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The collection

274 works match your filters.

Medium:Painting132 Drawing86 Photography6 Print3 Sculpture1 Textile1

Image

With image274
All303
Metadata only29

Year range

to

Decade

2010s11
2000s69
1990s287
1980s445
1970s638
1960s578
1950s274
1940s309
1930s301
1920s322
1910s342
1900s149
1890s179
1880s102
1870s62
1860s33
1850s29
1840s16
1830s27
1820s30
1810s22
1800s47
1790s41
1780s30
1770s31

Medium

Painting132
Print3
Drawing86
Photography6
Sculpture1
Textile1

Institution

The Museum of Modern Art205
Tate39
Art Institute of Chicago25
National Museum of African American History and Culture3
Harvard Art Museums1
Städel Museum1

Nationality

American217
Russian86
German52
French51
Spanish29
Brazilian22
British13
Italian12
Swiss12
Japanese10
Cuban5
Korean5
Belgian4
Dutch4
Argentine3
Austrian2
Mexican2
Canadian1
Colombian1
Czech1
Danish1
Greek1
Guatemalan1
Israeli1
Polish1
Swedish1

Movement

contemporary art35
modern art35
Postmodernism35
abstract art17
hard-edge painting16
Minimalism16
social realism5
abstract expressionism4
pop art4
surrealism4
modernism3
20th-century classical music1
Bauhaus1
Color Field1
Dada1
Fluxus1
pointillism1
Zero1

Exhibition History

Has exhibition record22

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)13
photographic paper6
glass1

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22 works

Street Shadows, Jacob Lawrence, 1959, Egg tempera on board

Street Shadows

Jacob Lawrence · 1959

Egg tempera on board

The Museum of Modern Art

Canto XXI: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, gouache, cut-and-pasted paper, pencil, and colored pencil on paper

Canto XXI: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, gouache, cut-and-pasted paper, pencil, and colored pencil on paper

The Museum of Modern Art

Aspera, Saul Steinberg, 1959, Pen and black ink with traces of graphite on cream paperboard

Aspera

Saul Steinberg · 1959

Pen and black ink with traces of graphite on cream paperboard

Art Institute of Chicago

1 show

Canto XXII: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, (1959–60), Solvent transfer drawing, gouache, and pencil on paper

Canto XXII: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · (1959–60)

Solvent transfer drawing, gouache, and pencil on paper

The Museum of Modern Art

Untitled, Joseph Beuys, 1959–60, Graphite and oil paint on paper mounted between Perspex in zinc frame

Untitled

Joseph Beuys · 1959–60

Graphite and oil paint on paper mounted between Perspex in zinc frame

Summer, Mary Petty, (1959), Watercolor and ink on paper

Summer

Mary Petty · (1959)

Watercolor and ink on paper

The Museum of Modern Art

Battery, Joseph Beuys, 1959, Graphite on board on oil paint on paper

Battery

Joseph Beuys · 1959

Graphite on board on oil paint on paper

Canto XVI: Circle Seven, Round 3, The Violent Against Nature and Art from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, watercolor, pencil, colored pencil, and gouache on paper

Canto XVI: Circle Seven, Round 3, The Violent Against Nature and Art from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, watercolor, pencil, colored pencil, and gouache on paper

The Museum of Modern Art

Cinna the Poet, Jacob Landau, 1959, Watercolor, ink, and pencil on paper

Cinna the Poet

Jacob Landau · 1959

Watercolor, ink, and pencil on paper

The Museum of Modern Art

Canto XXXII: Circle Nine, Cocytus, Compound Fraud: Round 1, Caina, Treacherous to Kin; Round 2, Antenora, Treacherous to Country from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper

Canto XXXII: Circle Nine, Cocytus, Compound Fraud: Round 1, Caina, Treacherous to Kin; Round 2, Antenora, Treacherous to Country from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · (1959–60)

Solvent transfer drawing, gouache, watercolor, and pencil on paper

The Museum of Modern Art

Woman with falling stone, Joseph Beuys, 1959, Graphite on paper

Woman with falling stone

Joseph Beuys · 1959

Graphite on paper

Untitled, Kimber Smith, 1959, Dry pigment and aqueous medium on paper

Untitled

Kimber Smith · 1959

Dry pigment and aqueous medium on paper

The Museum of Modern Art

Motels and Highway, Saul Steinberg, 1959, Pen and black inks, with black crayon, on ivory paperboard

Motels and Highway

Saul Steinberg · 1959

Pen and black inks, with black crayon, on ivory paperboard

Art Institute of Chicago

1 show

Canto XVII: Circle Seven, Round 3, The Violent Against Art, The Usurers, Geryon from the series Thirty-Four Illustrations from Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, gouache, and pencil on paper

Canto XVII: Circle Seven, Round 3, The Violent Against Art, The Usurers, Geryon from the series Thirty-Four Illustrations from Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, gouache, and pencil on paper

The Museum of Modern Art

Drawing for Stock Page, Chryssa, 1959, Ink, synthetic polymer paint, gouache, and pencil on printed paper

Drawing for Stock Page

Chryssa · 1959

Ink, synthetic polymer paint, gouache, and pencil on printed paper

The Museum of Modern Art

Untitled, Raúl Milián, 1959, Watercolor and ink on paper

Untitled

Raúl Milián · 1959

Watercolor and ink on paper

The Museum of Modern Art

Canto XXV: Circle Eight, Bolgia 7, The Thieves, from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, watercolor, colored pencil, and pencil on paper

Canto XXV: Circle Eight, Bolgia 7, The Thieves, from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, watercolor, colored pencil, and pencil on paper

The Museum of Modern Art

Canto XVIII: Circle Eight, Malebolge, The Evil Ditches, The Fraudulent and Malicious: Bolgia 1, The Panderers and Seducers; Bolgia 2, The Flatterers from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, pencil, gouache, and crayon on paper

Canto XVIII: Circle Eight, Malebolge, The Evil Ditches, The Fraudulent and Malicious: Bolgia 1, The Panderers and Seducers; Bolgia 2, The Flatterers from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, pencil, gouache, and crayon on paper

The Museum of Modern Art

Untitled, Joseph Beuys, 1959, Oil paint and graphite on paper

Untitled

Joseph Beuys · 1959

Oil paint and graphite on paper

Untitled (Smoke Drawing) (Ohne Titel [Rauchzeichnung]), Otto Piene, 1959, Soot on paper

Untitled (Smoke Drawing) (Ohne Titel [Rauchzeichnung])

Otto Piene · 1959

Soot on paper

The Museum of Modern Art

Canto XXIV: Circle Eight, Bolgia 7, The Thieves from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper

Canto XXIV: Circle Eight, Bolgia 7, The Thieves from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · (1959–60)

Solvent transfer drawing, gouache, watercolor, and pencil on paper

The Museum of Modern Art

Canto IX: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, cut-and-pasted paper, watercolor, gouache, and crayon on paper

Canto IX: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, cut-and-pasted paper, watercolor, gouache, and crayon on paper

The Museum of Modern Art

Canto XXVIII: Circle Eight, Bolgia 9, The Sowers of Discord: The Sowers of Religious and Political Discord Between Kinsmen from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, (1959–60), Solvent transfer drawing, pencil, watercolor, gouache, and colored pencil on paper

Canto XXVIII: Circle Eight, Bolgia 9, The Sowers of Discord: The Sowers of Religious and Political Discord Between Kinsmen from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · (1959–60)

Solvent transfer drawing, pencil, watercolor, gouache, and colored pencil on paper

The Museum of Modern Art

Canto VII: Circle Four, The Hoarders and The Wasters; Circle Five, The Wrathful and The Sullen from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, pencil, watercolor, and colored pencil on paper

Canto VII: Circle Four, The Hoarders and The Wasters; Circle Five, The Wrathful and The Sullen from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, pencil, watercolor, and colored pencil on paper

The Museum of Modern Art

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