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36 works match your filters.

Medium:Print13 Drawing12 Painting8 Photography1

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Zanzibar with Postcards, Sea, Tiresias and Husbands. Mise-en-scène for the opera Les Mamelles de Tirésias, David Hockney, 1979, Crayon on paper

Zanzibar with Postcards, Sea, Tiresias and Husbands. Mise-en-scène for the opera Les Mamelles de Tirésias

David Hockney · 1979

Crayon on paper

The Museum of Modern Art

Head of Catherine Lampert VI, Frank Auerbach, 1979–80, Charcoal and chalk on paper

Head of Catherine Lampert VI

Frank Auerbach · 1979–80

Charcoal and chalk on paper

The Museum of Modern Art

River Avon Book, Richard Long, 1979, Book with mud on paper

River Avon Book

Richard Long · 1979

Book with mud on paper

Lithographic Water Made of Lines, Crayon and Two Blue Washes Without Green Wash, David Hockney, 1978–80, Lithograph on paper

Lithographic Water Made of Lines, Crayon and Two Blue Washes Without Green Wash

David Hockney · 1978–80

Lithograph on paper

Illustration for Aimé Césaire's Diary of a Return to the Native Country, Peter De Francia, 1978, Charcoal on paper

Illustration for Aimé Césaire's Diary of a Return to the Native Country

Peter De Francia · 1978

Charcoal on paper

The Museum of Modern Art

Two Plants, Lucian Freud, 1977–80, Oil paint on canvas

Two Plants

Lucian Freud · 1977–80

Oil paint on canvas

Sue Lowell, Elizabeth Butterworth, 1977, Watercolor and gouache on paper

Sue Lowell

Elizabeth Butterworth · 1977

Watercolor and gouache on paper

The Museum of Modern Art

My Parents, David Hockney, 1977, Oil paint on canvas

My Parents

David Hockney · 1977

Oil paint on canvas

Billy Wilder, David Hockney, 1976, Lithograph on paper

Billy Wilder

David Hockney · 1976

Lithograph on paper

For John Constable, David Hockney, 1976, Intaglio print on paper

For John Constable

David Hockney · 1976

Intaglio print on paper

Mise-en-scène for the opera The Rake's Progress, David Hockney, 1975, Ink, felt-tip pen, and cut-and-pasted printed paper on paper

Mise-en-scène for the opera The Rake's Progress

David Hockney · 1975

Ink, felt-tip pen, and cut-and-pasted printed paper on paper

The Museum of Modern Art

Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Sequence 68: Visiting Hell in a Boat, Ken Kiff, (1973), Synthetic polymer paint and Kraft paper tape on paper

Sequence 68: Visiting Hell in a Boat

Ken Kiff · (1973)

Synthetic polymer paint and Kraft paper tape on paper

The Museum of Modern Art

Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

The Painter’s Mother IV, Lucian Freud, 1973, Oil paint on canvas

The Painter’s Mother IV

Lucian Freud · 1973

Oil paint on canvas

Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

The Skull, Claudio Bravo, 1973, Conté crayon on paper

The Skull

Claudio Bravo · 1973

Conté crayon on paper

The Museum of Modern Art

Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Celia, David Hockney, 1973, Lithograph on paper

Celia

David Hockney · 1973

Lithograph on paper

Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Portrait of the Artist’s Mother, Mrs Laura Hockney, Bradford, David Hockney, 1972, Ink on paper

Portrait of the Artist’s Mother, Mrs Laura Hockney, Bradford

David Hockney · 1972

Ink on paper

Naked Portrait, Lucian Freud, 1972–3, Oil paint on canvas

Naked Portrait

Lucian Freud · 1972–3

Oil paint on canvas

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