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The collection

622 works match your filters.

Medium:Painting219 Drawing169 Print132 Photography19 Textile3 Sculpture1

Image

With image622
All1,533
Metadata only911

Year range

to

Decade

2020s4
2010s97
2000s156
1990s440
1980s618
1970s831
1960s1,062
1950s622
1940s553
1930s505
1920s1,212
1910s1,306
1900s1,249
1890s843
1880s329
1870s308
1860s357
1850s410
1840s380
1830s426
1820s253
1810s218
1800s1,848
1790s2,342
1780s312

Medium

Painting219
Print132
Drawing169
Photography19
Sculpture1
Textile3

Institution

The Museum of Modern Art461
Tate84
Art Institute of Chicago69
National Museum of African American History and Culture3
Smithsonian American Art Museum2
Städel Museum2
Harvard Art Museums1

Nationality

American217
Russian86
German52
French51
Spanish29
Brazilian22
British13
Italian12
Swiss12
Japanese10
Cuban5
Korean5
Belgian4
Dutch4
Argentine3
Austrian2
Mexican2
Canadian1
Colombian1
Czech1
Danish1
Greek1
Guatemalan1
Israeli1
Polish1
Swedish1

Movement

contemporary art37
surrealism36
modern art35
Postmodernism35
abstract art31
hard-edge painting16
Minimalism16
abstract expressionism8
Antropophagia8
cubism8
tropicália8
modernism7
Dada6
pop art6
social realism5
abstraction3
COBRA3
Expressionism3
Fauvism3
Movimento Arte Concreta3
Orphism3
Bauhaus2
De Stijl2
Movimento Spaziale2
simultanism2
Symbolism2
20th-century classical music1
Color Field1
concrete art1
Constructivism1

Exhibition History

Has exhibition record61

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)27
photographic paper18
steel3
fiberglass1
glass1
graphite1
linen (material)1
Masonite1
Naugahyde (TM)1
oil paint (paint)1
Polaroid (TM) film1
rayon1
sand1
silk (textile)1
vinyl1

1950s×Remove filter Last exhibited before 2024×Remove filter Clear all

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View:Works Exhibitions61 works

Street Shadows, Jacob Lawrence, 1959, Egg tempera on board

Street Shadows

Jacob Lawrence · 1959

Egg tempera on board

The Museum of Modern Art

Work 59-42, Nankoku Hidai, 1959, Ink on paper on silk scroll

Work 59-42

Nankoku Hidai · 1959

Ink on paper on silk scroll

The Museum of Modern Art

Canto XXI: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, gouache, cut-and-pasted paper, pencil, and colored pencil on paper

Canto XXI: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, gouache, cut-and-pasted paper, pencil, and colored pencil on paper

The Museum of Modern Art

Aspera, Saul Steinberg, 1959, Pen and black ink with traces of graphite on cream paperboard

Aspera

Saul Steinberg · 1959

Pen and black ink with traces of graphite on cream paperboard

Art Institute of Chicago

1 show

Untitled, Roél d'Haese, 1959, Ink on paper

Untitled

Roél d'Haese · 1959

Ink on paper

The Museum of Modern Art

Turning Figure, Francis Bacon, c.1959–62, Graphite and oil paint on paper

Turning Figure

Francis Bacon · c.1959–62

Graphite and oil paint on paper

Portrait of JR, Alberto Giacometti, 1959, Pencil on paper

Portrait of JR

Alberto Giacometti · 1959

Pencil on paper

The Museum of Modern Art

Canto XXII: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, (1959–60), Solvent transfer drawing, gouache, and pencil on paper

Canto XXII: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · (1959–60)

Solvent transfer drawing, gouache, and pencil on paper

The Museum of Modern Art

Untitled, Joseph Beuys, 1959–60, Graphite and oil paint on paper mounted between Perspex in zinc frame

Untitled

Joseph Beuys · 1959–60

Graphite and oil paint on paper mounted between Perspex in zinc frame

Summer, Mary Petty, (1959), Watercolor and ink on paper

Summer

Mary Petty · (1959)

Watercolor and ink on paper

The Museum of Modern Art

Broken Paint Figure, Minor White, August 1959, printed 1959/60, Gelatin silver print, from the portfolio "Sequence 15" (1959)

Broken Paint Figure

Minor White · August 1959, printed 1959/60

Gelatin silver print, from the portfolio "Sequence 15" (1959)

Art Institute of Chicago

1 show

Book of Creation, Lygia Pape, 1959–60, Artist's book with sixteen unbound pages, some with goauche on board, paper, and string

Book of Creation

Lygia Pape · 1959–60

Artist's book with sixteen unbound pages, some with goauche on board, paper, and string

The Museum of Modern Art

Battery, Joseph Beuys, 1959, Graphite on board on oil paint on paper

Battery

Joseph Beuys · 1959

Graphite on board on oil paint on paper

Canto XVI: Circle Seven, Round 3, The Violent Against Nature and Art from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, watercolor, pencil, colored pencil, and gouache on paper

Canto XVI: Circle Seven, Round 3, The Violent Against Nature and Art from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, watercolor, pencil, colored pencil, and gouache on paper

The Museum of Modern Art

Cinna the Poet, Jacob Landau, 1959, Watercolor, ink, and pencil on paper

Cinna the Poet

Jacob Landau · 1959

Watercolor, ink, and pencil on paper

The Museum of Modern Art

Canto XXXII: Circle Nine, Cocytus, Compound Fraud: Round 1, Caina, Treacherous to Kin; Round 2, Antenora, Treacherous to Country from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper

Canto XXXII: Circle Nine, Cocytus, Compound Fraud: Round 1, Caina, Treacherous to Kin; Round 2, Antenora, Treacherous to Country from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · (1959–60)

Solvent transfer drawing, gouache, watercolor, and pencil on paper

The Museum of Modern Art

Untitled, Lygia Pape, 1959, Pen and black ink on cream Japanese paper

Untitled

Lygia Pape · 1959

Pen and black ink on cream Japanese paper

Art Institute of Chicago

1 show

Woman with falling stone, Joseph Beuys, 1959, Graphite on paper

Woman with falling stone

Joseph Beuys · 1959

Graphite on paper

Untitled, Kimber Smith, 1959, Dry pigment and aqueous medium on paper

Untitled

Kimber Smith · 1959

Dry pigment and aqueous medium on paper

The Museum of Modern Art

Loading Crates, Domenico Gnoli, 1959, Ink on paper

Loading Crates

Domenico Gnoli · 1959

Ink on paper

The Museum of Modern Art

Le Vin de barbe, Jean Dubuffet, 1959, Torn-and-pasted paper with ink and ink transfer on paper

Le Vin de barbe

Jean Dubuffet · 1959

Torn-and-pasted paper with ink and ink transfer on paper

The Museum of Modern Art

Motels and Highway, Saul Steinberg, 1959, Pen and black inks, with black crayon, on ivory paperboard

Motels and Highway

Saul Steinberg · 1959

Pen and black inks, with black crayon, on ivory paperboard

Art Institute of Chicago

1 show

Canto XVII: Circle Seven, Round 3, The Violent Against Art, The Usurers, Geryon from the series Thirty-Four Illustrations from Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, gouache, and pencil on paper

Canto XVII: Circle Seven, Round 3, The Violent Against Art, The Usurers, Geryon from the series Thirty-Four Illustrations from Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, gouache, and pencil on paper

The Museum of Modern Art

Drawing for Stock Page, Chryssa, 1959, Ink, synthetic polymer paint, gouache, and pencil on printed paper

Drawing for Stock Page

Chryssa · 1959

Ink, synthetic polymer paint, gouache, and pencil on printed paper

The Museum of Modern Art

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