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Girl with a Fig Leaf

Lucian Freud · 1947

Intaglio print on paper

Iacy from Maria 1946

Maria Martins · 1946

Etching and drypoint from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving

Without Echo (Sans-écho) from Maria 1946

Maria Martins · 1946

Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving

Explanation III (Explication III) from Maria 1946

Maria Martins · 1946

Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving

Implacable Place (Place à l'implacable) from Maria 1946

Maria Martins · 1946

Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving

Frontispiece from the illustrated book Naturelles by René de Solier

Wols (A. O. Wolfgang Schulze) · published c. 1946

Drypoint

Like a Vine (Comme une liane) from Maria 1946

Maria Martins · 1946

Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving

Explanation I (Explication I) from Maria 1946

Maria Martins · 1946

Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving

Plate 2 from the illustrated book Naturelles by René de Solier

Wols (A. O. Wolfgang Schulze) · published c. 1946

Drypoint

Explanation IV (Explication IV) from Maria 1946

Maria Martins · 1946

Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving

Wrapper front from Maria 1946

Maria Martins · 1946

Engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving

Day and Dream

Max Beckmann · 1946

Portfolio of 15 lithographs

Impossible from Maria 1946

Maria Martins · 1946

Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving

Maria 1946

Maria Martins · 1946

Portfolio with nine etchings (four with aquatint and engraving and one with drypoint), one engraving; and supplementary suite of nineteen collotype reproductions of sculptures

Explanation II (Explication II) from Maria 1946

Maria Martins · 1946

Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving

Plate (folio 12) from 10 Origin

Vasily Kandinsky · 1942

Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Eiffel Tower from VVV Portfolio

Marc Chagall · 1942, published 1943

Etching from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print

Plate (folio 4) from 10 Origin

Jean (Hans) Arp · 1942

Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 6) from 10 Origin

Max Bill · 1942

Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 14) from 10 Origin

Léo Leuppi · 1942

Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 8) from 10 Origin

Sonia Delaunay · 1942

Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Phantom of the Past from VVV Portfolio

Kurt Seligmann · 1942, published 1943

Etching and aquatint from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print

Plate (folio 10) from 10 Origin

César Domela-Nieuwenhuis · 1942

Lithograph from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Fruits of the Abyss (Les Fruits de l'abîme) from VVV Portfolio

André Masson · 1942, published 1943

Etching from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print