way..., plate XXXIII from Miserere

Georges Rouault · 1922

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

+ 4 metadata-only matchesshowhide

Metadata only · no published image

We mirror only what an institution itself has openly published. These works have no openly available image; follow the link to view at the source.

Tristes os (Weary bones) (no. VIII from 'Cirque de l'etoile filante' (Circus of the shooting star))Georges Rouault · 1934, printed 1936
Homme a la moustache et aux lunettes (Man with a moustache and spectacles)Georges Rouault · 1928
AutoportraitGeorges Rouault · 1926
Femme affranchie, a quatorze heures, chante midi (The liberated woman of vain regrets) (no. XVII from 'Miserere')Georges Rouault · 1923, printed 1927

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