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The collection

16 works match your filters.

Medium:Painting7 Drawing4 Print3

Image

With image16
All16
Metadata only0

Year range

to

Decade

1950s2
1940s1
1920s6
1910s6
1900s1

Medium

Painting7
Print3
Drawing4

Institution

The Museum of Modern Art13
Art Institute of Chicago2
Cleveland Museum of Art1

Nationality

- Europe
Dutch10
French6

Movement

Romanticism5,372
English painting5,266
pop art1,215
German Renaissance412
surrealism321
Expressionism283
abstract art280
Symbolism220
contemporary art206
Impressionism205
Baroque201
op art188
abstract expressionism179
Rococo172
modernism120
Post-impressionism112
modern art105
social realism93
cubism86
Dada82
Bauhaus78
Constructivism74
Heidelberg School72
Dutch Golden Age painting71
Mannerism64
pointillism63
Color Field62
French Realism61
Neoclassicism56
Fauvism50

Related

Post-impressionism

Exhibition History

Has exhibition record3

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

canvas1
charcoal1
oil paint (paint)1
paper (fiber product)1
plant material1

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View:Works Exhibitions3 works

Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Theo van Doesburg, 1953 (original executed in 1924), One from a portfolio of sixteen screenprint reproductions

Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Theo van Doesburg · 1953 (original executed in 1924)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Constellation from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Jean (Hans) Arp, 1953 (original executed in 1928), One from a portfolio of sixteen screenprint reproductions

Constellation from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Jean (Hans) Arp · 1953 (original executed in 1928)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Plate (folio 4) from 10 Origin, Jean (Hans) Arp, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 4) from 10 Origin

Jean (Hans) Arp · 1942

Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Composition with Red, Yellow, and Blue, Piet Mondrian, 1927, oil on canvas

Composition with Red, Yellow, and Blue

Piet Mondrian · 1927

oil on canvas

Cleveland Museum of Art

CC0

8 shows

Mountain, Navel, Anchors, Table, Jean (Hans) Arp, 1925, Gouache on board with cutouts

Mountain, Navel, Anchors, Table

Jean (Hans) Arp · 1925

Gouache on board with cutouts

The Museum of Modern Art

Study for a Composition, Theo van Doesburg, 1923, Gouache and ink on tissue paper and pen and ink on paper

Study for a Composition

Theo van Doesburg · 1923

Gouache and ink on tissue paper and pen and ink on paper

The Museum of Modern Art

Contra-construction in a Circle, Theo van Doesburg, c. 1923, Gouache, ink, and pencil on paper

Contra-construction in a Circle

Theo van Doesburg · c. 1923

Gouache, ink, and pencil on paper

The Museum of Modern Art

Design for a stained-glass window for Christian ULO School, Rehobôth te Drachten, Theo van Doesburg, 1922–23, Gouache and pencil on paper

Design for a stained-glass window for Christian ULO School, Rehobôth te Drachten

Theo van Doesburg · 1922–23

Gouache and pencil on paper

The Museum of Modern Art

Lozenge Composition with Yellow, Black, Blue, Red, and Gray, Piet Mondrian, 1921, Oil on canvas

Lozenge Composition with Yellow, Black, Blue, Red, and Gray

Piet Mondrian · 1921

Oil on canvas

Art Institute of Chicago

CC0

1 show

Study for Composition VIII (The Cow) (recto); Untitled (verso), Theo van Doesburg, c. 1917, Gouache, oil, and charcoal on paper (recto and verso)

Study for Composition VIII (The Cow) (recto); Untitled (verso)

Theo van Doesburg · c. 1917

Gouache, oil, and charcoal on paper (recto and verso)

The Museum of Modern Art

Untitled (Automatic Drawing), Jean (Hans) Arp, 1917–18, dated 1916, Ink and pencil on paper

Untitled (Automatic Drawing)

Jean (Hans) Arp · 1917–18, dated 1916

Ink and pencil on paper

The Museum of Modern Art

Composition, Theo van Doesburg, 1917, dated 1915, Charcoal on paper

Composition

Theo van Doesburg · 1917, dated 1915

Charcoal on paper

The Museum of Modern Art

Study for Composition (The Cow), Theo van Doesburg, 1917, Pencil on paper

Study for Composition (The Cow)

Theo van Doesburg · 1917

Pencil on paper

The Museum of Modern Art

Untitled (Squares Arranged According to the Laws of Chance), Jean (Hans) Arp, 1917, Cut-and-pasted colored paper on colored paper

Untitled (Squares Arranged According to the Laws of Chance)

Jean (Hans) Arp · 1917

Cut-and-pasted colored paper on colored paper

The Museum of Modern Art

Untitled (Collage with Squares Arranged according to the Law of Chance), Jean (Hans) Arp, 1916–17, Torn-and-pasted paper and colored paper on colored paper

Untitled (Collage with Squares Arranged according to the Law of Chance)

Jean (Hans) Arp · 1916–17

Torn-and-pasted paper and colored paper on colored paper

The Museum of Modern Art

Landzicht Farm: Compositional Study, Piet Mondrian, c. 1905, Fabricated charcoal on blue laid paper

Landzicht Farm: Compositional Study

Piet Mondrian · c. 1905

Fabricated charcoal on blue laid paper

Art Institute of Chicago

CC0

1 show