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The collection

81 works match your filters.

Medium:Painting86 Print81 Drawing37 Sculpture12

Image

With image67
All81
Metadata only14

Year range

to

Decade

1950s3
1940s1
1930s2
1920s39
1910s1
1900s3
1890s27
1880s3
1870s1
1840s1

Medium

Painting86
Print81
Drawing37
Sculpture12

Institution

The Museum of Modern Art40
National Gallery of Art19
Queensland Art Gallery and Gallery of Modern Art13
Art Institute of Chicago9

Nationality

- Europe
French68
Norwegian5
Austrian3
Belgian2
Swiss2
Czech1

Movement

German Renaissance312
pop art278
Romanticism213
abstract art183
op art175
English painting159
contemporary art118
Baroque112
Rococo105
Expressionism104
surrealism96
Symbolism81
Impressionism75
Post-impressionism64
abstract expressionism61
modernism54
Aestheticism42
Fauvism39
Mannerism30
French Realism15
Dada14
Italian Renaissance14
Bauhaus13
Constructivism13
social realism12
realism11
Color Field10
pointillism10
Orphism9
Zero9

Related

Post-impressionism

Exhibition History

Has exhibition record9

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)7

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View:Works Exhibitions9 works

An Absolute (Une Absolue) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, František Kupka, 1953 (original executed in 1952), One from a portfolio of sixteen screenprint reproductions

An Absolute (Une Absolue) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

František Kupka · 1953 (original executed in 1952)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Gray (Gris) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Vasily Kandinsky, 1953 (original executed in 1931), One from a portfolio of sixteen screenprint reproductions

Gray (Gris) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Vasily Kandinsky · 1953 (original executed in 1931)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Plate (folio 12) from 10 Origin, Vasily Kandinsky, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 12) from 10 Origin

Vasily Kandinsky · 1942

Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

The Bride of Corinth (Die Braut von Korinth), Alfred Kubin, 1932, Lithograph

The Bride of Corinth (Die Braut von Korinth)

Alfred Kubin · 1932

Lithograph

The Museum of Modern Art

Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere, Georges Rouault, 1927, Aquatint and drypoint with roulette over photogravure

Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere

Georges Rouault · 1927

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere, Georges Rouault, 1927, Aquatint, etching, and drypoint with roulette over photogravure

Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere

Georges Rouault · 1927

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere, Georges Rouault, 1926, Aquatint and drypoint over photogravure, with pen and ink additions

Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere

Georges Rouault · 1926

Aquatint and drypoint over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for Face To Face, plate XL from Miserere, Georges Rouault, 1926, Aquatint, etching, and drypoint with roulette over photogravure

Trial proof for Face To Face, plate XL from Miserere

Georges Rouault · 1926

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere, Georges Rouault, 1926, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere

Georges Rouault · 1926

Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

The Museum of Modern Art

Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere, Georges Rouault, 1926, published 1948, Aquatint, drypoint and photogravure with ink additions

Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere

Georges Rouault · 1926, published 1948

Aquatint, drypoint and photogravure with ink additions

The Museum of Modern Art

Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere, Georges Rouault, 1926, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere

Georges Rouault · 1926

Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for "With Tooth and Nail," plate L from Miserere, Georges Rouault, 1926, Aquatint and drypoint over photogravure, with pen and ink additions

Trial proof for "With Tooth and Nail," plate L from Miserere

Georges Rouault · 1926

Aquatint and drypoint over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for We Think Ourselves Kings, plate VII from Miserere, Georges Rouault, 1923, Aquatint with roulette over photogravure

Trial proof for We Think Ourselves Kings, plate VII from Miserere

Georges Rouault · 1923

Aquatint with roulette over photogravure

The Museum of Modern Art

Trial proof for In the Land of Thirst and Terror, plate XXVI from Miserere, Georges Rouault, 1923, Aquatint and lift ground aquatint with roulette over photogravure

Trial proof for In the Land of Thirst and Terror, plate XXVI from Miserere

Georges Rouault · 1923

Aquatint and lift ground aquatint with roulette over photogravure

The Museum of Modern Art

Trial proof for We Think Ourselves Kings, plate VII from Miserere, Georges Rouault, 1923, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

Trial proof for We Think Ourselves Kings, plate VII from Miserere

Georges Rouault · 1923

Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for It Would be So Sweet to Love!, plate XIII from Miserere, Georges Rouault, 1923, Lift ground aquatint, etching, and drypoint over photogravure

Trial proof for It Would be So Sweet to Love!, plate XIII from Miserere

Georges Rouault · 1923

Lift ground aquatint, etching, and drypoint over photogravure

The Museum of Modern Art

Trial proof for Who Does Not Paint Himself a Face?, plate VIII from Miserere, Georges Rouault, 1923, Aquatint and drypoint with roulette over photogravure

Trial proof for Who Does Not Paint Himself a Face?, plate VIII from Miserere

Georges Rouault · 1923

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for Death Took Him As He Rose From His Bed of Nettles, plate XLV from Miserere, Georges Rouault, 1922, Aquatint, etching, and drypoint with roulette over photogravure

Trial proof for Death Took Him As He Rose From His Bed of Nettles, plate XLV from Miserere

Georges Rouault · 1922

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

+ 6 metadata-only matchesshowhide

Metadata only · no published image

We mirror only what an institution itself has openly published. These works have no openly available image; follow the link to view at the source.

Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album IVasily Kandinsky · 1953
Tristes os (Weary bones) (no. VIII from 'Cirque de l'etoile filante' (Circus of the shooting star))Georges Rouault · 1934, printed 1936
Homme a la moustache et aux lunettes (Man with a moustache and spectacles)Georges Rouault · 1928
AutoportraitGeorges Rouault · 1926
Femme affranchie, a quatorze heures, chante midi (The liberated woman of vain regrets) (no. XVII from 'Miserere')Georges Rouault · 1923, printed 1927
Femme en berceau no. 1 (Woman cradled)Aristide Maillol · 1923–24

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