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The collection

15 works match your filters.

Medium:Drawing24 Painting15

Image

With image15
All15
Metadata only0

Year range

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Decade

1960s1
1930s4
1920s8
1910s2

Medium

Painting15
Drawing24

Painting type

Oil1
Watercolor14

Institution

The Museum of Modern Art15

Nationality

- Europe
- Americas
American10
German4
French1

Movement

Romanticism670
English painting635
Expressionism94
Symbolism83
Baroque77
German Renaissance75
Impressionism72
modern art70
surrealism59
Dutch Golden Age painting55
Sienese school46
Baroque painting45
Neoclassicism45
contemporary art42
French Realism40
abstract expressionism39
Bauhaus39
Early Netherlandish painting39
abstract art38
cubism38
Post-impressionism34
Postmodernism34
Rococo34
Dada32
pointillism29
Color Field28
Flemish Baroque painting25
High Renaissance25
Italian Renaissance25
Mannerism24

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Study for the painting La Chambre Turque, Balthus (Baltusz Klossowski de Rola), 1963, Pencil and watercolor on paper

Study for the painting La Chambre Turque

Balthus (Baltusz Klossowski de Rola) · 1963

Pencil and watercolor on paper

The Museum of Modern Art

The Last Soldier, George Grosz, 1937, Watercolor, opaque watercolor and ink on paper

The Last Soldier

George Grosz · 1937

Watercolor, opaque watercolor and ink on paper

The Museum of Modern Art

Punishment (Strafe), George Grosz, 1934, Watercolor and opaque watercolor on paper

Punishment (Strafe)

George Grosz · 1934

Watercolor and opaque watercolor on paper

The Museum of Modern Art

An Orderly. Costume design for the play The Case of Sergeant Grischa (Der Streit um den Sergeanten Grischa), George Grosz, c. 1930, Watercolor, ink and pencil on paper

An Orderly. Costume design for the play The Case of Sergeant Grischa (Der Streit um den Sergeanten Grischa)

George Grosz · c. 1930

Watercolor, ink and pencil on paper

The Museum of Modern Art

Fritzke and Birkholz. Costume designs for the play The Case of Sergeant Grischa (Der Streit um den Sergeanten Grischa), George Grosz, c. 1930, Watercolor and ink on paper

Fritzke and Birkholz. Costume designs for the play The Case of Sergeant Grischa (Der Streit um den Sergeanten Grischa)

George Grosz · c. 1930

Watercolor and ink on paper

The Museum of Modern Art

Circe (recto); Untitled (verso), George Grosz, 1927, Watercolor and ink on paper (recto); Ink on paper (verso)

Circe (recto); Untitled (verso)

George Grosz · 1927

Watercolor and ink on paper (recto); Ink on paper (verso)

The Museum of Modern Art

Self-Portrait (Selbstporträt), Otto Dix, 1922, Watercolor and pencil on paper

Self-Portrait (Selbstporträt)

Otto Dix · 1922

Watercolor and pencil on paper

The Museum of Modern Art

Methusalem. Costume design for the play Methusalem, George Grosz, 1922, Watercolor, ink, metallic paint, and pencil on paper

Methusalem. Costume design for the play Methusalem

George Grosz · 1922

Watercolor, ink, metallic paint, and pencil on paper

The Museum of Modern Art

At the Café (Im Café), Otto Dix, 1922, Watercolor and ink on paper

At the Café (Im Café)

Otto Dix · 1922

Watercolor and ink on paper

The Museum of Modern Art

Café Couple (Paar im Café), Otto Dix, 1921, Watercolor and pencil on paper

Café Couple (Paar im Café)

Otto Dix · 1921

Watercolor and pencil on paper

The Museum of Modern Art

"The Convict" Monteur John Heartfield After Franz Jung's Attempt to Get Him Up on His Feet ("Der Sträfling" Monteur John Heartfield nach Franz Jungs Versuch ihn auf die Beine zu stellen), George Grosz, 1920, Watercolor, ink, pencil, and cut-and-pasted printed paper on paper

"The Convict" Monteur John Heartfield After Franz Jung's Attempt to Get Him Up on His Feet ("Der Sträfling" Monteur John Heartfield nach Franz Jungs Versuch ihn auf die Beine zu stellen)

George Grosz · 1920

Watercolor, ink, pencil, and cut-and-pasted printed paper on paper

The Museum of Modern Art

Portrait of Violinist Carlo von Rust (Bildnis des Geigers Carlo von Rust), Otto Dix, 1920, Pencil and watercolor on paper

Portrait of Violinist Carlo von Rust (Bildnis des Geigers Carlo von Rust)

Otto Dix · 1920

Pencil and watercolor on paper

The Museum of Modern Art

Republican Automatons (Republikanische Automaten), George Grosz, 1920, Watercolor and pencil on paper

Republican Automatons (Republikanische Automaten)

George Grosz · 1920

Watercolor and pencil on paper

The Museum of Modern Art

Metropolis (Grossstadt), George Grosz, 1917, Oil on board

Metropolis (Grossstadt)

George Grosz · 1917

Oil on board

The Museum of Modern Art

The End of the Road (Out of Fear of Starvation) [Das Ende des Weges (Aus Nahrungssorgen)], George Grosz, 1913, Watercolor and charcoal on paper

The End of the Road (Out of Fear of Starvation) [Das Ende des Weges (Aus Nahrungssorgen)]

George Grosz · 1913

Watercolor and charcoal on paper

The Museum of Modern Art