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Seated Couple (Back to Back), William Kentridge, 1998, Charcoal on pasted book pages on paper

Seated Couple (Back to Back)

William Kentridge · 1998

Charcoal on pasted book pages on paper

The Museum of Modern Art

Drawing from Stereoscope, William Kentridge, (1998–99), Charcoal, pastel, and colored pencil on paper

Drawing from Stereoscope

William Kentridge · (1998–99)

Charcoal, pastel, and colored pencil on paper

The Museum of Modern Art

Magdalena, Marlene Dumas, 1996, Ink on paper

Magdalena

Marlene Dumas · 1996

Ink on paper

The Museum of Modern Art

Chlorosis (Love sick), Marlene Dumas, 1994, Ink, gouache, and acrylic on twenty-four sheets of paper

Chlorosis (Love sick)

Marlene Dumas · 1994

Ink, gouache, and acrylic on twenty-four sheets of paper

The Museum of Modern Art

Viewing the Mountain Gorge from a Balustraded Terrace, from the series "Sacrifice", Lee Chun-Yi (Li Junyi) 李君毅, 1991, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 91"

Viewing the Mountain Gorge from a Balustraded Terrace, from the series "Sacrifice"

Lee Chun-Yi (Li Junyi) 李君毅 · 1991

One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 91"

Harvard Art Museums

Viewing the Falls from a Mountain Pavilion, from the series "Sacrifice", Lee Chun-Yi (Li Junyi) 李君毅, 1991, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 91"

Viewing the Falls from a Mountain Pavilion, from the series "Sacrifice"

Lee Chun-Yi (Li Junyi) 李君毅 · 1991

One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 91"

Harvard Art Museums

Mountain Bluff, Cascading Waterfall, from the series "Sacrifice", Lee Chun-Yi (Li Junyi) 李君毅, 1990, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 90"

Mountain Bluff, Cascading Waterfall, from the series "Sacrifice"

Lee Chun-Yi (Li Junyi) 李君毅 · 1990

One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 90"

Harvard Art Museums

A Thousand Trees on Rolling Hills, from the series "Sacrifice", Lee Chun-Yi (Li Junyi) 李君毅, 1990, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 90"

A Thousand Trees on Rolling Hills, from the series "Sacrifice"

Lee Chun-Yi (Li Junyi) 李君毅 · 1990

One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 90"

Harvard Art Museums

Sacrifice, Lee Chun-Yi (Li Junyi) 李君毅, 1990–91 and 2005–06, Set of twenty-four album leaves and one small pillow; ink on paper; each leaf with a signature in clerical script (lishu) reading "Li Junyi"

Sacrifice

Lee Chun-Yi (Li Junyi) 李君毅 · 1990–91 and 2005–06

Set of twenty-four album leaves and one small pillow; ink on paper; each leaf with a signature in clerical script (lishu) reading "Li Junyi"

Harvard Art Museums

Mountains and Pines in Moonlight, from the series "Sacrifice", Lee Chun-Yi (Li Junyi) 李君毅, 1990, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 90"

Mountains and Pines in Moonlight, from the series "Sacrifice"

Lee Chun-Yi (Li Junyi) 李君毅 · 1990

One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 90"

Harvard Art Museums