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The collection

75 works match your filters.

Medium:Painting32 Drawing28 Print8

Image

With image75
All82
Metadata only7

Year range

to

Decade

1960s1
1950s6
1940s8
1930s10
1920s33
1910s15
1900s2

Medium

Painting32
Print8
Drawing28

Institution

The Museum of Modern Art74
Art Institute of Chicago1

Nationality

- Europe
- Americas
French37
American28
German8
Swiss2

Movement

Romanticism4,099
English painting4,000
German Renaissance390
surrealism271
Expressionism249
pop art212
Symbolism202
Baroque200
Impressionism195
contemporary art168
Rococo165
abstract art152
abstract expressionism142
Post-impressionism105
modern art102
modernism86
cubism83
Bauhaus75
Dada75
Dutch Golden Age painting70
social realism69
Heidelberg School68
Constructivism67
op art66
Mannerism63
pointillism61
Color Field60
French Realism57
Neoclassicism54
Baroque painting48

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Exhibition History

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Coverage currently skews to AIC and Cleveland works.

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L.H.O.O.Q. Shaved, Marcel Duchamp, 1965, Playing card with colored ink on printed invitation

L.H.O.O.Q. Shaved

Marcel Duchamp · 1965

Playing card with colored ink on printed invitation

The Museum of Modern Art

A Little Solitude in the Midst of Suns (Petite solitude au milieu des soleils) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Francis Picabia, 1953 (original executed in 1915), One from a portfolio of sixteen screenprint reproductions

A Little Solitude in the Midst of Suns (Petite solitude au milieu des soleils) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Francis Picabia · 1953 (original executed in 1915)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Four Spaces with a Broken Cross (Quatre espaces à croix brisée) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Sophie Taeuber-Arp, 1953 (original executed in 1932), One from a portfolio of sixteen screenprint reproductions

Four Spaces with a Broken Cross (Quatre espaces à croix brisée) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Sophie Taeuber-Arp · 1953 (original executed in 1932)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Constellation from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Jean (Hans) Arp, 1953 (original executed in 1928), One from a portfolio of sixteen screenprint reproductions

Constellation from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Jean (Hans) Arp · 1953 (original executed in 1928)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

The Bell Ringer and Map of the Ocean (Le Sonneur et Carte de l'océan), Max Ernst, 1950, Two etchings, one inkless

The Bell Ringer and Map of the Ocean (Le Sonneur et Carte de l'océan)

Max Ernst · 1950

Two etchings, one inkless

The Museum of Modern Art

With Seaweed, Hannah Höch, 1950, Cut-and-pasted papers, torn papers, and gouache on paper

With Seaweed

Hannah Höch · 1950

Cut-and-pasted papers, torn papers, and gouache on paper

The Museum of Modern Art

The Bell Ringer or Map of the Ocean (Le Sonneur ou Carte de l'océan), Max Ernst, 1950, Etching

The Bell Ringer or Map of the Ocean (Le Sonneur ou Carte de l'océan)

Max Ernst · 1950

Etching

The Museum of Modern Art

Adam and Eve Expelled from the Garden of Eden (Adam et Eve chassés du Paradis), Max Ernst, 1946–47, Gouache on cardstock

Adam and Eve Expelled from the Garden of Eden (Adam et Eve chassés du Paradis)

Max Ernst · 1946–47

Gouache on cardstock

The Museum of Modern Art

Untitled, Hannah Höch, 1945, Cut-and-pasted printed paper and watercolor on paper

Untitled

Hannah Höch · 1945

Cut-and-pasted printed paper and watercolor on paper

The Museum of Modern Art

Untitled, Hannah Höch, 1943, Gouache on paper

Untitled

Hannah Höch · 1943

Gouache on paper

The Museum of Modern Art

Maternity (Study for Surrealism and Painting), Max Ernst, 1942, Pencil and chalk on colored paper

Maternity (Study for Surrealism and Painting)

Max Ernst · 1942

Pencil and chalk on colored paper

The Museum of Modern Art

Plate (folio 4) from 10 Origin, Jean (Hans) Arp, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 4) from 10 Origin

Jean (Hans) Arp · 1942

Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Plate from 10 Origin, Sophie Taeuber-Arp, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate from 10 Origin

Sophie Taeuber-Arp · 1942

Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Untitled (The Bird People) from VVV Portfolio, Max Ernst, 1942, published 1943, Crayon on paper from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print

Untitled (The Bird People) from VVV Portfolio

Max Ernst · 1942, published 1943

Crayon on paper from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print

The Museum of Modern Art

Alice in 1941, Max Ernst, 1941, Oil on paper on canvas

Alice in 1941

Max Ernst · 1941

Oil on paper on canvas

The Museum of Modern Art

The Last Soldier, George Grosz, 1937, Watercolor, opaque watercolor and ink on paper

The Last Soldier

George Grosz · 1937

Watercolor, opaque watercolor and ink on paper

The Museum of Modern Art

Punishment (Strafe), George Grosz, 1934, Watercolor and opaque watercolor on paper

Punishment (Strafe)

George Grosz · 1934

Watercolor and opaque watercolor on paper

The Museum of Modern Art

Sun and Forest (Soleil et forêt), Max Ernst, 1931, Cut-and-pasted cardboard with oil, gouache, and pencil on paperboard

Sun and Forest (Soleil et forêt)

Max Ernst · 1931

Cut-and-pasted cardboard with oil, gouache, and pencil on paperboard

The Museum of Modern Art

Forest and Sun, Max Ernst, 1931, Graphite frottage on paper

Forest and Sun

Max Ernst · 1931

Graphite frottage on paper

The Museum of Modern Art

Loplop Introduces Members of the Surrealist Group (Loplop présente les membres du groupe surréaliste), Max Ernst, 1931, Cut-and-pasted gelatin silver prints, cut-and-pasted printed paper, pencil, and pencil frottage on paper

Loplop Introduces Members of the Surrealist Group (Loplop présente les membres du groupe surréaliste)

Max Ernst · 1931

Cut-and-pasted gelatin silver prints, cut-and-pasted printed paper, pencil, and pencil frottage on paper

The Museum of Modern Art

Butterflies (Papillons), Max Ernst, 1931, Cut-and-pasted printed and painted paper, cellophane, and pencil on paper

Butterflies (Papillons)

Max Ernst · 1931

Cut-and-pasted printed and painted paper, cellophane, and pencil on paper

The Museum of Modern Art

An Orderly. Costume design for the play The Case of Sergeant Grischa (Der Streit um den Sergeanten Grischa), George Grosz, c. 1930, Watercolor, ink and pencil on paper

An Orderly. Costume design for the play The Case of Sergeant Grischa (Der Streit um den Sergeanten Grischa)

George Grosz · c. 1930

Watercolor, ink and pencil on paper

The Museum of Modern Art

Transparence - Tête et Cheval, Francis Picabia, (c. 1930), Ink, gouache, and watercolor on paper

Transparence - Tête et Cheval

Francis Picabia · (c. 1930)

Ink, gouache, and watercolor on paper

The Museum of Modern Art

Indian Dancer: From an Ethnographic Museum (Indische Tänzerin: Aus einem ethnographischen Museum), Hannah Höch, 1930, Cut-and-pasted printed paper and metallic foil on paper

Indian Dancer: From an Ethnographic Museum (Indische Tänzerin: Aus einem ethnographischen Museum)

Hannah Höch · 1930

Cut-and-pasted printed paper and metallic foil on paper

The Museum of Modern Art

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