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37 works match your filters.

Medium:Painting35 Drawing1

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Canto XXI: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, gouache, cut-and-pasted paper, pencil, and colored pencil on paper

Canto XXI: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, gouache, cut-and-pasted paper, pencil, and colored pencil on paper

The Museum of Modern Art

Canto XXII: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, (1959–60), Solvent transfer drawing, gouache, and pencil on paper

Canto XXII: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · (1959–60)

Solvent transfer drawing, gouache, and pencil on paper

The Museum of Modern Art

Canto XVI: Circle Seven, Round 3, The Violent Against Nature and Art from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, watercolor, pencil, colored pencil, and gouache on paper

Canto XVI: Circle Seven, Round 3, The Violent Against Nature and Art from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, watercolor, pencil, colored pencil, and gouache on paper

The Museum of Modern Art

Canto XXXII: Circle Nine, Cocytus, Compound Fraud: Round 1, Caina, Treacherous to Kin; Round 2, Antenora, Treacherous to Country from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper

Canto XXXII: Circle Nine, Cocytus, Compound Fraud: Round 1, Caina, Treacherous to Kin; Round 2, Antenora, Treacherous to Country from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · (1959–60)

Solvent transfer drawing, gouache, watercolor, and pencil on paper

The Museum of Modern Art

Canto XVII: Circle Seven, Round 3, The Violent Against Art, The Usurers, Geryon from the series Thirty-Four Illustrations from Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, gouache, and pencil on paper

Canto XVII: Circle Seven, Round 3, The Violent Against Art, The Usurers, Geryon from the series Thirty-Four Illustrations from Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, gouache, and pencil on paper

The Museum of Modern Art

Canto XXV: Circle Eight, Bolgia 7, The Thieves, from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, watercolor, colored pencil, and pencil on paper

Canto XXV: Circle Eight, Bolgia 7, The Thieves, from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, watercolor, colored pencil, and pencil on paper

The Museum of Modern Art

Canto XVIII: Circle Eight, Malebolge, The Evil Ditches, The Fraudulent and Malicious: Bolgia 1, The Panderers and Seducers; Bolgia 2, The Flatterers from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, pencil, gouache, and crayon on paper

Canto XVIII: Circle Eight, Malebolge, The Evil Ditches, The Fraudulent and Malicious: Bolgia 1, The Panderers and Seducers; Bolgia 2, The Flatterers from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, pencil, gouache, and crayon on paper

The Museum of Modern Art

Canto XXIV: Circle Eight, Bolgia 7, The Thieves from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper

Canto XXIV: Circle Eight, Bolgia 7, The Thieves from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · (1959–60)

Solvent transfer drawing, gouache, watercolor, and pencil on paper

The Museum of Modern Art

Canto IX: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, cut-and-pasted paper, watercolor, gouache, and crayon on paper

Canto IX: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, cut-and-pasted paper, watercolor, gouache, and crayon on paper

The Museum of Modern Art

Canto XXVIII: Circle Eight, Bolgia 9, The Sowers of Discord: The Sowers of Religious and Political Discord Between Kinsmen from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, (1959–60), Solvent transfer drawing, pencil, watercolor, gouache, and colored pencil on paper

Canto XXVIII: Circle Eight, Bolgia 9, The Sowers of Discord: The Sowers of Religious and Political Discord Between Kinsmen from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · (1959–60)

Solvent transfer drawing, pencil, watercolor, gouache, and colored pencil on paper

The Museum of Modern Art

Canto VII: Circle Four, The Hoarders and The Wasters; Circle Five, The Wrathful and The Sullen from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, pencil, watercolor, and colored pencil on paper

Canto VII: Circle Four, The Hoarders and The Wasters; Circle Five, The Wrathful and The Sullen from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, pencil, watercolor, and colored pencil on paper

The Museum of Modern Art

Canto XI: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, gouache, and pencil on paper

Canto XI: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, gouache, and pencil on paper

The Museum of Modern Art

Canto XXIII: Circle Eight, Bolgia 6, The Hypocrites from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, pencil, gouache, and watercolor on paper

Canto XXIII: Circle Eight, Bolgia 6, The Hypocrites from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, pencil, gouache, and watercolor on paper

The Museum of Modern Art

Canto XXIX: Circle Eight, Bolgia 10, The Falsifiers: Class 1, The Alchemists from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, pastel, gouache, watercolor, and pencil on paper

Canto XXIX: Circle Eight, Bolgia 10, The Falsifiers: Class 1, The Alchemists from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, pastel, gouache, watercolor, and pencil on paper

The Museum of Modern Art

Canto XXXIV: Circle Nine, Cocytus, Compound Fraud: Round 4, Judecca, Treacherous to their Masters, from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper

Canto XXXIV: Circle Nine, Cocytus, Compound Fraud: Round 4, Judecca, Treacherous to their Masters, from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · (1959–60)

Solvent transfer drawing, gouache, watercolor, and pencil on paper

The Museum of Modern Art

Canto VIII: Circle Five, The Styx, The Wrathful; Circle Six, Dis, Capital of Hell, The Fallen Angels from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, pencil, watercolor, gouache, and crayon on paper

Canto VIII: Circle Five, The Styx, The Wrathful; Circle Six, Dis, Capital of Hell, The Fallen Angels from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, pencil, watercolor, gouache, and crayon on paper

The Museum of Modern Art

Canto XXXI: The Central Pit of Malebolge, The Giants from the series Thirty- Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, colored pencil, gouache, and pencil on paper

Canto XXXI: The Central Pit of Malebolge, The Giants from the series Thirty- Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, colored pencil, gouache, and pencil on paper

The Museum of Modern Art

Canto X: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, watercolor, pencil, gouache, and crayon on paper

Canto X: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, watercolor, pencil, gouache, and crayon on paper

The Museum of Modern Art

Canto XXVI: Circle Eight, Bolgia 8, The Evil Counselors, from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, (1959–60), Solvent transfer drawing, watercolor, and pencil on paper

Canto XXVI: Circle Eight, Bolgia 8, The Evil Counselors, from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · (1959–60)

Solvent transfer drawing, watercolor, and pencil on paper

The Museum of Modern Art

Canto XXXIII: Circle Nine, Cocytus, Compound Fraud: Round 2, Antenora, Treacherous to Country; Round 3, Ptolomea, Treacherous to Guests and Hosts from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, watercolor, and pencil on paper

Canto XXXIII: Circle Nine, Cocytus, Compound Fraud: Round 2, Antenora, Treacherous to Country; Round 3, Ptolomea, Treacherous to Guests and Hosts from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, watercolor, and pencil on paper

The Museum of Modern Art

Canto XII: Circle Seven, Round 1, The Violent Against Neighbors from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, watercolor, colored pencil, pencil, gouache, and black chalk on paper

Canto XII: Circle Seven, Round 1, The Violent Against Neighbors from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, watercolor, colored pencil, pencil, gouache, and black chalk on paper

The Museum of Modern Art

Canto XIV: Circle Seven, Round 3, The Violent Against God, Nature, and Art, from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, watercolor, gouache, pencil, and red chalk on paper

Canto XIV: Circle Seven, Round 3, The Violent Against God, Nature, and Art, from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, watercolor, gouache, pencil, and red chalk on paper

The Museum of Modern Art

Canto XIX: Circle Eight, Bolgia 3, The Simoniacs from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959–60, Solvent transfer drawing, gouache, and pencil on paper

Canto XIX: Circle Eight, Bolgia 3, The Simoniacs from the series Thirty-Four Illustrations for Dante's Inferno

Robert Rauschenberg · 1959–60

Solvent transfer drawing, gouache, and pencil on paper

The Museum of Modern Art

Canto XXX: Circle Eight, Bolgia 10, The Falsifiers: The Evil Impersonators, Counterfeiters, and False Witnesses from the series Thirty- Four Illustrations for Dante's Inferno, Robert Rauschenberg, (1959–60), Solvent transfer drawing, watercolor, gouache, and pencil on paper

Canto XXX: Circle Eight, Bolgia 10, The Falsifiers: The Evil Impersonators, Counterfeiters, and False Witnesses from the series Thirty- Four Illustrations for Dante's Inferno

Robert Rauschenberg · (1959–60)

Solvent transfer drawing, watercolor, gouache, and pencil on paper

The Museum of Modern Art

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