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The collection

14 works match your filters.

Medium:Print7 Drawing3 Painting1

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1970s14
1960s7
1950s1
1940s9
1930s2
1920s7
1910s4
1900s4
1890s1

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Painting1
Print7
Drawing3

Institution

The Museum of Modern Art14

Nationality

American479
German157
British27
Argentine22
Austrian10
Dutch10
Chilean9
Czech5
French5
Israeli5
Greek3
Australian2
Belgian2
Colombian2
Cuban2
Italian2
Mexican2
Russian2
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Brazilian1
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Untitled, Tomas Rajlich, 1976, Cut-and-pasted printed paper with gesso on paper

Untitled

Tomas Rajlich · 1976

Cut-and-pasted printed paper with gesso on paper

The Museum of Modern Art

Untitled, Tomas Rajlich, 1976, Cut-and-pasted printed paper with gesso on paper

Untitled

Tomas Rajlich · 1976

Cut-and-pasted printed paper with gesso on paper

The Museum of Modern Art

Untitled, Tomas Rajlich, 1976, Cut-and-pasted printed paper with gesso on paper

Untitled

Tomas Rajlich · 1976

Cut-and-pasted printed paper with gesso on paper

The Museum of Modern Art

Untitled, Stanislav Kolibal, (1975), Ballpoint pen and ink on paper

Untitled

Stanislav Kolibal · (1975)

Ballpoint pen and ink on paper

The Museum of Modern Art

Untitled, Stanislav Kolibal, (1975), Ballpoint pen and ink on paper

Untitled

Stanislav Kolibal · (1975)

Ballpoint pen and ink on paper

The Museum of Modern Art

Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

The Skull, Claudio Bravo, 1973, Conté crayon on paper

The Skull

Claudio Bravo · 1973

Conté crayon on paper

The Museum of Modern Art

Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

A Clean New Race, Juan Downey, 1970, Colored pencil, pencil, and gouache on board

A Clean New Race

Juan Downey · 1970

Colored pencil, pencil, and gouache on board

The Museum of Modern Art