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The collection

622 works match your filters.

Medium:Painting219 Drawing169 Print132 Photography19 Textile3 Sculpture1

Image

With image622
All1,533
Metadata only911

Year range

to

Decade

2020s4
2010s97
2000s156
1990s440
1980s618
1970s831
1960s1,062
1950s622
1940s553
1930s505
1920s1,212
1910s1,306
1900s1,249
1890s843
1880s329
1870s308
1860s357
1850s410
1840s380
1830s426
1820s253
1810s218
1800s1,848
1790s2,342
1780s312

Medium

Painting219
Print132
Drawing169
Photography19
Sculpture1
Textile3

Institution

The Museum of Modern Art461
Tate84
Art Institute of Chicago69
National Museum of African American History and Culture3
Smithsonian American Art Museum2
Städel Museum2
Harvard Art Museums1

Nationality

American217
Russian86
German52
French51
Spanish29
Brazilian22
British13
Italian12
Swiss12
Japanese10
Cuban5
Korean5
Belgian4
Dutch4
Argentine3
Austrian2
Mexican2
Canadian1
Colombian1
Czech1
Danish1
Greek1
Guatemalan1
Israeli1
Polish1
Swedish1

Movement

contemporary art37
surrealism36
modern art35
Postmodernism35
abstract art31
hard-edge painting16
Minimalism16
abstract expressionism8
Antropophagia8
cubism8
tropicália8
modernism7
Dada6
pop art6
social realism5
abstraction3
COBRA3
Expressionism3
Fauvism3
Movimento Arte Concreta3
Orphism3
Bauhaus2
De Stijl2
Movimento Spaziale2
simultanism2
Symbolism2
20th-century classical music1
Color Field1
concrete art1
Constructivism1

Exhibition History

Has exhibition record61

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)27
photographic paper18
steel3
fiberglass1
glass1
graphite1
linen (material)1
Masonite1
Naugahyde (TM)1
oil paint (paint)1
Polaroid (TM) film1
rayon1
sand1
silk (textile)1
vinyl1

1950s×Remove filter Last exhibited before 2020×Remove filter Clear all

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View:Works Exhibitions61 works

Untitled, Raúl Milián, 1959, Watercolor and ink on paper

Untitled

Raúl Milián · 1959

Watercolor and ink on paper

The Museum of Modern Art

Untitled, Karel Appel, 1959, Crayon on paper (recto); pencil on paper (verso)

Untitled

Karel Appel · 1959

Crayon on paper (recto); pencil on paper (verso)

The Museum of Modern Art

Canto XXV: Circle Eight, Bolgia 7, The Thieves, from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, watercolor, colored pencil, and pencil on paper

Canto XXV: Circle Eight, Bolgia 7, The Thieves, from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, watercolor, colored pencil, and pencil on paper

The Museum of Modern Art

Canto XVIII: Circle Eight, Malebolge, The Evil Ditches, The Fraudulent and Malicious: Bolgia 1, The Panderers and Seducers; Bolgia 2, The Flatterers from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, pencil, gouache, and crayon on paper

Canto XVIII: Circle Eight, Malebolge, The Evil Ditches, The Fraudulent and Malicious: Bolgia 1, The Panderers and Seducers; Bolgia 2, The Flatterers from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, pencil, gouache, and crayon on paper

The Museum of Modern Art

Untitled, Joseph Beuys, 1959, Oil paint and graphite on paper

Untitled

Joseph Beuys · 1959

Oil paint and graphite on paper

Untitled (Smoke Drawing) (Ohne Titel [Rauchzeichnung]), Otto Piene, 1959, Soot on paper

Untitled (Smoke Drawing) (Ohne Titel [Rauchzeichnung])

Otto Piene · 1959

Soot on paper

The Museum of Modern Art

Canto XXIV: Circle Eight, Bolgia 7, The Thieves from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper

Canto XXIV: Circle Eight, Bolgia 7, The Thieves from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · (1959–60)

Solvent transfer drawing, gouache, watercolor, and pencil on paper

The Museum of Modern Art

Canto IX: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, cut-and-pasted paper, watercolor, gouache, and crayon on paper

Canto IX: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, cut-and-pasted paper, watercolor, gouache, and crayon on paper

The Museum of Modern Art

Canto XXVIII: Circle Eight, Bolgia 9, The Sowers of Discord: The Sowers of Religious and Political Discord Between Kinsmen from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, (1959–60), Solvent transfer drawing, pencil, watercolor, gouache, and colored pencil on paper

Canto XXVIII: Circle Eight, Bolgia 9, The Sowers of Discord: The Sowers of Religious and Political Discord Between Kinsmen from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · (1959–60)

Solvent transfer drawing, pencil, watercolor, gouache, and colored pencil on paper

The Museum of Modern Art

Canto VII: Circle Four, The Hoarders and The Wasters; Circle Five, The Wrathful and The Sullen from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, pencil, watercolor, and colored pencil on paper

Canto VII: Circle Four, The Hoarders and The Wasters; Circle Five, The Wrathful and The Sullen from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, pencil, watercolor, and colored pencil on paper

The Museum of Modern Art

Baptism of Fire (Baptême du feu), Jean Dubuffet, 1959, Pasted leaves with oil on paper on board

Baptism of Fire (Baptême du feu)

Jean Dubuffet · 1959

Pasted leaves with oil on paper on board

The Museum of Modern Art

Canto XI: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, gouache, and pencil on paper

Canto XI: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, gouache, and pencil on paper

The Museum of Modern Art

Remains of a Meal of Carp, Hartmut Friedrich, 1959, Ink on paper

Remains of a Meal of Carp

Hartmut Friedrich · 1959

Ink on paper

The Museum of Modern Art

Canto XXIII: Circle Eight, Bolgia 6, The Hypocrites from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, pencil, gouache, and watercolor on paper

Canto XXIII: Circle Eight, Bolgia 6, The Hypocrites from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, pencil, gouache, and watercolor on paper

The Museum of Modern Art

Canto XXIX: Circle Eight, Bolgia 10, The Falsifiers: Class 1, The Alchemists from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, pastel, gouache, watercolor, and pencil on paper

Canto XXIX: Circle Eight, Bolgia 10, The Falsifiers: Class 1, The Alchemists from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, pastel, gouache, watercolor, and pencil on paper

The Museum of Modern Art

Untitled (7 x 33), Jannis Kounellis, 1959, Tempera and glue on graph paper on canvas

Untitled (7 x 33)

Jannis Kounellis · 1959

Tempera and glue on graph paper on canvas

The Museum of Modern Art

Canto XXXIV: Circle Nine, Cocytus, Compound Fraud: Round 4, Judecca, Treacherous to their Masters, from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper

Canto XXXIV: Circle Nine, Cocytus, Compound Fraud: Round 4, Judecca, Treacherous to their Masters, from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · (1959–60)

Solvent transfer drawing, gouache, watercolor, and pencil on paper

The Museum of Modern Art

Untitled 13/3/59, David Smith, 1959, Ink and gouache on paper

Untitled 13/3/59

David Smith · 1959

Ink and gouache on paper

The Museum of Modern Art

Electricity, Joseph Beuys, 1959, 3 works on paper, oil paint and watercolour

Electricity

Joseph Beuys · 1959

3 works on paper, oil paint and watercolour

Patched Window, from the portfolio "Sequence 15" (1959), Minor White, August 1959, printed 1959/60, Gelatin silver print

Patched Window, from the portfolio "Sequence 15" (1959)

Minor White · August 1959, printed 1959/60

Gelatin silver print

Art Institute of Chicago

1 show

Drawing X, Georgia O'Keeffe, 1959, Charcoal on paper

Drawing X

Georgia O'Keeffe · 1959

Charcoal on paper

The Museum of Modern Art

Untitled, Roél d'Haese, 1959, Ink on paper

Untitled

Roél d'Haese · 1959

Ink on paper

The Museum of Modern Art

Canto VIII: Circle Five, The Styx, The Wrathful; Circle Six, Dis, Capital of Hell, The Fallen Angels from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, pencil, watercolor, gouache, and crayon on paper

Canto VIII: Circle Five, The Styx, The Wrathful; Circle Six, Dis, Capital of Hell, The Fallen Angels from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, pencil, watercolor, gouache, and crayon on paper

The Museum of Modern Art

Canto XXXI: The Central Pit of Malebolge, The Giants from the series Thirty- Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, colored pencil, gouache, and pencil on paper

Canto XXXI: The Central Pit of Malebolge, The Giants from the series Thirty- Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, colored pencil, gouache, and pencil on paper

The Museum of Modern Art

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