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The collection

577 works match your filters.

Medium:Painting577 Drawing283 Print264 Ceramics75 Photography74 Sculpture15 Textile9

Image

With image219
All577
Metadata only358

Year range

to

Decade

2020s123
2010s620
2000s749
1990s614
1980s595
1970s543
1960s601
1950s577
1940s550
1930s430
1920s387
1910s344
1900s282
1890s165
1880s213
1870s116
1860s137
1850s132
1840s55
1830s60
1820s42
1810s46
1800s229
1790s460
1780s70

Medium

Painting577
Print264
Drawing283
Photography74
Sculpture15
Ceramics75
Textile9

Painting type

Oil228
Watercolor218
Gouache166
Tempera17
Acrylic1

Institution

Queensland Art Gallery and Gallery of Modern Art329
The Museum of Modern Art140
Tate78
Whitney Museum of American Art17
Art Institute of Chicago9
Smithsonian American Art Museum2
Städel Museum2

Nationality

Australian300
American105
German36
British14
Brazilian10
French9
Cuban3
Italian3
Korean3
Swiss3
Argentine2
Austrian2
Belgian2
Japanese2
Spanish2
Canadian1
Colombian1
Greek1
Polish1

Movement

contemporary art35
modern art34
Postmodernism34
abstract art18
Antropophagia8
tropicália8
abstract expressionism4
cubism3
modernism3
surrealism3
op art2
abstraction1
COBRA1
Dada1
Expressionism1
Fauvism1
hard-edge painting1
Les Automatistes1
Minimalism1
Orphism1
pop art1
simultanism1

Cultural Heritage

Indigenous Australian102

Exhibition History

Has exhibition record8

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)7
Masonite1
oil paint (paint)1
sand1

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View:Works Exhibitions8 works

Street Shadows, Jacob Lawrence, 1959, Egg tempera on board

Street Shadows

Jacob Lawrence · 1959

Egg tempera on board

The Museum of Modern Art

Canto XXI: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, gouache, cut-and-pasted paper, pencil, and colored pencil on paper

Canto XXI: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, gouache, cut-and-pasted paper, pencil, and colored pencil on paper

The Museum of Modern Art

Turning Figure, Francis Bacon, c.1959–62, Graphite and oil paint on paper

Turning Figure

Francis Bacon · c.1959–62

Graphite and oil paint on paper

Canto XXII: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, (1959–60), Solvent transfer drawing, gouache, and pencil on paper

Canto XXII: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · (1959–60)

Solvent transfer drawing, gouache, and pencil on paper

The Museum of Modern Art

Untitled, Joseph Beuys, 1959–60, Graphite and oil paint on paper mounted between Perspex in zinc frame

Untitled

Joseph Beuys · 1959–60

Graphite and oil paint on paper mounted between Perspex in zinc frame

Summer, Mary Petty, (1959), Watercolor and ink on paper

Summer

Mary Petty · (1959)

Watercolor and ink on paper

The Museum of Modern Art

Battery, Joseph Beuys, 1959, Graphite on board on oil paint on paper

Battery

Joseph Beuys · 1959

Graphite on board on oil paint on paper

Canto XVI: Circle Seven, Round 3, The Violent Against Nature and Art from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, watercolor, pencil, colored pencil, and gouache on paper

Canto XVI: Circle Seven, Round 3, The Violent Against Nature and Art from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, watercolor, pencil, colored pencil, and gouache on paper

The Museum of Modern Art

Cinna the Poet, Jacob Landau, 1959, Watercolor, ink, and pencil on paper

Cinna the Poet

Jacob Landau · 1959

Watercolor, ink, and pencil on paper

The Museum of Modern Art

Canto XXXII: Circle Nine, Cocytus, Compound Fraud: Round 1, Caina, Treacherous to Kin; Round 2, Antenora, Treacherous to Country from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper

Canto XXXII: Circle Nine, Cocytus, Compound Fraud: Round 1, Caina, Treacherous to Kin; Round 2, Antenora, Treacherous to Country from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · (1959–60)

Solvent transfer drawing, gouache, watercolor, and pencil on paper

The Museum of Modern Art

+ 14 metadata-only matchesshowhide

Metadata only · no published image

We mirror only what an institution itself has openly published. These works have no openly available image; follow the link to view at the source.

City skyline, SydneyLloyd Rees · 1959
UskudarAllan Anderson · 1959
Queen Street [Brisbane (from George Street, looking north)]John Rigby · 1959
Wheat motiveKenneth Macqueen · c.1959
Lane Cove RiverGeorge Lawrence · 1959
(Four landscape sketches)Cultural advisoryJoe Rootsey · 1959
(Road from Cooktown to Lakeland)Cultural advisoryJoe Rootsey · 1959
Study for 'Drift tide'Eric Smith · 1959
(Boats on the Brisbane River)Penny Sharpe · 1959
(Kalpower)Cultural advisoryJoe Rootsey · c.1959
(At Wakooka, Barrow Point in the background)Cultural advisoryJoe Rootsey · 1959
A ballade of native stockmen no. 2Jon Molvig · 1959
Untitled (Blue, Fireworks) #786Eugene Von Bruenchenhein · 1959
McLean Bridge on the way to Mt TamborineCultural advisoryJoe Rootsey · c.1959

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