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The collection

850 works match your filters.

Medium:Ceramics251 Print144 Sculpture118 Painting60 Drawing50 Textile18

Image

With image850
All935
Metadata only85

Year range

to

Decade

2000s21
1990s6
1970s1
1960s11
1950s10
1880s1
1870s1
1850s2
1830s3
1820s3
1800s1
1790s23
1780s17
1770s4
1750s18
1730s13
1720s25
1700s11
1680s2
1660s131
1650s8
1620s2
1610s10
1600s2
1590s3

Medium

Painting60
Print144
Drawing50
Sculpture118
Ceramics251
Textile18

Institution

Minneapolis Institute of Art362
National Gallery of Art321
Art Institute of Chicago48
Harvard Art Museums29
The Metropolitan Museum of Art29
Cleveland Museum of Art21
The Museum of Modern Art21
Statens Museum for Kunst (National Gallery of Denmark)9
Städel Museum6
Walters Art Museum3
Tate1

Nationality

French5,213
British4,724
American3,367
German2,536
Italian1,545
Dutch774
Chinese556
Spanish239
Russian226
Bohemian217
Swiss211
Netherlandish209
Flemish158
Australian120
Austrian102
Japanese85
Brazilian54
Unknown53
Mexican51
Argentine48
Greek45
Prussian39
Belgian36
Persian32
Giovanni31
Cuban30
Danish28
English27
Habsburg Netherlands25
Chilean24

Movement

Early Netherlandish painting28
Northern Renaissance2
High Renaissance1

Exhibition History

Has exhibition record69

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)14

Japanese×Remove filter Chinese×Remove filter Netherlandish×Remove filter Exhibited in 1960s×Remove filter Clear all

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View:Works Exhibitions69 works

The Flirtatious Type, from Ten Types in the Physiognomy of Women, Kitagawa Utamaro, c. 1793, color woodblock print

The Flirtatious Type, from Ten Types in the Physiognomy of Women

Kitagawa Utamaro · c. 1793

color woodblock print

Cleveland Museum of Art

CC0

4 shows

River and Mountains on a Clear Autumn Day, Dong Qichang, c. 1624–27, Handscroll; ink on Korean paper

River and Mountains on a Clear Autumn Day

Dong Qichang · c. 1624–27

Handscroll; ink on Korean paper

Cleveland Museum of Art

CC0

12 shows

The Annunciation, Albert Bouts, c. 1480, oil on wood

The Annunciation

Albert Bouts · c. 1480

oil on wood

Cleveland Museum of Art

CC0

8 shows

Virgin and Child, Hans Memling, c. 1470–80, oil on wood

Virgin and Child

Hans Memling · c. 1470–80

oil on wood

Cleveland Museum of Art

CC0

5 shows

Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364–1404), Claus de Werve, 1404–10, vizille alabaster

Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364–1404)

Claus de Werve · 1404–10

vizille alabaster

Cleveland Museum of Art

CC0

12 shows

Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364–1404), Claus de Werve, 1404–10, vizille alabaster

Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364–1404)

Claus de Werve · 1404–10

vizille alabaster

Cleveland Museum of Art

CC0

9 shows

Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364–1404), Claus de Werve, 1404–1410, vizille alabaster

Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364–1404)

Claus de Werve · 1404–1410

vizille alabaster

Cleveland Museum of Art

CC0

8 shows

Buddha of Infinite Life and Light (Amida Nyorai), Kōshun, 1269, Cypress with lacquer, color, gold, cut gold, rock-crystal inlaid eyes, and quartz

Buddha of Infinite Life and Light (Amida Nyorai)

Kōshun · 1269

Cypress with lacquer, color, gold, cut gold, rock-crystal inlaid eyes, and quartz

Cleveland Museum of Art

CC0

4 shows

The Lantern Night Excursion of Zhong Kui, Yan Hui, late 1200s–early 1300s, handscroll; ink and slight color on silk

The Lantern Night Excursion of Zhong Kui

Yan Hui · late 1200s–early 1300s

handscroll; ink and slight color on silk

Cleveland Museum of Art

CC0

13 shows

Pendant with the Virgin and Child, Godefroid de Huy, c. 1160–1170, gilded copper, champlevé enamel; the reverse decorated in vernis brun

Pendant with the Virgin and Child

Godefroid de Huy · c. 1160–1170

gilded copper, champlevé enamel; the reverse decorated in vernis brun

Cleveland Museum of Art

CC0

6 shows

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