Skip to main content

dartabase Play Browse Movements

dartabase Play Browse Movements

Aboriginal and Torres Strait Islander peoples are advised that Dartabase may contain images, names, and works of people who have died.

Dartabase, a reference for art and its makers

ExploreBrowse Artists Movements Exhibitions Institutions & sources

Cite & dataCite Dartabase Data terms API & widget

ProjectAbout Gallery partners Contact

Browse

The collection

31 works match your filters.

Medium:Print26 Painting4 Drawing1

Image

With image31
All31
Metadata only0

Year range

to

Decade

1990s2
1980s7
1970s11
1960s16
1950s31
1940s16
1930s34
1920s29
1910s56
1900s37
1890s2
1880s1
1860s16
1830s3
1820s5
1810s5
1800s4
1790s22
1780s2
1770s5
1750s4
1740s1
1730s1
1710s1
1700s2

Medium

Painting4
Print26
Drawing1

Institution

The Museum of Modern Art31

Nationality

American217
Russian86
German52
French51
Spanish29
Brazilian22
British13
Italian12
Swiss12
Japanese10
Cuban5
Korean5
Belgian4
Dutch4
Argentine3
Austrian2
Mexican2
Canadian1
Colombian1
Czech1
Danish1
Greek1
Guatemalan1
Israeli1
Polish1
Swedish1

Movement

surrealism28

1950s×Remove filter Flemish×Remove filter Austrian×Remove filter Spanish×Remove filter Clear all

Sort:

Export:Download

420 La Foudre, Hundertwasser (Friedrich Stowasser), 1959, Oil and plaster on paper on burlap

420 La Foudre

Hundertwasser (Friedrich Stowasser) · 1959

Oil and plaster on paper on burlap

The Museum of Modern Art

No Escape?, André Verlon (Willy Verkauf), 1958, Oil with natural resin varnish, cut-and-pasted printed paper, and gouache on board

No Escape?

André Verlon (Willy Verkauf) · 1958

Oil with natural resin varnish, cut-and-pasted printed paper, and gouache on board

The Museum of Modern Art

Maquette for dust jacket for Joan Miró by James Thrall Soby, Joan Miró, 1958, Watercolor and ink on paper

Maquette for dust jacket for Joan Miró by James Thrall Soby

Joan Miró · 1958

Watercolor and ink on paper

The Museum of Modern Art

The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate VII from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate VII from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Table of plates from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Etching from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Table of plates from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Etching from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate XIX from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate XIX from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate XVIII from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate XVIII from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate VI from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate II from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate II from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate XIV from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate XIV from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate VIII from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate VIII from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate IX from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate IX from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate XIII from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate XIII from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Wrapper front from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Etching, drypoint, and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Wrapper front from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Etching, drypoint, and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate IV from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate IV from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate XV from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate XV from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate XXII from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Drypoint and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate XXII from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Drypoint and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate XVII from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate XVII from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate V from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate V from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate I from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate I from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Variant of plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Aquatint with pastel additions from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Variant of plate VI from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint with pastel additions from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate XI from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate XI from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate XX from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

Plate XX from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

← Prev

1
2