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Charles Frederick Worth · 1875/1925
Silk, satin weave with supplementary pile warps forming cut, voided velvet
Antoine Samuel Adam-Salomon · 1876/84
Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1877), volume 4
CC0
William Morris · Design c. 1871
Cotton and silk, plain weave with supplementary pile warps forming cut solid velvet; stamped
Etienne Carjat · c. 1876
Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1876), volume 1
Jean Louis Forain · c. 1876
Etching in black on cream laid paper
Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1878), volume 5
Nadar (Gaspard Félix Tournachon) · c. 1876
Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1877), volume 2
Pierre Petit · c. 1876
Leblanc (Firm) · c. 1880
Opaque watercolor (gouache) over graphite with black ink on mold paper
Claude Monet · 1867
Oil on canvas
Édouard Manet · 1866
James McNeill Whistler · 1865
Édouard Manet · 1865–66
Etching, aquatint and roulette in brown on ivory laid paper
George Baxter · 1846
Steel etching, with block printing in colors, on ivory wove paper
Édouard Manet · 1864
George Baxter · c. 1864
Etching and aquatint on steel, printed in black, with block printing in color, on white wove paper, varnished
Édouard Manet · 1862
Etching in black on ivory laid Chinese paper
Mathevon et Bouvard · 1860/80
Silk and cotton, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet
Silk, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet
Silk, satin weave with supplementary pile warps forming cut and uncut voided velvet
Silk and cotton, twill weave with supplementary pile warps forming cut pile-on-pile voided velvet; band of partially uncut pile
Nez Perce (Nimíipuu) · c. 1860/80
Bast fiber, two-strand weft-twining; with cornhusk supplementary weft-twining (false-embroidery); drawstring (possibly suede)
