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The collection

269 works match your filters.

Medium:Print97 Painting90 Drawing43 Textile12 Sculpture5 Ceramics1

Image

With image260
All269
Metadata only9

Year range

to

Decade

1990s2
1980s4
1970s11
1960s8
1950s2
1940s2
1930s1
1920s9
1910s30
1900s15
1890s1
1860s3
1830s3
1820s1
1780s1
1770s1
1750s3
1740s1
1730s1
1710s1
1700s2
1680s2
1670s2
1660s1
1650s1

Medium

Painting90
Print97
Drawing43
Sculpture5
Ceramics1
Textile12

Institution

National Gallery of Art83
The Museum of Modern Art72
The Metropolitan Museum of Art40
Cleveland Museum of Art16
Harvard Art Museums15
Minneapolis Institute of Art15
Städel Museum12
Walters Art Museum6
Queensland Art Gallery and Gallery of Modern Art5
Statens Museum for Kunst (National Gallery of Denmark)5

Nationality

Australian12,863
British6,139
French5,406
American5,141
German2,724
Italian1,605
Dutch783
Chinese558
Spanish248
Russian240
Bohemian217
Swiss216
Netherlandish210
Japanese167
Flemish163
Austrian106
Brazilian54
Unknown53
Greek52
Mexican52
Argentine50
Belgian39
Prussian39
Danish35
Scottish35
English33
Cuban32
Persian32
Giovanni31
Habsburg Netherlands25

Movement

Symbolism32
Baroque painting29
Expressionism26
Art Nouveau18
Baroque16
Flemish Baroque painting16
pictorialism1

Exhibition History

Has exhibition record13

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

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View:Works Exhibitions13 works

Countess Széchenyi, Ferdinand Georg Waldmüller, 1828, oil on fabric

Countess Széchenyi

Ferdinand Georg Waldmüller · 1828

oil on fabric

Cleveland Museum of Art

CC0

2 shows

The Conversion of Saul with Christ and the Cross, Jacob Jordaens, c. 1645–47, brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite

The Conversion of Saul with Christ and the Cross

Jacob Jordaens · c. 1645–47

brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite

Cleveland Museum of Art

CC0

16 shows

The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso), Peter Paul Rubens, c. 1637–38, pen and brown ink, with black and red chalk, touched with white gouache

The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso)

Peter Paul Rubens · c. 1637–38

pen and brown ink, with black and red chalk, touched with white gouache

Cleveland Museum of Art

CC0

21 shows

Study for "The Bear Hunt" (for the Alcázar, Madrid), Peter Paul Rubens, c. 1639, oil on wood

Study for "The Bear Hunt" (for the Alcázar, Madrid)

Peter Paul Rubens · c. 1639

oil on wood

Cleveland Museum of Art

CC0

3 shows

Portrait of Isabella Brant, Peter Paul Rubens, c. 1620–25, oil on wood

Portrait of Isabella Brant

Peter Paul Rubens · c. 1620–25

oil on wood

Cleveland Museum of Art

CC0

7 shows

Mars, Giambologna, c. 1584–87, bronze

Mars

Giambologna · c. 1584–87

bronze

Cleveland Museum of Art

CC0

6 shows

Hours of Queen Isabella the Catholic, Queen of Spain, Master of the First Prayerbook of Maximillian, c. 1500, ink, tempera, and gold on vellum

Hours of Queen Isabella the Catholic, Queen of Spain

Master of the First Prayerbook of Maximillian · c. 1500

ink, tempera, and gold on vellum

Cleveland Museum of Art

CC0

5 shows

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