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The collection

83 works match your filters.

Medium:Painting94 Print83 Drawing45 Sculpture1

Image

With image83
All104
Metadata only21

Year range

to

Decade

1970s7
1950s2
1940s1
1920s41
1910s19
1900s6
1890s7

Medium

Painting94
Print83
Drawing45
Sculpture1

Institution

The Museum of Modern Art61
National Gallery of Art10
Art Institute of Chicago8
Städel Museum4

Nationality

- Europe
French37
Austrian20
German20
Norwegian4
Belgian1
Dutch1

Movement

German Renaissance290
Romanticism208
pop art163
English painting159
Baroque111
contemporary art105
Rococo101
Expressionism83
abstract art72
Impressionism67
Symbolism67
surrealism66
op art65
Post-impressionism59
Aestheticism42
abstract expressionism38
Fauvism35
modernism34
Mannerism30
Italian Renaissance14
Bauhaus11
Constructivism11
French Realism11
Color Field9
pointillism9
realism9
Zero9
Dada8
cubism7
Dutch Golden Age painting7

Related

New Objectivity

abstract expressionism

Catalan modernism

Exhibition History

Has exhibition record8

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)6

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View:Works Exhibitions8 works

Jerusalem Faces, Oskar Kokoschka, (1973–1974, prints executed 1973), Portfolio of six lithographs

Jerusalem Faces

Oskar Kokoschka · (1973–1974, prints executed 1973)

Portfolio of six lithographs

The Museum of Modern Art

Teddy Kolleck Mayor of Jerusalem (plate 6) from Jerusalem Faces, Oskar Kokoschka, (1973–1974, executed 1973), One from a portfolio of six lithographs

Teddy Kolleck Mayor of Jerusalem (plate 6) from Jerusalem Faces

Oskar Kokoschka · (1973–1974, executed 1973)

One from a portfolio of six lithographs

The Museum of Modern Art

Sheik Mustafa Khalil el-Ansari Chief Warden of the Mosque of Omar (plate 5) from Jerusalem Faces, Oskar Kokoschka, (1973–1974, executed 1973), One from a portfolio of six lithographs

Sheik Mustafa Khalil el-Ansari Chief Warden of the Mosque of Omar (plate 5) from Jerusalem Faces

Oskar Kokoschka · (1973–1974, executed 1973)

One from a portfolio of six lithographs

The Museum of Modern Art

Moshe Dyan Minister of Defense (plate 4) from Jerusalem Faces, Oskar Kokoschka, (1973–1974, executed 1973), One from a portfolio of six lithographs

Moshe Dyan Minister of Defense (plate 4) from Jerusalem Faces

Oskar Kokoschka · (1973–1974, executed 1973)

One from a portfolio of six lithographs

The Museum of Modern Art

His Beatitude Benedictos I Greek Orthodox Patriarch of Jerusalem (plate 3) from Jerusalem Faces, Oskar Kokoschka, (1973–1974, executed 1973), One from a portfolio of six lithographs

His Beatitude Benedictos I Greek Orthodox Patriarch of Jerusalem (plate 3) from Jerusalem Faces

Oskar Kokoschka · (1973–1974, executed 1973)

One from a portfolio of six lithographs

The Museum of Modern Art

Dr. Shimon Agranat (plate 2) from Jerusalem Faces, Oskar Kokoschka, (1973–1974, executed 1973), One from a portfolio of six lithographs

Dr. Shimon Agranat (plate 2) from Jerusalem Faces

Oskar Kokoschka · (1973–1974, executed 1973)

One from a portfolio of six lithographs

The Museum of Modern Art

Golda Meir (I) Prime Minister (plate 1) from Jerusalem Faces, Oskar Kokoschka, (1973–1974, executed 1973), One from a portfolio of six lithographs

Golda Meir (I) Prime Minister (plate 1) from Jerusalem Faces

Oskar Kokoschka · (1973–1974, executed 1973)

One from a portfolio of six lithographs

The Museum of Modern Art

Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Theo van Doesburg, 1953 (original executed in 1924), One from a portfolio of sixteen screenprint reproductions

Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Theo van Doesburg · 1953 (original executed in 1924)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Gray (Gris) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, Vasily Kandinsky, 1953 (original executed in 1931), One from a portfolio of sixteen screenprint reproductions

Gray (Gris) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

Vasily Kandinsky · 1953 (original executed in 1931)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Plate (folio 12) from 10 Origin, Vasily Kandinsky, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 12) from 10 Origin

Vasily Kandinsky · 1942

Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere, Georges Rouault, 1927, Aquatint and drypoint with roulette over photogravure

Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere

Georges Rouault · 1927

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere, Georges Rouault, 1927, Aquatint, etching, and drypoint with roulette over photogravure

Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere

Georges Rouault · 1927

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere, Georges Rouault, 1926, Aquatint and drypoint over photogravure, with pen and ink additions

Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere

Georges Rouault · 1926

Aquatint and drypoint over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for Face To Face, plate XL from Miserere, Georges Rouault, 1926, Aquatint, etching, and drypoint with roulette over photogravure

Trial proof for Face To Face, plate XL from Miserere

Georges Rouault · 1926

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Mythical Creatures (Fabelwesen) from Das graphische Werk von Emil Nolde 1910-1925, Emil Nolde, (1926, published 1927), Lithograph

Mythical Creatures (Fabelwesen) from Das graphische Werk von Emil Nolde 1910-1925

Emil Nolde · (1926, published 1927)

Lithograph

The Museum of Modern Art

Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere, Georges Rouault, 1926, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere

Georges Rouault · 1926

Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

The Museum of Modern Art

Elderly Men (Ältere Herren) from Das graphische Werk von Emil Nolde 1920-1925, Emil Nolde, (1926, published 1927), Lithograph

Elderly Men (Ältere Herren) from Das graphische Werk von Emil Nolde 1920-1925

Emil Nolde · (1926, published 1927)

Lithograph

The Museum of Modern Art

Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere, Georges Rouault, 1926, published 1948, Aquatint, drypoint and photogravure with ink additions

Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere

Georges Rouault · 1926, published 1948

Aquatint, drypoint and photogravure with ink additions

The Museum of Modern Art

Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere, Georges Rouault, 1926, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere

Georges Rouault · 1926

Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for "With Tooth and Nail," plate L from Miserere, Georges Rouault, 1926, Aquatint and drypoint over photogravure, with pen and ink additions

Trial proof for "With Tooth and Nail," plate L from Miserere

Georges Rouault · 1926

Aquatint and drypoint over photogravure, with pen and ink additions

The Museum of Modern Art

Bread (Brot), Käthe Kollwitz, 1924, lithograph

Bread (Brot)

Käthe Kollwitz · 1924

lithograph

National Gallery of Art

Public domain

Germany's Children are Hungry! (Deutschlands Kinder Hungern!), Käthe Kollwitz, 1924, lithograph

Germany's Children are Hungry! (Deutschlands Kinder Hungern!)

Käthe Kollwitz · 1924

lithograph

National Gallery of Art

Public domain

Bettelnde (Begging), Käthe Kollwitz, 1924, lithograph

Bettelnde (Begging)

Käthe Kollwitz · 1924

lithograph

National Gallery of Art

Public domain

Self-Portrait, Käthe Kollwitz, 1924, Transfer lithograph in black on cream wove paper

Self-Portrait

Käthe Kollwitz · 1924

Transfer lithograph in black on cream wove paper

Art Institute of Chicago

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