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The collection

239 works match your filters.

Medium:Painting104 Drawing83 Photography6 Print2 Sculpture1 Textile1

Image

With image239
All267
Metadata only28

Year range

to

Decade

2010s10
2000s39
1990s176
1980s254
1970s480
1960s455
1950s239
1940s287
1930s260
1920s178
1910s237
1900s108
1890s159
1880s88
1870s61
1860s31
1850s27
1840s14
1830s18
1820s27
1810s19
1800s36
1790s38
1780s20
1770s24

Medium

Painting104
Print2
Drawing83
Photography6
Sculpture1
Textile1

Institution

The Museum of Modern Art209
Art Institute of Chicago26
National Museum of African American History and Culture3
Harvard Art Museums1

Nationality

American217
Russian86
German52
French51
Spanish29
Brazilian22
British13
Italian12
Swiss12
Japanese10
Cuban5
Korean5
Belgian4
Dutch4
Argentine3
Austrian2
Mexican2
Canadian1
Colombian1
Czech1
Danish1
Greek1
Guatemalan1
Israeli1
Polish1
Swedish1

Movement

contemporary art35
modern art35
Postmodernism35
abstract art25
hard-edge painting16
Minimalism16
Antropophagia8
tropicália8
social realism5
abstract expressionism4
pop art4
surrealism4
modernism3
20th-century classical music1
Fluxus1

Exhibition History

Has exhibition record23

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)14
photographic paper6
glass1

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View:Works Exhibitions23 works

Street Shadows, Jacob Lawrence, 1959, Egg tempera on board

Street Shadows

Jacob Lawrence · 1959

Egg tempera on board

The Museum of Modern Art

Canto XXI: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, gouache, cut-and-pasted paper, pencil, and colored pencil on paper

Canto XXI: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, gouache, cut-and-pasted paper, pencil, and colored pencil on paper

The Museum of Modern Art

Aspera, Saul Steinberg, 1959, Pen and black ink with traces of graphite on cream paperboard

Aspera

Saul Steinberg · 1959

Pen and black ink with traces of graphite on cream paperboard

Art Institute of Chicago

1 show

Canto XXII: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, (1959–60), Solvent transfer drawing, gouache, and pencil on paper

Canto XXII: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · (1959–60)

Solvent transfer drawing, gouache, and pencil on paper

The Museum of Modern Art

Summer, Mary Petty, (1959), Watercolor and ink on paper

Summer

Mary Petty · (1959)

Watercolor and ink on paper

The Museum of Modern Art

Book of Creation, Lygia Pape, 1959–60, Artist's book with sixteen unbound pages, some with goauche on board, paper, and string

Book of Creation

Lygia Pape · 1959–60

Artist's book with sixteen unbound pages, some with goauche on board, paper, and string

The Museum of Modern Art

Canto XVI: Circle Seven, Round 3, The Violent Against Nature and Art from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, watercolor, pencil, colored pencil, and gouache on paper

Canto XVI: Circle Seven, Round 3, The Violent Against Nature and Art from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, watercolor, pencil, colored pencil, and gouache on paper

The Museum of Modern Art

Cinna the Poet, Jacob Landau, 1959, Watercolor, ink, and pencil on paper

Cinna the Poet

Jacob Landau · 1959

Watercolor, ink, and pencil on paper

The Museum of Modern Art

Canto XXXII: Circle Nine, Cocytus, Compound Fraud: Round 1, Caina, Treacherous to Kin; Round 2, Antenora, Treacherous to Country from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper

Canto XXXII: Circle Nine, Cocytus, Compound Fraud: Round 1, Caina, Treacherous to Kin; Round 2, Antenora, Treacherous to Country from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · (1959–60)

Solvent transfer drawing, gouache, watercolor, and pencil on paper

The Museum of Modern Art

Untitled, Lygia Pape, 1959, Pen and black ink on cream Japanese paper

Untitled

Lygia Pape · 1959

Pen and black ink on cream Japanese paper

Art Institute of Chicago

1 show

Untitled, Kimber Smith, 1959, Dry pigment and aqueous medium on paper

Untitled

Kimber Smith · 1959

Dry pigment and aqueous medium on paper

The Museum of Modern Art

Motels and Highway, Saul Steinberg, 1959, Pen and black inks, with black crayon, on ivory paperboard

Motels and Highway

Saul Steinberg · 1959

Pen and black inks, with black crayon, on ivory paperboard

Art Institute of Chicago

1 show

Canto XVII: Circle Seven, Round 3, The Violent Against Art, The Usurers, Geryon from the series Thirty-Four Illustrations from Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, gouache, and pencil on paper

Canto XVII: Circle Seven, Round 3, The Violent Against Art, The Usurers, Geryon from the series Thirty-Four Illustrations from Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, gouache, and pencil on paper

The Museum of Modern Art

Drawing for Stock Page, Chryssa, 1959, Ink, synthetic polymer paint, gouache, and pencil on printed paper

Drawing for Stock Page

Chryssa · 1959

Ink, synthetic polymer paint, gouache, and pencil on printed paper

The Museum of Modern Art

Canto XXV: Circle Eight, Bolgia 7, The Thieves, from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, watercolor, colored pencil, and pencil on paper

Canto XXV: Circle Eight, Bolgia 7, The Thieves, from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, watercolor, colored pencil, and pencil on paper

The Museum of Modern Art

Canto XVIII: Circle Eight, Malebolge, The Evil Ditches, The Fraudulent and Malicious: Bolgia 1, The Panderers and Seducers; Bolgia 2, The Flatterers from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, pencil, gouache, and crayon on paper

Canto XVIII: Circle Eight, Malebolge, The Evil Ditches, The Fraudulent and Malicious: Bolgia 1, The Panderers and Seducers; Bolgia 2, The Flatterers from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, pencil, gouache, and crayon on paper

The Museum of Modern Art

Canto XXIV: Circle Eight, Bolgia 7, The Thieves from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper

Canto XXIV: Circle Eight, Bolgia 7, The Thieves from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · (1959–60)

Solvent transfer drawing, gouache, watercolor, and pencil on paper

The Museum of Modern Art

Canto IX: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, cut-and-pasted paper, watercolor, gouache, and crayon on paper

Canto IX: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, cut-and-pasted paper, watercolor, gouache, and crayon on paper

The Museum of Modern Art

Canto XXVIII: Circle Eight, Bolgia 9, The Sowers of Discord: The Sowers of Religious and Political Discord Between Kinsmen from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, (1959–60), Solvent transfer drawing, pencil, watercolor, gouache, and colored pencil on paper

Canto XXVIII: Circle Eight, Bolgia 9, The Sowers of Discord: The Sowers of Religious and Political Discord Between Kinsmen from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · (1959–60)

Solvent transfer drawing, pencil, watercolor, gouache, and colored pencil on paper

The Museum of Modern Art

Canto VII: Circle Four, The Hoarders and The Wasters; Circle Five, The Wrathful and The Sullen from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, pencil, watercolor, and colored pencil on paper

Canto VII: Circle Four, The Hoarders and The Wasters; Circle Five, The Wrathful and The Sullen from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, pencil, watercolor, and colored pencil on paper

The Museum of Modern Art

Canto XI: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, gouache, and pencil on paper

Canto XI: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, gouache, and pencil on paper

The Museum of Modern Art

Canto XXIII: Circle Eight, Bolgia 6, The Hypocrites from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, pencil, gouache, and watercolor on paper

Canto XXIII: Circle Eight, Bolgia 6, The Hypocrites from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, pencil, gouache, and watercolor on paper

The Museum of Modern Art

Canto XXIX: Circle Eight, Bolgia 10, The Falsifiers: Class 1, The Alchemists from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, pastel, gouache, watercolor, and pencil on paper

Canto XXIX: Circle Eight, Bolgia 10, The Falsifiers: Class 1, The Alchemists from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, pastel, gouache, watercolor, and pencil on paper

The Museum of Modern Art

Canto XXXIV: Circle Nine, Cocytus, Compound Fraud: Round 4, Judecca, Treacherous to their Masters, from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper

Canto XXXIV: Circle Nine, Cocytus, Compound Fraud: Round 4, Judecca, Treacherous to their Masters, from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · (1959–60)

Solvent transfer drawing, gouache, watercolor, and pencil on paper

The Museum of Modern Art

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