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The collection

213 works match your filters.

Medium:Print152 Drawing28 Painting24 Photography3

Image

With image213
All243
Metadata only30

Year range

to

Decade

2000s3
1990s44
1980s49
1970s28
1960s213
1950s24
1940s13
1930s9
1920s6
1910s37
1900s11
1890s4
1880s13
1870s8
1860s24
1850s16
1840s8
1830s9
1820s93
1810s126
1800s1,669
1790s2,192
1780s96
1770s27
1760s10

Medium

Painting24
Print152
Drawing28
Photography3

Institution

The Museum of Modern Art164
Tate48
Art Institute of Chicago1

Nationality

American451
British200
German122
French35
Argentine16
Italian13
Japanese11
Spanish9
Polish8
Russian8
Austrian7
Australian6
Belgian6
Chilean6
Cuban5
Swiss5
Brazilian4
Greek4
Zimbabwean4
Dutch3
Israeli3
Canadian2
Colombian2
Guatemalan2
Mexican2
Swedish2
Venezuelan2
Croatian1
Czech1
Ethiopian1

Movement

pop art121
contemporary art110

Exhibition History

Has exhibition record1

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)1

1960s×Remove filter British×Remove filter Guatemalan×Remove filter Japanese×Remove filter Clear all

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View:Works Exhibitions

1 works

Untitled, Risaburo Kimura, 1969, Watercolor and pencil on paper

Untitled

Risaburo Kimura · 1969

Watercolor and pencil on paper

The Museum of Modern Art

George the Cunt and Gilbert the Shit, Gilbert & George, 1969, 2 photographs, colour, on paper on printed paper

George the Cunt and Gilbert the Shit

Gilbert & George · 1969

2 photographs, colour, on paper on printed paper

The Print Collector (Portrait of Felix Man), David Hockney, 1969, Lithograph on paper

The Print Collector (Portrait of Felix Man)

David Hockney · 1969

Lithograph on paper

Little Sonny Summer, Peter Blake, 1969, Watercolor, gouache, and ink on paper

Little Sonny Summer

Peter Blake · 1969

Watercolor, gouache, and ink on paper

The Museum of Modern Art

Connoisseur, David Hockney, 1969, Lithograph on paper

Connoisseur

David Hockney · 1969

Lithograph on paper

Celia, David Hockney, 1969, Etching and aquatint on paper

Celia

David Hockney · 1969

Etching and aquatint on paper

Drawing for ‘Glass Table with Objects’, David Hockney, 1969, Graphite, crayon and gouache on paper

Drawing for ‘Glass Table with Objects’

David Hockney · 1969

Graphite, crayon and gouache on paper

Follow Me from Witness, Gerald Laing, 1968, One from a portfolio of ten screenprints with collage additions

Follow Me from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Tangier, Patrick Procktor, 1968, Watercolor and pencil on paper

Tangier

Patrick Procktor · 1968

Watercolor and pencil on paper

The Museum of Modern Art

Two Tunnels from Witness, Gerald Laing, 1968, One from a portfolio of ten screenprints with collage additions

Two Tunnels from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Witness, Gerald Laing, 1968, Portfolio of ten screenprints with collage additions

Witness

Gerald Laing · 1968

Portfolio of ten screenprints with collage additions

The Museum of Modern Art

Headers from Witness, Gerald Laing, 1968, One from a portfolio of ten screenprints with collage additions

Headers from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Screen from Witness, Gerald Laing, 1968, One from a portfolio of ten screenprints with collage additions

Screen from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Two Players from Witness, Gerald Laing, 1968, One from a portfolio of ten screenprints with collage additions

Two Players from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Gold Standard from Witness, Gerald Laing, 1968, One from a portfolio of ten screenprints with collage additions

Gold Standard from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Chevelere Assigne from Witness, Gerald Laing, 1968, One from a portfolio of ten screenprints with collage additions

Chevelere Assigne from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Trace from Witness, Gerald Laing, 1968, One from a portfolio of ten screenprints with collage additions

Trace from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Glide from Witness, Gerald Laing, 1968, One from a portfolio of ten screenprints with collage additions

Glide from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Three Axes from Witness, Gerald Laing, 1968, One from a portfolio of ten screenprints with collage additions

Three Axes from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

A Line Made by Walking, Richard Long, 1967, Photograph, gelatin silver print on paper with graphite on board

A Line Made by Walking

Richard Long · 1967

Photograph, gelatin silver print on paper with graphite on board

Untitled from Moonstrips Empire News, Eduardo Paolozzi, 1967, One from a portfolio of 101 screenprints (including title page and colophon)

Untitled from Moonstrips Empire News

Eduardo Paolozzi · 1967

One from a portfolio of 101 screenprints (including title page and colophon)

The Museum of Modern Art

Untitled from Moonstrips Empire News, Eduardo Paolozzi, 1967, One from a portfolio of 101 screenprints (including title page and colophon)

Untitled from Moonstrips Empire News

Eduardo Paolozzi · 1967

One from a portfolio of 101 screenprints (including title page and colophon)

The Museum of Modern Art

Untitled from Moonstrips Empire News, Eduardo Paolozzi, 1967, One from a portfolio of 101 screenprints (including title page and colophon)

Untitled from Moonstrips Empire News

Eduardo Paolozzi · 1967

One from a portfolio of 101 screenprints (including title page and colophon)

The Museum of Modern Art

Rrose Sélavy in Wilson-Lincoln System from To and From Rrose Sélavy, Shuzo Takiguchi, 1967, published 1968, Lenticular print on board

Rrose Sélavy in Wilson-Lincoln System from To and From Rrose Sélavy

Shuzo Takiguchi · 1967, published 1968

Lenticular print on board

The Museum of Modern Art

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