Portrait of Fernande Olivier
Pablo Picasso · 1906
Drypoint with plate tone on copper in black on ivory laid paper
1 show
Tea Table
Carlo Bugatti · c. 1907
inlaid wood (mahogany?), cast and gilded bronze mounts, inlays of ivory or bone, metal, and mother-of-pearl (marine mussels or pearl oysters)
CC0
5 shows
Francisco Goya y Lucientes, Painter, plate one from Los Caprichos
Francisco José de Goya y Lucientes · 1797/99
Etching, aquatint, drypoint and burin in black on ivory laid paper
CC0
1 show
A View from the Palatine Hill, Rome, the Alban Hills in the Distance
Carlo Labruzzi · c. 1775
Watercolor, over graphite, on ivory laid paper, laid down on white laid paper, folded
CC0
1 show
Capriccio: A Palace with a Courtyard by the Lagoon
Canaletto · c. 1750–55
pen and brown ink and brush and gray and black washes over traces of graphite (?); framing lines in pen and brown and black ink
CC0
29 shows
Interior of the Pantheon, Rome
Giovanni Paolo Panini · 1747
oil on canvas
CC0
4 shows
Portrait of Francesca Gommi Maratti
Carlo Maratti · c. 1701
Oil on canvas
CC0
2 shows
Madonna Nursing the Christ Child
Bartolomé Esteban Murillo · c. 1670–72
pen and brown ink and brush and brown wash over red and black chalk, with traces of white; framing lines in pen and brown ink
CC0
13 shows
Study for Polycrates’ Crucifixion
Salvator Rosa · c. 1662
Pen and brown iron gall ink on tan laid paper, laid down on cream laid paper
CC0
1 show
Study for Polycrates’ Crucifixion
Salvator Rosa · c. 1662
Pen and brown iron gall ink, with brush and brown wash, over traces of graphite on buff laid paper, laid down on cream laid paper
CC0
1 show
Scenes of Witchcraft: Morning
Salvator Rosa · c. 1645–1649
oil on canvas
CC0
3 shows
Scenes of Witchcraft: Evening
Salvator Rosa · c. 1645–49
oil on canvas
CC0
3 shows
Scenes of Witchcraft: Night
Salvator Rosa · c. 1645–1649
oil on canvas
CC0
3 shows
