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The collection

202 works match your filters.

Medium:Painting83 Print67 Drawing37 Sculpture11

Image

With image202
All220
Metadata only18

Year range

to

Decade

1950s2
1940s3
1930s3
1920s46
1910s26
1900s37
1890s45
1880s17
1870s9
1860s7
1840s1
1830s1

Medium

Painting83
Print67
Drawing37
Sculpture11

Institution

The Museum of Modern Art97
Städel Museum35
National Gallery of Art22
Art Institute of Chicago21
The Metropolitan Museum of Art12
Cleveland Museum of Art11
Harvard Art Museums2
Hirshhorn Museum and Sculpture Garden1
Minneapolis Institute of Art1

Nationality

- Europe
French124
Austrian31
Swiss14
Czech12
Grand Duchy of Baden6
Norwegian6
Belgian3
Dutch3
Prussian2
Austria–Hungary1

Movement

Romanticism4,099
English painting4,000
German Renaissance390
surrealism271
Expressionism249
pop art212
Symbolism202
Baroque200
Impressionism195
contemporary art168
Rococo165
abstract art152
abstract expressionism142
Post-impressionism105
modern art102
modernism86
cubism83
Bauhaus75
Dada75
Dutch Golden Age painting70
social realism69
Heidelberg School68
Constructivism67
op art66
Mannerism63
pointillism61
Color Field60
French Realism57
Neoclassicism54
Baroque painting48

Related

Post-impressionism

Exhibition History

Has exhibition record31

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)13
graphite5
paint5
watercolor5
inorganic material4
water-base paint4
bronze3
copper alloy3
metal3
nonferrous metal3
canvas1
charcoal1
ink1
marble1
metamorphic rock1

Symbolism×Remove filter Last exhibited before 2026×Remove filter Clear all

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View:Works Exhibitions31 works

An Absolute (Une Absolue) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, František Kupka, 1953 (original executed in 1952), One from a portfolio of sixteen screenprint reproductions

An Absolute (Une Absolue) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

František Kupka · 1953 (original executed in 1952)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Gray (Gris) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Vasily Kandinsky, 1953 (original executed in 1931), One from a portfolio of sixteen screenprint reproductions

Gray (Gris) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Vasily Kandinsky · 1953 (original executed in 1931)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Replica of Fugue in Two Colors: Amorpha, 1912, František Kupka, (1946), Gouache, ink, and pencil on paper

Replica of Fugue in Two Colors: Amorpha, 1912

František Kupka · (1946)

Gouache, ink, and pencil on paper

The Museum of Modern Art

Replica (1946) of Vertical Planes, František Kupka, (1946), Watercolor, gouache, and pencil on paper

Replica (1946) of Vertical Planes

František Kupka · (1946)

Watercolor, gouache, and pencil on paper

The Museum of Modern Art

Plate (folio 12) from 10 Origin, Vasily Kandinsky, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 12) from 10 Origin

Vasily Kandinsky · 1942

Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Round Poetry (Runde Dichtung), Vasily Kandinsky, 1933, Watercolor, opaque watercolor and pencil on paper

Round Poetry (Runde Dichtung)

Vasily Kandinsky · 1933

Watercolor, opaque watercolor and pencil on paper

The Museum of Modern Art

The Bride of Corinth (Die Braut von Korinth), Alfred Kubin, 1932, Lithograph

The Bride of Corinth (Die Braut von Korinth)

Alfred Kubin · 1932

Lithograph

The Museum of Modern Art

Lightly Touching [also known as "Lightly Touched"] (Leicht berührt), Vasily Kandinsky, 1931, Oil on board

Lightly Touching [also known as "Lightly Touched"] (Leicht berührt)

Vasily Kandinsky · 1931

Oil on board

The Museum of Modern Art

Untitled, František Kupka, 1928, Gouache, watercolor, and pencil on paper

Untitled

František Kupka · 1928

Gouache, watercolor, and pencil on paper

The Museum of Modern Art

Blue (Blau), Vasily Kandinsky, 1927, Oil on board

Blue (Blau)

Vasily Kandinsky · 1927

Oil on board

The Museum of Modern Art

Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere, Georges Rouault, 1927, Aquatint and drypoint with roulette over photogravure

Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere

Georges Rouault · 1927

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere, Georges Rouault, 1927, Aquatint, etching, and drypoint with roulette over photogravure

Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere

Georges Rouault · 1927

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Composition with Red, Yellow, and Blue, Piet Mondrian, 1927, oil on canvas

Composition with Red, Yellow, and Blue

Piet Mondrian · 1927

oil on canvas

Cleveland Museum of Art

CC0

8 shows

Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere, Georges Rouault, 1926, Aquatint and drypoint over photogravure, with pen and ink additions

Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere

Georges Rouault · 1926

Aquatint and drypoint over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for Face To Face, plate XL from Miserere, Georges Rouault, 1926, Aquatint, etching, and drypoint with roulette over photogravure

Trial proof for Face To Face, plate XL from Miserere

Georges Rouault · 1926

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere, Georges Rouault, 1926, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere

Georges Rouault · 1926

Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

The Museum of Modern Art

The Great Grandmother (Die Urgrossmutter), Alfred Kubin, 1926, Watercolor and ink on paper

The Great Grandmother (Die Urgrossmutter)

Alfred Kubin · 1926

Watercolor and ink on paper

The Museum of Modern Art

Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere, Georges Rouault, 1926, published 1948, Aquatint, drypoint and photogravure with ink additions

Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere

Georges Rouault · 1926, published 1948

Aquatint, drypoint and photogravure with ink additions

The Museum of Modern Art

Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere, Georges Rouault, 1926, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere

Georges Rouault · 1926

Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for "With Tooth and Nail," plate L from Miserere, Georges Rouault, 1926, Aquatint and drypoint over photogravure, with pen and ink additions

Trial proof for "With Tooth and Nail," plate L from Miserere

Georges Rouault · 1926

Aquatint and drypoint over photogravure, with pen and ink additions

The Museum of Modern Art

Untitled, František Kupka, c. 1925–30, Colored pencil, pencil, ink, and oil on paper

Untitled

František Kupka · c. 1925–30

Colored pencil, pencil, ink, and oil on paper

The Museum of Modern Art

Homecoming (Heimkehr), Alfred Kubin, (c. 1924), Pen and ink on paper

Homecoming (Heimkehr)

Alfred Kubin · (c. 1924)

Pen and ink on paper

The Museum of Modern Art

Black Relationship (Schwarze Beziehung), Vasily Kandinsky, 1924, Watercolor and ink on paper

Black Relationship (Schwarze Beziehung)

Vasily Kandinsky · 1924

Watercolor and ink on paper

The Museum of Modern Art

Trial proof for We Think Ourselves Kings, plate VII from Miserere, Georges Rouault, 1923, Aquatint with roulette over photogravure

Trial proof for We Think Ourselves Kings, plate VII from Miserere

Georges Rouault · 1923

Aquatint with roulette over photogravure

The Museum of Modern Art

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