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The collection

170 works match your filters.

Medium:Print141 Painting13 Drawing4 Photography2

Image

With image170
All226
Metadata only56

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Decade

1990s1
1980s4
1970s27
1960s170
1950s6
1940s4

Medium

Painting13
Print141
Drawing4
Photography2

Institution

The Museum of Modern Art154
Tate16

Nationality

- Europe
- Americas
British121
American37
German12

Movement

pop art170
contemporary art111
abstract expressionism48
Zero9
surrealism7
abstract art6
Chicago Imagists5
Neo-Dada5
COBRA4
Expressionism4
kinetic art4
modern art4
modernism4
Movimento Arte Concreta4
Movimento Spaziale4
social realism4
20th-century classical music2
cubism2
Fluxus2
New Objectivity2
Angry Penguins1
Antropophagia1
conceptual art1
Dada1
op art1
tropicália1

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contemporary art

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Follow Me from Witness, Gerald Laing, 1968, One from a portfolio of ten screenprints with collage additions

Follow Me from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Two Tunnels from Witness, Gerald Laing, 1968, One from a portfolio of ten screenprints with collage additions

Two Tunnels from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Black Bean, Andy Warhol, 1968, Screenprint on paper

Black Bean

Andy Warhol · 1968

Screenprint on paper

Witness, Gerald Laing, 1968, Portfolio of ten screenprints with collage additions

Witness

Gerald Laing · 1968

Portfolio of ten screenprints with collage additions

The Museum of Modern Art

Untitled, Sigmar Polke, (1968), Watercolor, acrylic spray, gouache on paper

Untitled

Sigmar Polke · (1968)

Watercolor, acrylic spray, gouache on paper

The Museum of Modern Art

Headers from Witness, Gerald Laing, 1968, One from a portfolio of ten screenprints with collage additions

Headers from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Screen from Witness, Gerald Laing, 1968, One from a portfolio of ten screenprints with collage additions

Screen from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Two Players from Witness, Gerald Laing, 1968, One from a portfolio of ten screenprints with collage additions

Two Players from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Gold Standard from Witness, Gerald Laing, 1968, One from a portfolio of ten screenprints with collage additions

Gold Standard from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Chevelere Assigne from Witness, Gerald Laing, 1968, One from a portfolio of ten screenprints with collage additions

Chevelere Assigne from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Trace from Witness, Gerald Laing, 1968, One from a portfolio of ten screenprints with collage additions

Trace from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Glide from Witness, Gerald Laing, 1968, One from a portfolio of ten screenprints with collage additions

Glide from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Three Axes from Witness, Gerald Laing, 1968, One from a portfolio of ten screenprints with collage additions

Three Axes from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Whip, Sigmar Polke, 1968, Ink on lined notebook paper

Whip

Sigmar Polke · 1968

Ink on lined notebook paper

The Museum of Modern Art

Untitled from Moonstrips Empire News, Eduardo Paolozzi, 1967, One from a portfolio of 101 screenprints (including title page and colophon)

Untitled from Moonstrips Empire News

Eduardo Paolozzi · 1967

One from a portfolio of 101 screenprints (including title page and colophon)

The Museum of Modern Art

Untitled from Moonstrips Empire News, Eduardo Paolozzi, 1967, One from a portfolio of 101 screenprints (including title page and colophon)

Untitled from Moonstrips Empire News

Eduardo Paolozzi · 1967

One from a portfolio of 101 screenprints (including title page and colophon)

The Museum of Modern Art

[no title], Andy Warhol, 1967, Screenprint on paper

[no title]

Andy Warhol · 1967

Screenprint on paper

Untitled from Moonstrips Empire News, Eduardo Paolozzi, 1967, One from a portfolio of 101 screenprints (including title page and colophon)

Untitled from Moonstrips Empire News

Eduardo Paolozzi · 1967

One from a portfolio of 101 screenprints (including title page and colophon)

The Museum of Modern Art

In His Forthcoming Book on Relative Deprivation (Loneliness) from the portfolio Mahler Becomes Politics, Beisbol, R. B. Kitaj, 1967, One from a portfolio of fifteen screenprints

In His Forthcoming Book on Relative Deprivation (Loneliness) from the portfolio Mahler Becomes Politics, Beisbol

R. B. Kitaj · 1967

One from a portfolio of fifteen screenprints

The Museum of Modern Art

Untitled from Moonstrips Empire News, Eduardo Paolozzi, 1967, One from a portfolio of 101 screenprints (including title page and colophon)

Untitled from Moonstrips Empire News

Eduardo Paolozzi · 1967

One from a portfolio of 101 screenprints (including title page and colophon)

The Museum of Modern Art

Untitled from Moonstrips Empire News, Eduardo Paolozzi, 1967, One from a portfolio of 101 screenprints (including title page and colophon)

Untitled from Moonstrips Empire News

Eduardo Paolozzi · 1967

One from a portfolio of 101 screenprints (including title page and colophon)

The Museum of Modern Art

[no title], Andy Warhol, 1967, Screenprint on paper

[no title]

Andy Warhol · 1967

Screenprint on paper

Untitled from Moonstrips Empire News, Eduardo Paolozzi, 1967, One from a portfolio of 101 screenprints (including title page and colophon)

Untitled from Moonstrips Empire News

Eduardo Paolozzi · 1967

One from a portfolio of 101 screenprints (including title page and colophon)

The Museum of Modern Art

Memory Core Units from Moonstrips Empire News, Eduardo Paolozzi, 1967, One from a portfolio of 101 screenprints (including title page and colophon)

Memory Core Units from Moonstrips Empire News

Eduardo Paolozzi · 1967

One from a portfolio of 101 screenprints (including title page and colophon)

The Museum of Modern Art

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